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The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse (1962)

February. 07,1962
|
6.5
| Drama

Karl from Germany and Marcelo from France emigrated to Argentina and became brothers-in-law. Karl soon returned to Germany to serve in the army. Marcelo and his children Julio and Chichi became Argentinean citizens but later returned to Paris. Karl became a general with a son (Heinrich) in the SS and in WWII he got a high job within the occupation administration in France.

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Reviews

BootDigest
1962/02/07

Such a frustrating disappointment

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Executscan
1962/02/08

Expected more

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Hayden Kane
1962/02/09

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Usamah Harvey
1962/02/10

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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victorsargeant
1962/02/11

One of Glenn Fords best performances. Andre Previn's musical score one of his best.Studio troubles, politics seemed to interfere with the production.I wanted it the film to be better, but still give it a 10.Boyer is great and so is Tuilin, in the role of the war wife. Hendric Hendicx is fine, but too small a part.Based on a true family I understand.MGM was struggling and running out of money, after Cleopatra's over runs. The music almost defines, why this is a great film, it tells us more than the camera shows, but together you receive the true gift in the performances and script.

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Greg Couture
1962/02/12

When I saw this during its first-run release, I was already an avid Minnelli fan but had been forewarned by the reviews that this was not one of his best. I recall enjoying it, nevertheless, and much of my pleasure was due to Minnelli's always inventive visual style, the expensive mounting in CinemaScope and Metrocolor, the interesting cast (not all of them well-chosen, especially the deadly-dull Glenn Ford, who was being assigned to what seemed like every other big budget M-G-M picture during that period), the astute use of Angela Lansbury to dub Ingrid Thulin's lines (though I'm sure that Miss Thulin's own voice, even if she had learned her lines phonetically, would have been preferable), and Andre Previn's very expressive score. (Mr. Previn came to disown a lot of his Hollywood work once he concentrated on conducting major classical orchestras, but I suspect he wouldn't have included this one among those he would prefer that we forget.) Tony Duquette's Four Horsemen figures are a striking addition to the lavish mounting of this production. It's not available on DVD (yet, anyway) and it's probably a safe bet that the VHS version is (ugh!) "formatted"...don't bother! You'll be missing the greater percentage of this film's achievement.

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Jugu Abraham
1962/02/13

If Vincente Minnelli is to be praised in this film, it his decision to film Ibanez' novel and to cast the fascinating Ingrid Thulin--who has contributed substantially to Bergman's early work and to Swedish theatre. No Hollywood actress could have lent credibility to this role as Ms Thulin did. It is a matter of historical tragedy that Thulin's own voice was not used and Angela Lansbury's voice was used instead.Lee J Cobb as the patriarch and Glenn Ford as Julio were avoidable decisions. However, the casting of Paul Henreid and Charles Boyer enhanced the film.What made the film rise over mediocrity? The story and Thulin. Ibanez' work is world renowned and film is a beautiful medium to capture the image of the four horsemen. Interestingly Minnelli is not able to capture the "pale" and the "red" horse on screen--the most difficult of the four horses in technicolor and decides to use smoke and clouds to distract us. According to "The Book of Revelations," the horsemen carried a bow, a sword, a balance and a great Sword. Ingmar Bergman in "the Seventh Seal" and Minnelli transforms the great sword into a scythe. But for this detail, the art direction throughout the movie was commendable. Erich von Stroheim Jr. was a mere Assistant Director in this work. von Stroheim's body of work in Europe is revered today and one can only speculate about the result had he directed the film instead of Minnelli. Minnelli's film has its moments--Etienne meeting his wife on his return from capture, and Etienne's confrontation with Julio. Yet the film is Hollywood's attempt at presenting a narrative without complexity for audiences who prefer to be spoonfed. Ibanez' novel is still waiting for a good director to film--Minnelli stumbled in his effort to create a masterpiece. One mistake he made was choosing Glenn Ford to play an Argentinan playboy. What a costly mistake!

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Soledad-2
1962/02/14

I cannot understand the low rating of this film. I'll rather think most of the viewers haven't had the opportunity to watch this movie and the few who had, have not been able to appreciate the admirable qualities of this film. If you have not seen Four Horsemen of the Apocalypse, don't wait any longer. I have it in my video library and have watched it several times.

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