Race Street (1948)

Memorable, crazy movie

Good movie but grossly overrated

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

George Raft plays Gannin, a bookie who is, despite this, basically an honest guy. His pal, Hal (Harry Morgan) approaches him to say that some mobsters want in on his own bookmaking business. Well, these creeps turn out to mean business and when Hal refuses to cooperate, they murder him in a very vivid and brutal scene (one of the best in the film). Naturally, Gannin isn't happy but things are about to get rough for him as well, as the mobsters soon approach him as well. Now he could work with the detective (William Bendix) to expose these rats but, naturally, Gannin only likes to handle things alone. Does he possibly stand a chance?! Well, since it's George Raft, you certainly assume so!This film turned out to be a lot better than I expected. No, George Raft was just as stiff and unbelievable as he usually was in films. However, the plot offered some nice twists and kept me guessing. Plus the ending came as a HUGE surprise to me! Well worth seeing...almost deserving an 8...but not quite making it due to Raft's very ordinary sort of performance.Ironically, later Harry Morgan would play Bill Gannon on "Dragnet"...the show that helped make him a household name.

George Raft is said to have turned down more than one role that ended up making someone else's career. Sam Spade in "The Maltese Falcon," for example. Yet the movies he did choose are for the most part flat and predictable.I like him as a tough guy. He does it well. "Race Street" is strictly routine. He won't pay protection money, with predictable results.Harry Morgan is excellent in a fairly small role. William Bendix, who always turned in a fine performance, is very good as a cop. And Marilyn Maxwell is the femme fatale.She's OK. But her performance is unexciting. We neither hate her nor feel sorry for her. Maxwell essentially executes a plot contrivance.

One of the best of the film noir movies was "Nocturne" directed by Edwin L. Marin starring George Raft. The two teamed once more in an attempt to recreate the magic of that movie. Though the result "Race Street" doesn't have the compactness nor the intricate story lines of "Nocturne," it is worthwhile film noir. George Raft while not a great actor had an aura about him that gave authenticity to roles such as that of Dan Gannin. William Bendix, perhaps the most underrated actor Hollywood ever produced with the possible exception of Bob Mitchum, steals the show as always. Marilyn Maxwell makes a dandy femme fatale and the rest of the cast do their part to make this one a winner.The cinematography of the San Francisco area is crisp black and white at its best. Who ever designed the stairs that Harry Morgan is thrown down to his death deserves special recognition. Later George Raft is beat up on the same stairs. They appear menacing with the cold drab look of death about them.The music is appropriate and the songs well chosen to capture the necessary mood of the piece. Even the title is a good one. "Race Street" may indicate horses since the film is about double dealing bookies but it is also a metaphor for the story.

Noted San Francisco bookie and club owner George Raft is being muscled by the syndicate. He shrugs it off until pal Harry Morgan is thrown down a flight of stairs and killed. After that Raft is hot for revenge.Though this film was produced by RKO it has a Paramount look to it because of the presence of William Bendix as a police lieutenant and Frank Faylen as the syndicate's man in San Francisco.Raft gets a lot of good advice from Bendix in the film, most of which he ignores. Raft also has some very treacherous associates as the viewer will find out.George Raft films are always art imitating life when they are about gangsters. Except for horror film stars like Bela Lugosi and Boris Karloff, I doubt there was ever a major star whose own life so closely got involved in the roles he played. Raft was hardly a great actor, but in gangster films he knew the mob literally from the inside out so it was never acting.Bill Bendix of course is always good, films with him in it should be seen if for no other reason than to watch him.Race Street is an average noir film which I'm sure entertained the audiences who came to see whatever A picture was playing with it.