Watch the Birdie (1950)

Don't Believe the Hype

best movie i've ever seen.

This story has more twists and turns than a second-rate soap opera.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

WATCH THE BIRDIE is certainly one of Red Skelton's lesser efforts. Storyline has good potential, but something went wrong. Looks like scenes were maybe filmed but cut as the movie jumps around with not much logic. Due to the short run time I'm sure much was left on the cutting room floor. No explanation as to how the Arlene Dahl character knows Red's name and where he works. A lot of other missing information. The worse part is the clips of two old MGM films. Just stops the movie dead. However, if it weren't for that scene the movie would have been barely an hour long. Only for Skelton fans, or not even. Arlene Dahl is a real beauty and Ann Miller is her usual perky self. Not much else is worthwhile.

This film has some good sight gags and slapstick. Red is pleasant. Arlene Dahl (who co-starred with Red on 3 films in this time period) is pleasant, as well. So what's the problem? Well, an awfully weak script to begin with. Perhaps I'm wrong, but I'll put the blame on Jack Donohue, who directed a handful of films, but mostly went into television (including a number of Red's later t.v. shows)...which I learned after watching this film. And that is very telling, because I kept thinking this film needed a laugh track! And as we all know, that's a television trick not needed in a decent film.It seems to me that this film had some real potential. A somewhat down-in-the-luck photographer and photography store owner (Red) gets involved saving a wealthy socialite/real estate mogul (Dahl) from bankruptcy when the bad guys (chiefly Leon Ames) begin a swindle. But, it just never really takes off. Even with Red playing the lead character, and his father, and his grandfather. It almost seemed as if someone said, "We have all these bits. How can we string them together into a film?" No doubt there are some laughs here, including the scene at the doctor's office. And Red is funny. It's the script that poor. Still worth watching though, just for the joy of Red Skelton.

Only Red's many fans will enjoy "Watch the Birdie," one of Red Skelton's weaker movie comedies. "The Yellow Cab Man," released the same year (1950) is much better. To see classic Skelton, check out "A Southern Yankee," his most critically acclaimed feature, containing the famous scene of Red carrying a flag with bars and stars on one side and stars and stripes on the other so neither the Yankees or the Rebels will fire at him. Any of the "Whistling" pictures Red made during World War II are worth a look, in particular "Whistling in Brooklyn." All three have the added attraction of featuring one of the funniest men in the movies, Rags Ragland, who left us much too soon."Watch the Birdie" does contain some funny routines and several humorous situations, such as the wild chase at the end with Red and Arlene Dahl atop one of the craziest contraptions imaginable--a huge lumber lift vehicle. But much of the comedy is forced and some of it falls flat, especially the scene at the doctor's that takes place in a crowded dressing room. There are some hilarious lines delivered by Red with his usual skill, yet many are shopworn and stale.Though Red was a master of mimicry and impersonation, his portrayal of his own father and grandfather fails to gel with the story being told. The father character is just not funny. The grandfather ploy works much better, being presented as an octogenarian playboy with a young thing wrapped around him.Believe it or not, the funniest part of the movie is the opening credits. Red reads the names, making clever comments, such as: "These two girls fought over me. Ann Miller wanted me to marry Arlene Dahl and Arlene Dahl wanted me to marry Ann Miller." "We had four writers on this picture. Three could write. The other one was my wife's brother."The story has Red an unsuccessful operator of a camera shop owned by his father. While trying to make money to pay his bills and save his business by doing freelance filming on a boat, he is accidentally knocked overboard by heiress Lucia Corlane (Arlene Dahl). In attempting to make amends, she and Red fall for each other. Miss Corlane is determined to save Red's little shop providing him enough business to pay his debts. In the process, Red uncovers a plot by Miss Corlane's business manager, Grantland D. Farns (Leon Ames), and his unscrupulous accomplices to steal Corlane's money through manipulating a housing project of hers that is under construction. To aid Red, Corlane assigns him the task of taking pictures to promote the housing venture. Red unknowingly shoots film that contains incriminating evidence against Farns. Farns and his partners in crime are determined to snatch the film before it reaches the district attorney's office.Though not one of his best films, "Watch the Birdie" has enough humor and slapstick to keep fans entertained. It is always a delight to watch a truly funny man on the big screen. Red was adept at both physical and oral humor. If Red can't make you laugh, it's doubtful that anybody can.

Red Skelton stars in three roles here as members of the Cammeron family, who operate a camera shop. The fun begins when young Rusty Cammeron is hired to film the groundbreaking ceremony of Lucky Vista, a new land development. In doing so, he accidentally captures on film the scheming of some crooked land developers. The best moments come from Skelton's slapstick humor. I also enjoyed his narration of the credits, and the lovely Ann Miller (as Miss Lucky Vista) posing seductively amid a flock of escaped turkeys! This remake of a Buster Keaton classic (The Cameraman) is diverting, if not terribly memorable. Recommended for fans of Skelton. Ann Miller fans won't find her tapping up a storm here, but she's pleasant in her role and shows off those famous legs.