Devil's Playground (2002)

Very very predictable, including the post credit scene !!!

Boring

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

What a godforsaken waste of a brilliant subject for a documentary! Commenting on the conflict between tradition and modern trends, Lucy Walker's The Devil's Playground is about Amish teenagers who get into drugs, drinking, and hardcore partying. And would you believe me if I told you that it is one of the most gutless and incompetent documentaries I have ever seen? All I can say is, the fear of seeing a movie this terrible ever again brings me one step closer to wanting to join a culture devoid of the presence of the media. This film is so muddled that it randomly examines a handful of characters while cutting to an old Amish man yapping about teenagers and peer pressure; when it gets bored with the old man, it goes back to one of the teenagers and when it gets bored with that teenager, it jumps to another one. There is no sense of emotional flow, pacing, or structure. Lucy Walker can't even engage us moment-by-moment, constantly adding corny music like a documentary-soap-opera. She is so technically incompetent that she goes for a moment of (cheap) emotional impact with a character while a gargantuan locomotive blasts by a hundred feet behind him.Sometimes the material is engaging despite Walker but that is rare… Oh, and then there's Faron-I can't wait to talk about Faron. Faron is a moronic Amish teenager who is bewildered as to whether he should move back to the family farm and live the Amish or if he should continue living in a trailer and have constant parties. Faron is a drug addict whose life is a mess of small ups and big downs. However, Lucy Walker must be dumber than Faron if she doesn't realize what a mess his life is and treats every up and down like an exciting new story development: Faron is in deep trouble with drug dealers for ratting on his friend and his girlfriend leaves him! (Sad music.) Faron skips town, plans to become Amish again, gets a job working for his father, and gets a new girlfriend! (Happy music.) Faron's girlfriend dumps him, his father fires him, and he moves back into his old trailer and starts getting drunk regularly! (Sad music) Faron goes to find ex-girlfriend to get back together with her and gets a new job! (Happy music) Faron crashes his car on his way to work and loses his job! (Sad music) Faron gets a job as a parking lot attendant and has some vague plans of going back to farm someday! Every single one of these plot revelations is treated melodramatically. And then the film just ends on an up-note (the great parking lot gig) without even considering the possibility that things will go badly later on. What about the guy that Faron ratted on? When he gets out of prison, won't he be angry? All he'll have to do to find out where Faron-the-moron is hiding is to watch The Devil's Playground. But that will prove to be an unbearable task indeed. Footnote: In this mess of a film there is one compelling facet: it is able to explain why a teenager would want to be Amish-an incredibly impressive achievement in the middle of an incredibly horrendous disaster.

This is a fascinating look at the world of the Amish and the temptation of the outside world. This follows Amish teenagers as they go through a path of initiation by going out into the outside world. There, they decide whether or not to join the Amish church and be baptized. It's an interesting dilemna that they are facing. This documentary is better than most hollywood movies out there.

Contains spoilers... This movie cannot really call itself a documentary on the Amish, as the Amish themselves largely decline to be interviewed. One wonders why the film- makers bothered to make this movie, given the lack of cooperation on the part of their alleged subjects. The first few minutes of the "Commentary" feature on DVD sheds some light on this question: the film-makers seem to have been desperate to get something, anything, on HBO, and not until they came up with the tabloid story about an Amish kid who is hooked on crystal meth would they be accepted by HBO. Too bad they had to advertise it as a "glimpse into the lives of the rarely filmed Amish" -- this movie is simply not about the Amish. It does not give any context for the radical transition called "Rumspringa". It does not attempt to discuss how an Amish teen is prepared via their community for Rumspringa or how they perceive the "rite" before, during, or after going through it. The Amish are shown us utterly unreflective, and I can only assume that this is an utterly unfair representation of them. They were not ready to be filmed, for their own reasons, but the film-makers were all too ready to make this film, for their own, rather different reasons.

I saw this film by chance at a friends house and I was immediately sucked into it. It was interesting to learn about a group of people whom I knew existed but never heard much about. This documentary gave me a great appreciation for how these people live their lives,I personally could never live like that. Anyone interested in learning about Amish teenagers should watch this film. It is surprising how many similarities and differences there are between Amish teenagers, and the average American teenagers.