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Fallen Angel: Gram Parsons

Fallen Angel: Gram Parsons (2004)

January. 01,2004
|
7.2
| Documentary Music

On September 19, 1973, the musician and heir to a million-dollar fortune died under the influence of drugs and alcohol near his favourite place - the Joshua Tree National Monument in the Californian desert. As the founder of the Flying Burrito Brothers, a member of the hit-making, legendary Byrds, an important influence on the Rolling Stones and the man who catapulted Emmylou Harris to fame, Gram Parsons made music history in only a few years. Friends, contemporaries and devotees of Gram Parsons talk about the importance of his work and the bizarre circumstances of his early death. Rare footage of his performances shows why Gram Parsons has become a legend. Interviewees include Gram's wife Gretchen, his sister and his daughter, Keith Richards, Emmylou Harris, Chris Hillman and "Road Manager" Phil Kaufman.

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Reviews

CommentsXp
2004/01/01

Best movie ever!

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Pacionsbo
2004/01/02

Absolutely Fantastic

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ThrillMessage
2004/01/03

There are better movies of two hours length. I loved the actress'performance.

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Dana
2004/01/04

An old-fashioned movie made with new-fashioned finesse.

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Twins65
2004/01/05

...and our green mohair suits (all the ex-Burritos and Fallen Angels, many who are not credited on the IMDb main details page for some reason), so please show your I.D. at the doorJust became aware of this great doc, and watched the whole thing online. I guess that makes this my first review on IMDb to come from a movie watched entirely on the internet. Wow, I really am slow to catch the trends.The producers really went deep to find people who knew Gram, especially from his formative years as a kid and as a Harvard "student". The interviewees from the LA years were also insightful. I learned a lot about the man, and knew he lived large because of his privileged background, but a $65,000/yr. trust fund in the late 60's would be quite a fund to stoke a party. Unfortunately, moderation never seemed to be a concept he grasped.Anyway, since we're now down to just one "Original Burrito" (Chris Hillman), I thought I'd bang out a little tribute to the group here, giving them a (very) belated thumbs up for some fine, under-appreciated work.P.S.-I was a little disappointed the two women featured on the cover of "The Gilded Palace of Sin" were not identified, only that they were models. Can anyone out there identify them for me, as I've been admiring them for years.

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tedg
2004/01/06

You should know I am biased in this comment. I know some of the people in this documentary. And I had Gram's piano in my house for ten years after he died. I value what he found with Emmylou as charmed, unique and important. His music never touched me personally because it was so hopeless in intent while being so seductive and original in its phrasing. This is everything Sinatra was claimed to be. It was genuine; just the wrong food for health.There are two stories here. One is the story of what actually made the music special — when it was. You won't get this from old musicians or girl friends. You have to get it from someone who is a storyteller of skill equal to the subject: subtle, light, subliminal and full of contradictions. Addiction before it manifests, while it is still an urge.This documentary misses that, misses it completely. Some people say that he was influential and then point to what today is called country music. That's neither useful nor correct. You miss everything if you miss this.There is another story, the "Tennessee Williams" family tragedy that proceeds three generations before and already two after him. Its vastly more complex than described here, cleaned for obvious reasons.Some day, someone may find a way to tell this story in a way that is not merely voyeuristic, but in a way that matters, that is deep and that changes lives. Until then, simple people will just want the broad outlines, and some unusual drama. And they will be able to get that here.The editing is fine. The archival footage is valuable. There are lots of good songs.Ted's Evaluation -- 2 of 3: Has some interesting elements.

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ytamscc
2004/01/07

Seeing this movie reminded me of the pitfall's that "stardom"can bring. I found this doc/ movie to further expand on the myth of Gram Parson musical legacy and influence in American music. It was profoundly sad that he had such a short stay. Yes the doc is shot at times with a lot of movement & at times the editing process is not smooth. Not much footage exists. The director made an effort to put together footage that was well over 20 years old! I found the content & tribute to Gram very tasteful & full of passion. It's been made with the best intentions. It projects the "sweet & sour" moments that human beings endure. I was moved to to tears seeing Emmy Lou talk about her "soulmate in music". I am glad that the director & friends who saw that this Doc was made brought forth many of the stories with them and shared with the fans his rise and fall in a manner that was both informative & entertaining. Kudos! It's a must see if you do love Gram Parsons. This is a tough story to tackle. I for one think that this tells a very HUMAN story.

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rustin-2
2004/01/08

This is a slipshod documentary that is about as original and involving as an episode of VH1's Behind the Music. The production values are very poor, with much of the video footage shot erratically out the window of a moving car, and the editing is a clumsy, uninspired pastiche of quick pans and tilts across black and white still photos jarringly inter-cut with a relentless onslaught of meaningless talking heads (do we really need to hear from the girlfriend of Parson's manager or the best friend of Parson's dead stepfather?). We hear very little of Parson's music, most of which plays in the background under the interviews, and no one except Emmylou Harris manages to truly elucidate Parson's gifts as a singer and songwriter. Technically, the film is embarrassing, but it is even worse in its shameful final minutes, when it juxtaposes the bizarre circumstances of Parson's burial with the heartfelt grief of those who loved Parsons, and manipulates the audience into laughter when what we should be feeling is sadness. Fallen Angel is disrespectful of Gram Parsons' groundbreaking music, banal in its storytelling, and grotesquely insensitive to the people who knew and loved him.

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