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Splatter: Architects of Fear

Splatter: Architects of Fear (1986)

April. 01,1986
|
5
| Documentary

Thrill to the action from a battle to the death between beautiful amazons, twisted mutants and sickening, deadly zombies sometime after WWIII as you also watch from behind the scenes as brilliant special effects are constructed by demented master craftsmen, some of whom seem to be losing their grip on reality! Which side of the camera are we really on? How far will these gut-wrenching effects go? The answer is further than ever before - more graphic scenes of violence, perversion, mutilation and slaught per minute than any horror feature ever made!

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Reviews

Console
1986/04/01

best movie i've ever seen.

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Intcatinfo
1986/04/02

A Masterpiece!

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Rio Hayward
1986/04/03

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Guillelmina
1986/04/04

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Woodyanders
1986/04/05

The pseudo documentary purports to be about the making of a low-budget post-nuke sci-fi/action opus with a tribe of fierce Amazon women battling rot-faced mutants, but it's actually nothing more than a shameless excuse to showcase several elaborate gore set pieces, with a generous sprinkling of tasty gratuitous female nudity tossed in for trashy good measure. Said gore includes a machete in the head, an icepick piercing an eye, a juicy throat slicing, a gruesome dismemberment, and, best of all, an exploding head that's caused by strenuous sex (don't ask). Director Peter Rowe maintains a zippy pace and a lighthearted tone throughout. The staging and shooting of all the gore gags are depicted in fascinatingly meticulous detail. Alas, Paul James Sanders as bumbling comic relief dimwit Fang proves to be more annoying than amusing, but fortunately he ultimately receives a suitably nasty comeuppance at the end. Allan Kane's spirited and syncopated synthesizer score keeps things bouncing along. Chris Britton's plummy narration rattles off a lot of pretentious film school level howlers. A real goofy hoot.

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Chainsaw Slasher
1986/04/06

Here is a film that claims to have "...the best horror effects in a decade." When in fact, the effects are horrendous. Right off the bat, they introduce the fakumentary with an eyeball being stabbed. Its just ridiculously dumb. Not only is it obviously fake, but just dumb. Of course all effects are fake, but try at the very least to make them look realistic and not high school level. One effect is of a zombie, but the funny part of the whole effect, is that there is no zombie makeup, just a rubber mask like ones sold at Halloween. Sometimes you have to ask yourself, "are they serious, or is this a joke?" This is something very cheesy to watch, but is watchable for a laugh. Video renters were gullible back in the eighties.

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drockin16
1986/04/07

Claims to be a documentary of the filming of a sci-fi / horror movie. Doubt the movie was actually made. Only good part worth seeing is the fine looking future babe who pins an alien against a wall, strips, and proceeds to "f*[ < his brains out" until his head literally explodes!! Nice between the legs shot as well.Otherwise the effects are lame. No Savini work here.

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silentgpaleo
1986/04/08

Well, this is the end of the line for splatter fanatics. This is the documentary to a film being made. A film which, if you asked me, looks like it was a sham. I have never seen this mutant flick anywhere, and it could be that it's so rare, I haven't seen it. But, judging from the FX in this "documentary", I probably could do without seeing this mutant flick.The main point of this film is to show the audience how gross effects are sometimes engineered. The flesh-and-blood effects, however, seem off slightly. They just don't look real enough to be all that impressive. The filmmakers chose to throw some nudity in, as well, to keep the viewer from getting bored.And, then there is the action scenes. That's when I said to myself,"This isn't a real film," The documentary refuses to give real plot points away, making me doubt.But, hey, more people have seen the MAKING OF DEMON LOVER that they have seen DEMON LOVER. So, that's just my opinion, but if you take a look at SPLATTER, doesn't it seem just a bit too irreverent?OK. So, my point is taken. There is nothing of the Tom Savini, or Stan Winston, variety here. It's strictly amateur hour. But, what a funny, entertaining hour it is.

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