Return from the Ashes (1965)
A Jewish woman, Dr. Michele Wolf, interred in a Nazi concentration camp during WWII returns to her Paris home after the war's end. She's unaware that her husband, the handsome gigolo and chess master Stanislaw Pilgrin, has been having an affair with her stepdaughter Fabi in her absence.
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Surprisingly incoherent and boring
A brilliant film that helped define a genre
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Once upon a time, before the giallos and the slasher films took over, there was an undercurrent of clever thrillers ... where you knew who had done it, but the question was could they get away with it? The earliest one I can remember is The Unsuspected with Claude Raines as a DJ with a mission ... In the '60's we had director William Castle's twisted thrillers (Homicidal is my favorite) and Bette Davis as Baby Jane and Charlotte ... then along came Return from the Ashes, at about the same time as Bunny Lake Is Missing. Ladies and gentlemen, RftA is a stunning thriller which will keep you enthralled from the expositionary opening to the wonderfully complex plot developments. Why is this not available to viewers today? This is a movie I would like to show friends. Hard to believe it was 40 + years ago I sat in a darkened theater enraptured by the clever plot with more twists and turns than you could believe. If you see this movie in any listings, record it! Ingrid Thulin, Samantha Eggar and Maximilian Schell pull out all the stops but they make you BELIEVE the lurid goings-on. Too bad movie makers can't look at these old classics and learn how to pace and plot a good thriller.
Certain films travel just below the radar. "Return from the Ashes" is such a film. The ones who've seen it never forget it but somehow it's nowhere to be found. Never on video and so far not on DVD. I'm not going to tell you about the devilish plot because that's most of the pleasure of seeing it for the first time. Just let me wet your appetite by saying that Maximilian Schell plays a young amoral polish guy who seduces a French, older, wealthy widow, played for real by a great Ingrid Thulin. The action takes place at the dawn of the German occupation. She is Jewish he is not. When Schell asks her to marry him, she laughs it off as a surprisingly conventional request but he means it saying "At this time is not convention but defiance" So he marries the older Jewish woman...that's all I'm going to tell you about the story. Samantha Eggar, beautiful and skinny gives a powerful performance of seductive evilness. She is a stand out of major proportions. The ending seems a bit of a commercial concession but it doesn't spoil the cleverly tailored plot. If you see it announced on late night TV, set up your VCR or whatever contraption at your disposal.
I just want to briefly agree with the previous comments here. I haven't seen this movie in over thirty years, since high school, but it stands out vividly in my memory. Intriguing story beautifully acted by three outstanding stars. Why do films fall by the wayside? I hope this isn't one of the lost films that we keep hearing about. I guess our only hope of seeing this now is if TCM broadcasts it....or if it becomes a Criterion DVD release. Criterion has been wonderful in giving us beautiful prints of rare or hard to find classics. If anyone hears of Return from the Ashes returning from the ashes (LOL) please post the info here.
This film has haunted me right from the start of its release in 1965, thanks to the top players, the tense plot, the effective direction by J. Lee Thompson and the music from John Dankworth. But most importantly (the play of) Samantha Eggar and the melodramatic role she plays in the film are the main reason of my lasting interest in this film. The famous bathroom scenes with her are unforgettable.