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Chinese Laundry Scene

Chinese Laundry Scene (1894)

April. 30,1894
|
5.6
| Comedy Crime

The pursuit of Hop Lee by an irate policeman.

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Lucybespro
1894/04/30

It is a performances centric movie

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Crwthod
1894/05/01

A lot more amusing than I thought it would be.

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Usamah Harvey
1894/05/02

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Tymon Sutton
1894/05/03

The acting is good, and the firecracker script has some excellent ideas.

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mtpattonar
1894/05/04

NOT the first film of 1894, despite previous reviewer's claim. The first Edison to be filmed for the purpose of commercial release was probably "Sandow", shot March 6, 1894, and first exhibited publicly on April 14 along with nine others. IMDb gives the release date for "Chinese Laundry" as May, 1894. The film notes that accompany the documentary "Edison, the Invention of the Movies", give the shooting date as November 26, 1894. At any rate, "Chinese Laundry" was definitely not the "first film".

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wajiharaza
1894/05/05

1894 FIRST FILM Chinese Laundry (or the Pursuit of Hop Lee by an irate policeman). (1894). Edison Kinetoscope Film. Directors: William K.L. Dickson, William Heise. Cast: Robetta, Doretto.The title appears in the Maguire and Baucus catalog of 1897, where it is described as the "Pursuit of Hop Lee by an irate policeman", an old vaudeville act. Maguire and Baucus were the London agents for the Kinetoscope. While "Chinese Laundry" is their first silent film, William Heise first filmed/Takes/Shots include "Monkey Shines, No. 1 in 1890 and William K.L. Dickson's "Newark Athlete" in 1891.Reference: Iris Barry, Eileen Bowser, Gary Carey, Alistair Cooke, Richard Griffith, Arthur Knight, & Donald Richie. (n. d.). Silent Films. NY: Museum of Modern Art and the United States Information Agency.

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Horst in Translation ([email protected])
1894/05/06

It only runs for around 15 seconds and is among the shortest works of Dickson and Heise. There's quite a lot action in it though, much more than in their films that show artists, dancers or athletes. One guy chases another. Revolving door hilarity ensues and the hunted, who seems to be quite athletic, climbs up. In order to hide? Nope. He provokes the other further by throwing an unknown object at him and he succeeds as it hits him. There's no further story about the two, if it's serious or all fun and if it's worth watching, then for being so different compared to the directors' other works. Beyond that, it's only a good choice for silent film enthusiasts.

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Tad Pole
1894/05/07

. . . and the people Edison was filming were supposed to be the vaudeville hotshots of their day. So either these guys got stage fright, or their schtick did not translate to the new medium of the movies. The historical record indicates that they enjoyed about 45 seconds of fame--the running time of three 50-foot kinetographs--which was most likely 40 seconds more than necessary. The actual title of this short in its heyday was ROBETTA AND DORETO, No. 2, which will perhaps help out those of you losing sleep at night over the apparent absence of this flick from IMDb. (This duo's other two shorts ARE listed under their original tiles of "No. 1" and "No. 3," but IMDb is not as hack proof as Wikipedia, meaning that if you want to change their GONE WITH THE WIND listing to BORING WHITE PEOPLE MAKE TROUBLE, you'll probably be able to if you have high school level hacker skills!

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