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Portrait of Alison

Portrait of Alison (1956)

January. 18,1956
|
6.4
|
NR
| Drama Crime

An actress and an artist are linked by his brother to deadly smugglers sought by Scotland Yard.

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Reviews

Console
1956/01/18

best movie i've ever seen.

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Cooktopi
1956/01/19

The acting in this movie is really good.

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Mandeep Tyson
1956/01/20

The acting in this movie is really good.

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Janis
1956/01/21

One of the most extraordinary films you will see this year. Take that as you want.

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clanciai
1956/01/22

Francis Durbridge shines through with his special knack for women mysteries and their magic presence for being absent, you are reminded both of the Paul Temple series and "Melissa" and other spellbinding thrillers with mystical ladies, and here you have two of them murdered while one of them shows up not being murdered at all.The intrigue is spun around a portrait, a weird old man commissions Robert Beatty, a poor painter and brother of the first casualty of the racket, to paint his lost daughter from a picture of her, which task gets him into thorough trouble, especially since one of his earlier models is found murdered in his flat.It's not a bad film although somewhat superficial, of such an intrigue Hitchcock would have brought out a masterpiece, the action is a bit thick as too many things are happening at the same time and too many threads are being woven together in some confusion, as there is another casualty of a man jumping out of a window and lots of fisticuffs which at least twice completely demolishes the painter's entire flat - there is not much space to fight, but they do it the more thoroughly.In brief, a very entertaining thriller with some magic in it, but you would have preferred the first girl (Josephine Griffin) to Terry Moore, but that's a matter of personal taste..

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Khun Kru Mark
1956/01/23

Pretty good crime caper.It's far from perfect and has some silly bits in it, but this movie is still a pretty good ride. It also has a topnotch cast of British and American actors to distract nicely from some otherwise hamfisted fight scenes, a rather muddled and implausible plot and a cheesy ending.It's a supposedly British film but even though it has UK locations it comes across as a fairly typical American noir. The director, Guy Green, is British but clearly took his cues from America for this one. There is also an uncomfortable and misguided attempt to try to capture the mid-50s London scene.Robert Beatty is well suited to his role and doesn't overdo the wrongly suspected victim. Lots of interesting parts for movie buffs and 'face watchers' to enjoy. Even 'Captain Peacock' (Frank Thornton) from Are You Being Served makes a brief appearance! (Those Sunday nights watching PBS weren't wasted after all, eh?)Like I say, there's a certain amount of silliness but it still holds up nicely because of the crisp pacing and superior acting talent on display.

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ksf-2
1956/01/24

This UK film from 1955 opens with a car racing along the road, over the cliff it goes, and bursts into flames when it hits the canyon below. Geoffrey Keen is Inspector Cobly, who is investigating the accident. We are introduced to Tim and Dave, the brothers of the deceased driver. You'll recognize "Henry" (Allan Cuthbertson) from Fawlty Towers, and whole lot of British TV. I see Hopscotch (AWESOME film) in Cuthberson's list of roles, but can't remember what he did in it. Tim (Robert Beatty) also starts checking out what's going on, and he bumps into people who have the answers, but don't want to give them up. Terry Moore stars as Alison, and seems to be at the center of all this grand adventure. Pretty entertaining. I've never seen this one before, and as of today, doesn't have any comments on the discussion board. Must be new to Turner Classics. There is a twist here and there, but nothing earth shattering. Story by Francis Durbridge, who wrote this in between all the (British) TV series for which he was known. Directed by Guy Green, who had received an Oscar for directing the 1948 Great Expectations.

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last-picture-show
1956/01/25

Originally a television series based on a story by crime writer Francis Durbridge, Portrait of Alison (AKA Postmark For Danger) is a neat thriller with enough twists and turns to keep anyone guessing. An excellent cast, especially Robert Beatty as artist Tim Forrester, who does a good job of underplaying the character, and Alan Cuthbertson in his screen debut, the first in a long line of oily villains. Also watch out for minor uncredited roles by Sam Kydd as a chirpy telephone engineer, Jack Howarth (later to play Albert Tatlock in long running ITV soap Coronation Street) as a hotel porter and Frank Thornton (later to play Captain Peacock in the BBC sitcom Are You Being Served ) as a policeman.

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