Magnificent Doll (1946)

Save your money for something good and enjoyable

By the time the dramatic fireworks start popping off, each one feels earned.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This movie feels like it was made purely to piss off people who want good shows

Producers: Jack H. Skirball and Bruce Manning. Copyright 9 December 1946 by Hallmark Productions, Inc. A Jack H. Skirball-Bruce Manning production, released through Universal-International. New York opening at Loew's Criterion: 7 December 1946. U.S. release: November 1946. U.K. release: 5 May 1947. Australian release: 29 May 1947. 8,710 feet. 96½ minutes. Australian release title: MAGNIFICENT LADY.SYNOPSIS: Quaker's daughter, forced into an unwilling marriage, is freed by the death of her husband to pursue political ambitions in Philadelphia. Time: around 1790-1814.COMMENT: The stills from the film look great - Ginger, radiant in lavish period costumes with feathered hats, set against colorful backgrounds crowded with picturesque props - but the film itself is something of a disappointment. Borzage's slow, turgid direction does nothing to enliven Irving Stone's embarrassingly pedestrian script which reduces the sweep of major historical events to common¬place domesticities. Mind you, we should be grateful - for the one time Mr Stone attempts to demonstrate the sterner facts of Constitutional freedom, he veers into unintended parody.Nonetheless, despite the handicaps of unsympathetic direction and a soap-operettish script, the players manage to provide some measure of interest. Admittedly, actual acting is often poor. Ginger gives one of the least convincing impersonations of her career and often seems to be floundering in too-deep waters (although it's doubtful if even a Helen Hayes could carry off the contrived oratory of the climax). And David Niven too seems ill-at-ease with Aaron Burr. The transition from charming patriot to psycho czar is handled with a fair degree of skill but doesn't quite succeed. Even a normally solidly reliable actor like Burgess Meredith has obvious difficulty with such unworldly dialogue (particularly in his scene with Rogers in the empty Hall of Congress).Usually, having chided the principals for minor shortcomings, the critic can point to the support players as faring better. Oddly enough, with only one or two exceptions (Peggy Wood, Francis McDonald), this is not the case here. Most of the character cast seem even more uncomfortable and less-suited to their roles. Some are nothing short of inept.Despite its major problems in script, direction and acting, Magnificent Doll has been produced on a remarkably lavish budget. Photography, sets and costumes are always so attractive that even at its dullest or most juvenile, the picture is worth watching. In a way, all the money was wasted. The sets and the big crowd scenes could have had much more impact in the hands of a stronger, less jaded director. (But then what forceful director would agree to film such amateurish, historically laughable tosh as Magnificent Doll?)

Plot spoilers—Dolly's father forces her into an arranged marriage, and, as a result, she willfully hates her husband. After the death of her husband and child, she becomes the toast of Washington and the object of the most powerful politicians. She vows to truly love the next man she marries. This film is a political romance with Dolly looking for love and fulfillment among Washington's most powerful men. She proves to be their equal intellectually and politically. I've seen many Ginger Rogers films, and I've enjoyed them all. Some are frivolous and entertaining, some are musical and entertaining, and some are dramatic and entertaining. This movie is powerful and provides historical background to an intense drama. Just as Dolly's intellect and influence equaled the politicians of her time, Rogers' performance equals the skill of the other stellar actors in the cast. Some movies I can't wait to end, but with Magnificent Doll, I wanted it to continue beyond "The End." Captivating, entertaining, and a Rogers hit. Must see viewing.

Dolly Madison's life as it was would seem to provide plenty of interesting material for a Hollywood Biopic, but the makers of MAGNIFICENT DOLL (script by Irving Stone, direction by Frank Borzage) apparently didn't think so. What we get of her life is dominated by a fictional love triangle between Aaron Burr (David Niven), Dolly (Ginger Rogers) and James Madison (Burgess Meredith). In reality, there's no reason to believe that Burr was any more than an acquaintance of Dolly Madison's. There is also little reason to believe that she was particularly unhappy in her first marriage. Her first husband and young child did, indeed, die of yellow fever, but there was another son who survived and grew up to become an alcoholic, a major embarrassment for Dolly and her second husband, James Madison. And she certainly had nothing to do with Aaron Burr's treason trial, or its aftermath! Indeed, nearly everything dramatized in MAGNIFICENT DOLL is nonsense while those events quickly passed over and accompanied by Dolly's voice-over narratives are generally accurate. One would have thought that there would be much of interest in Dolly's efforts as Thomas Jefferson's de facto First Lady, her accomplishments in whipping the new White House into shape, and her rescuing of the Declaration of Independence and Washington's portrait during the War of 1812, but Hollywood had other ideas.Alas, the drama that they did give us is rather sluggish and not very dramatic at all. Being short himself and giving off an intelligent air, Burgess Meredith was a good choice as James Madison, in real life a brilliant and scholarly fellow lacking much in the way of social graces. Today we would call the 'Father of the Constitution' a nerd. Ginger Rogers may seem unlikely casting for a 'Founding Mother', but in fact she was a first cousin of no less than George Washington himself, and if Dolly Madison was anything she was one 'Vivacious Lady'. Indeed, it would have been better if Ginger had allowed much more of her own natural vivacity to shine through, but she appears to have approached the role of an American Heroine with too much reverence for the movie's good. She also had a tendency to rush through her lines, possibly noticing the inherent dullness of the many long speeches with which she was saddled.MAGNIFICENT DOLL actually belongs to the character of Aaron Burr, played more or less as a Byronic Hero (which wouldn't be anachronistic) by David Niven, a rare descent into villainy for that fine actor. He gets the Satanic charm down pat, but I'm not sure that the character's eventual madness really became this normally droll thespian. Burr is a difficult historical character to pin down, and such an interpretation of him is perfectly defensible.Though these are all marvelous actors and the history is ripe for storytelling, MAGNIFICENT DOLL is mediocre at best. It would be nice to see another shot taken at telling the story of Dolly Madison.

Recently I moved and as I was doing so, I threw some films into a few boxes I wanted to watch but never got around to watching for one reason or another. A few days ago, while unpacking some items, I found one of the boxes-- a treasure trove is more accurate-- and inside was a copy of MAGNIFICENT DOLL.I have had a copy of this film for several years and I was saving it-- who knows why. And what a treat to save. I love this film and only wish I had seen it ages ago. Just look at the cast of this historical drama.David Niven and Ginger Rogers are top-billed. And altogether, they appeared in three films-- MAGNIFICENT DOLL was the second pairing for them. Their other efforts were BACHELOR MOTHER (for RKO) and OH MEN! OH WOMEN! (for Fox). One of the things I love about this film is that it's the second time Burgess Meredith gets the girl in a Ginger Rogers movie. Previously, he was the lucky guy in TOM, DICK AND HARRY. So though Niven is higher billed, he is essentially playing a supporting role, because Meredith is the one holding Rogers in his arms as the final fade-out occurs. MAGNIFICENT DOLL was a flop, probably because Universal didn't know how to market it and audiences were not ready to see Ginger do anything but musical comedy or tearjerkers. But watching this film convinces me that she was at her best when she was working in other genres, pushing herself as an actress. The set decoration is top-notch in this film; and Ginger gets to wear gowns by Vera West and hats by Lilly Dache.The always exceptional Frank Borzage is the director and rabbi turned Hollywood executive Jack Skirball is the producer.