Человек, который знал всё (2009)
A man attempts to commit suicide and, as a result, unexpectedly acquires the phenomenal ability to immediately answer any question. A modest and harmless individual, he becomes a target for all - from women to criminal bosses and even foreign special services. Some try to use him, others try to murder him, but the ordinary man keeps living according to the dictates of his own conscience.
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It's no definitive masterpiece but it's damn close.
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Blistering performances.
The main trouble of this film are the director with a script writer. That they have made with image of the protagonist! The knowledge of ALL has not affected in any way intellectual qualities of the protagonist. Yes, now it is filled to the edges, but at the same time practical acts give out a serious dis-balance and a system total absence in decision-making. The person who knows everything, is extremely illogical in the acts, and in it its basic trouble, a transforming film in a sickening show. The most insulting that the subject idea which is represented very perspective, gradually sinks in mad mixture of genres – special services, criminal authorities, an oligarchical life with the invariable sensuality, the lost love and life philosophy in any way do not supplement each other, and battle for every minute timing literally, transforming it into a boring show. Definitively ruins a film the extremely unsuccessful installation when heroes are promptly thrown out by the director on the screen, and then also not clearly leave the spectator. In this director's horror in the foreground there are actors who often not convincingly win back separate scenes. The main disappointment – Ekaterina Gusev who only irritated, and erotic scenes with looked extremely tritely. Egor Beroevv of a role of the person knowing all in the best cases is satisfactory. Sukhanov in my opinion strongly changed. The result to me hardly managed to be looked through this film completely though there was an obvious desire or to leave a cinema or to have a sleep.