Doctor Faustus - Live at Shakespeare's Globe (2012)
Doctor Faustus is Christopher Marlowe's most renowned and controversial work. Famous for being the first dramatised version of the Faustus tale, the play depicts the sinister aftermath of Faustus's decision to sell his soul to the Devil's henchman in exchange for power and knowledge. In the first-ever staging of this menacing drama at the Globe Theatre, Matthew Dunster's production features Paul Hilton as the arrogant, power-hungry Faustus and Arthur Darvill as the sardonic Mephistopheles, and includes several impressive magical stunts along the way.
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It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Although it has its amusing moments, in eneral the plot does not convince.
It's easily one of the freshest, sharpest and most enjoyable films of this year.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
I've been to Shakespeare's Globe - it's fun and if you can get there it's certainly worth doing. If you can't get there, this provides the next best thing: the stage production filmed in a way that does its very best to capture the experience of watching the live performance although of course nothing is quite like being packed in with other audience members and potentially participating in some of the action (various things, including an extracted tooth, get thrown from the stage and with the way the Globe works, there's nowhere for them to go but into the audience!).Paul Hilton as Faustus and Arthur Darvill as Mephistopheles both give sound performances and deliver the text as if they mean it - no mean feat with Elizabethan blank verse that can prove tricky to modern ears. There are some nice set pieces and the "special effects" are in keeping with feel of the Globe - great use of costumes, make-up and puppets to provide a sometimes surprisingly disturbing vision of hell. The odd modern quirk (a helium balloon, for example) adds to the tongue-in-cheek feel of the humour.And there is humour - despite being a bleak piece overall as one man sells his soul to the Devil and then fails to find redemption, Christopher Marlowe was a man who knew the audience of the day so there are plenty of humorous interludes. Darvill brings a sardonic touch to Mephistopheles that makes the darkness at his core all the more disturbing.If you're used to the very naturalistic approach of modern drama, this might feel like a bit of a stretch but as a slice of Elizabethan drama, presented in a theatre that comes as close to an original as modern health and safety allows, it's certainly worth an evening's viewing.