Anchoress (1993)

Touches You

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The film may be flawed, but its message is not.

Blistering performances.

A while back, there was a glowing review about this movie, saying that the choice of a soundtrack was brilliant, and every time whoever wrote the review watched the movie, he, or she learned something new.Well, I'll admit that it does have a sort of addicting pull about it, but I haven't learned anything new really. Maybe I'm just stupid, but I think the real reason is that the movie is not as great as that particular post made it out to be.I like the film, but mainly, I like it for it's peculiar sexual themes. The acting is pretty good, but without much soundtrack, there's a lot of dead air where you expect something fantastically important to happen... Then the actors do something totally inexplicable, like move a bunch of rocks, or apples, or kiss a statue.All said, it looks more like a work in progress than a movie, but there's something about that unfinished quality that really catches my attention, and sucks me in, whether I like it or not.

If this film appears sparse to some I would remind the viewer that agrarian life 500+ years ago was just that. What Anchoress may lack in dialogue is made up for in sound, texture, and detailed attention to lighting, mostly outdoor. Very few films (Seventh Seal) are able to capture the stark setting of the underpopulated reality that was Europe - not all historical scenarios need be drowned with battle sequences, lavishly dressed royals, and epic soundtracks aimed to fill empty spaces. No one lived like that except a small few. I would recommend this film to anyone who has an appreciation of women's history, and ancient Christian mysticism. The story of Christine's descent into the church, her rebirth, and eventual retreat into the earth is beautifully filmed and acted by all involved in this unique project. A scene not to be missed is Christine's fabulously angry mother pissing before the priest on his own church yard. Why all the pagans out there who frequent this site have not championed this movie is beyond me!

This film must be watched with a quiet spirit and a willingness to let go of well-organized, linear plot development. Those familiar with The Book of Margery Kempe will appreciate the spiritual struggle Anchoress represents as well as the more "feminine" approach to plot. The cinematography is exquisite as well as the acting.

Exquisitely spare cinematography and striking visuals which ape Andrei Tarkovsky's ANDREI RUBLEV cannot save this medieval tale from being a disappointment. English director Chris Newby's first feature is a dismally muddled array of images of life in a remote 14th-century village. Talented young thespian Natalie Morse (of Peter GreenawayÕs DROWNING BY NUMBERS) nevertheless succeeds in her tricky role as Christine Carpenter, a girl touched by transcendent grace, who succumbs to the misguided religious authority of the times and becomes an anchoress, a virgin who is walled up in a chamber in the church, to serve as a moral beacon for the villagers.This makes the snickering local priest (Christopher Eccleston) overjoyed, as he takes her away from the Reeve (Eugene Bervoets, of the original French-Dutch production of THE VANISHING), the local military power monger. She is periodically visited by her surly pagan mother (English new-wave personality Toyah Wilcox) and pretty much ignored by her father, who is played by Pete Postlethwaite.The only real power in the film is in the scenes with Christine alone, discovering her sensuality. The rest of the film is a mess, partly due to the confusing, overly obscure script, which hardly lets the audience know what's going on without benefit of reading a plot synopsis beforehand. It purports to observe the female condition through the ages, but ends up being mostly uninsightful and boring.