Celebration at Big Sur (1971)
Star-studded show recorded at the Big Sur Folk Festival, Big Sur, California, September 13th and 14th, 1969. Joan Baez, Crosby, Stills, Nash & Young, Joni Mitchell, John Sebastian, and others. This film captures a remarkable moment in folk, rock, and pop history - the famous folk festival that brought traditional acts like Dorothy Morrison & The Combs Sisters and Carol Ann Cisneros together with the psychedelic rockers of the day who were most deeply rooted in the folk revival. Older songs like ‘Oh Happy Day,’ ‘Rise And Shine,’ ‘All God’s Children,’ and ‘Swing Down, Sweet Chariot’ meet Joni Mitchell’s ‘Woodstock,’ Joan Baez’s ‘Sweet Sir Galahad,’ ‘Bob Dylan’s ‘I Shall Be Released,’ CSNY’s ‘Down By The River,’ and many more of the now-classic songs of what was then called the ‘new rock.’ The scene is notably intimate and - aside from one fan’s dustup with Stephen Stills - mellow, with many rare, close-up moments with the stars.
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Great Film overall
It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Worth seeing just to witness how winsome it is.
Yes, I have read some of the reviews of this docu-fest and some seem to try to make more out of this movie than they need to. The late '60's was a remarkably joyous time for me and millions of other quasi-hippies: people filled with idealistic dreams of a peaceful, environmentally sound world where we shared the wealth (and our pot!) with our brothers and sisters and disdained the corporate ladder syndrome and all its trappings! This movie is a microcosm of what was going on in '69, good or bad. Esalen was trying to do its own thing to try to help people make sense of the world and happened to throw a nice party by inviting the likes of Joni Collins, Joan Baez, Crosby, Stills, Nash etc., the Combs Sisters, et al to perform. What ensues is somewhat less than spectacular camera work and some disjointed editing, but hey, it's a concert and all kinds of things are happening here that happen at 3-4 day gigs like this. This crew wasn't going for Academy Awards: they wanted to capture the festival not only in all its glory, but also in its shortcomings and inconsistencies.You see average Joe hippies ramble on at the mouth when interviewed, smoke pot, drink wine, frolic about in hot water spas and so on and so forth: much like any number of concerts in that era, whether in Denver/Boulder, Taos, Mt. Shasta, Vermont, etc. In my humble opinion, this particular concert film was a real delight. Crosby, Stills,etc. jamming on "Down by the River", uncut and turned loose was awesome; Joan Baez's endearing ballads with her wistfully vibrato vocal renderings were sheer delight. Other acts as well (like Joni Mitchell) were also a joy to watch.But the "creme de la creme" of the whole shindig was the glorious, climactic rendition of "Oh Happy Day". The initial collaboration between Joan Baez and the Combs Sisters group ultimately extended to every musician in the house getting onto the stage for one of the most naturally rousing and spiritually uplifting live performance I have ever seen. Everyone in a 3 mile radius seemed to be lifting up his/her voice to the gospel strains of this most joyous hymn. It was an admixture of all sorts of people and races: Carefully coiffed urban Soul Sisters; long-haired hippies, folk singers and whatever from rural and communal enclaves; straight-type promoters, producers, etc. from the business world. The spontaneous and uplifting music totally united this diverse and energetic group, kind of reminiscent of Ravi Shankar at Monterey in '67. For a short time, at least, peace was amongst us.
HI! I am from the UK and I have read the other reviews posted about this film and I want to add my piece to some of the comments already posted here.I agree that Celebration at Big Sur is probably not the definitive music documentary of this era, nonetheless it is a fascinating view into this period with some great musical performances, and in a much more intimate setting than the big festivals as conveyed in Woodstock and Monterey Pop. I wish this film was shown more often late night in UK as it apparently is in US ? I caught it only once on TV in the UK as part of a series about the era on TV over here way back in the 80's. I managed to capture it on VHS at the time along with Monterey Pop and Woodstock and have viewed it many times since,but the VHS quality was not so good and I don't have a VCR or the tape anymore. For people who didn't grow up in this period I think this a great watch if you want to get a feeling for that period. I was quite young when all this great music was happening, so for me it was very much an education to see this film and get a feel for the period it was composed in. I would love for someone to master this to DVD so it was available more widely and with better quality, because I found it captivating to see this time capsule of the sixties. In my opinion this film has a different feel to the era than the larger scale offerings of Woodstock and Monterey Pop and deserves its place on the DVD racks alongside them.I for one would love to see it there.Kev, London UK
I caught this film late night many years ago. I've seen it a couple times since. Their is more than one edit I assume because the hot tub scene was cut in one version I saw. The musical performances vary from spotty to captivating. Jonathon Sebastion's description of his "trip" to the Dead ranch is funny, revealing, and at points a bit incoherent. Stills throws a hissy fit that exposes his more self-indulgent persona, and Joni Mitchell's performance of her at-the-time brand new tune Woodstock (more famous in the CSNY version) makes the whole film worth a watch. My only question is where's the DVD of this unique psychedelic snapshot?
This is the film to see if you want to open a time capsule of the sixties in California. Although it has been knocked on film quality, it doesn't matter because the viewer finds themselves transported to an event overflowing with love and beauty. Yes, arguments and fisticuffs were a minor distraction, but the wish for a better life generated ed by the crowd created a bubble of light that repelled negativity like a force-field. The sense of being there is unparalleled. The film can be appreciated even more today witness the reactions to a recent screening at the Egyptian Theatre in Hollywood. This is one of a kind in documenting the positive aspects of the counter-culture movement.