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Manufactured Landscapes

Manufactured Landscapes (2006)

September. 09,2006
|
7.2
| Documentary

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

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Reviews

Stevecorp
2006/09/09

Don't listen to the negative reviews

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SanEat
2006/09/10

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

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Nayan Gough
2006/09/11

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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Anoushka Slater
2006/09/12

While it doesn't offer any answers, it both thrills and makes you think.

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tylerlarrabee
2006/09/13

holy Sh*t this was god awful. i sat in the theater for for an hour and ten minutes and i thought i was going to gouge out my eyes much in the manor Oedipus Rex. dear god. this movie deserves no more credit than anything done by a middle school film buff. please save your money, this movie can offer you nothing. unless you enjoy sideshows and sleeping in movie theaters. you know, h3ll, bring your girlfriend and make things interesting. you will be the only ones there anyway. F@ck this slide show. Ye Be Warned.I recommend not watching this.hello.how are you?I'm pretty good.enjoying this day?I am.this comment was one-hundred times more fun than pretending to watch this daym movie. this is sad.

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gzamikes
2006/09/14

The movie opens up with a long single shot of aisles in factory crammed with workers. My, what we've done to the planet you might think. I hope we get to see other things like this.That's very rare. When you're not looking at a horribly filmed angle of the narrator at a lecture hall, you're watching him set up his camera to take pictures in different locations. It'd be nice if chose areas that were more fitting with his topic but he doesn't. So, then you'll hear some more narration, watch a few pictures go by and watch him set up his camera. Why not use the filming camera to show more of the landscapes instead? It really kills any sense of pacing and paints the guy as more of vain jerk.I could read tips on how someone set up their camera, fast forward through this whole movie and waste a lot less time.

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CafeDelCool
2006/09/15

I had nowhere to go. I was on a flight to Vancouver. I would probably have missed this film if I hadn't chosen Air Canada. Watched on a small screen in the back of the seat in front, I found this captivating and mesmerising. I did drift in a couple of places and had to skip back but I had to watch to it's end. Now I'm looking forward to the DVD release in Europe though whether I'll be quite as transfixed when I can walk out the door, is yet to be discovered!The photographic composition is stunning and the film gives so much insight and 'fills out' the story the photographs tell.Recommended (if you have time on your hands).

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saareman
2006/09/16

Reviewed at the World Premiere screening Sept. 9, 2006 at the Isabel Bader Theatre during the Toronto International Film Festival (TIFF).This had an interesting premise but seemed to go on too long with too many shots of piles of eWaste (recycled computers, keyboards, cables etc. shipped over to China by the ton and then sorted and remade into new products to sell back) and other desolation.The filmmakers tried to get more people interviews to boost the human element but were frequently prevented from doing so due to Chinese censorship. Still, what was there was interesting. The bits of a Shanghai high end real estate agent preening and strutting around showing off her luxurious mansion and gardens, intercut with the scenes of others living in medieval conditions were especially striking. The opening tracking shot of a 480m factory floor was quite something as well. Scenes of the activity at the Three Gorges Dam project were also a complement to the Jia Khang-je films at TIFF (the feature Still Life/Sanxia Haoren & the documentary Dong) which were also built around that subject.Director Jennifer Baichwal, Producer Nick de Pencier, Cinematographer Peter Mettler and subject Edward Burtynsky were all there on stage for a Q&A after the world premiere. Producer Noah Weinzweig was introduced from the audience and was thanked as the most key person that assisted in the on the ground access in China itself.

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