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Imperial Venus

Imperial Venus (1962)

December. 22,1962
|
5.2
| Drama History Romance

The romanticized gallant adventures of Pauline Bonaparte, Napoleon's sister. First "engaged" to the Conventionnel Fréron, then separated from him by her brother for political reasons, Pauline joined Napoleon in the Italian army, where she fell in love with the comté de Canouville. But the First Consul married her to his friend, General Leclerc, whom she followed on the expedition to Saint-Domingue. Unconcerned about fidelity, she began to love her husband just as he was about to die of yellow fever. Back in France, she was soon consoled by other gallants. Napoleon, now emperor, hastened to marry her off to Prince Borghese, but he was unable to make her love him. She soon returned to Paris to lead the life of a gallant woman, incognito, and again met Canouville, whom the emperor tried in vain to separate from her. But soon the Russian campaign begins, and her lover is killed. All that remains for Pauline, this time disconsolate, is to reconcile with her brother on the road to exile.

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Onlinewsma
1962/12/22

Absolutely Brilliant!

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InformationRap
1962/12/23

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Logan
1962/12/24

By the time the dramatic fireworks start popping off, each one feels earned.

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Francene Odetta
1962/12/25

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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gridoon2018
1962/12/26

"Imperial Venus" has three major problems. The most important one is its lack of narrative thrust; the viewer gets the feeling that nothing is happening for most of the running time. The second is the choppy continuity (despite the film's overlength); large sections of the story (what little story there is) and entire time periods appear to be missing. The third problem is the low budget; virtually all of the battles and any other action scenes occur off the screen - what we do get on the screen is 90% talk. To be fair, Gina Lollobrigida and Stephen Boyd make a handsome couple, but this is not the lighthearted romp you might except based on the plot summary, and Gina is deliberately made to look tired and unhappy at times. *1/2 out of 4.

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dbborroughs
1962/12/27

Gina Lollabrigida headlines as the sister of Napoleon in the huge spectacle of the life and loves of a footnote person in history. This is epic story telling on a grand scale. Unfortunately the story is incredibly dull and probably pointless. I saw this in a version that was shorn of twenty minutes and while it was choppy at times (I sensed something was missing) it was still a tough slog to get through. Sure it looks great as many of the huge color epics do but beyond the look there is nothing. Lollabrigida looks good but really can't act. I was never a fan of hers and knew her more because she was a "star" more than as someone who made films I wanted to see. She's paired with Stephen Boyd, a good but limited actor, who was probably better in his supporting roles. I really can't recommend this unless you're a fan of Gina, of spectacles (regardless of quality) or are in need of sleep.

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MARIO GAUCI
1962/12/28

Turgid historical saga, a semi-biopic of Napoleon Bonaparte's courtesan sister(!); the overall effect is as improbable as the Hollywood version, DESIREE' (1954), which had focused on the life of the famed French leader's 'girlfriend'.Gina Lollobrigida is monotonous in the title role (not to mention unconvincing when it comes to the dramatic passages of the plot); incidentally, she had previously worked for the director on THE HUNCHBACK OF NOTRE DAME (1957). In support of the star are the likes of Stephen Boyd (who would fare much better playing alongside the Italian sex symbol's rival, Sophia Loren, in THE FALL OF THE ROMAN EMPIRE [1964]), Raymond Pellegrin (making for a pretty good Napoleon) and Massimo Girotti – while Micheline Presle (playing Josephine) and Gabriele Ferzetti put in 'guest appearances'.At an interminable length of almost 2½ hours, for what amounts to a largely unexciting narrative, the film – which, at least, has the virtue of expansive locations and attractive widescreen photography – understandably adopts an episodic structure throughout. In fact, the heroine is seen being involved with various lovers (including officer Ferzetti and roguish Hussar Boyd) and husbands (General-turned-Viceroy Girotti and a wimpish Italian Prince)…apart from facing such calamities as war, plague, deaths in the family and, finally, the humiliating abdication of Napoleon himself!

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kosmasp
1962/12/29

I saw this movie in a German dubbed version, so I can't judge the "original" version (if there was an original soundtrack to the movie, it's more likely that this has been filmed, like the Leone Westerns, where every actor spoke in his native language)! But I did like the German version ...As is obvious from my rating against the "beating" it got before my rating. Now I think most of the reviewers can agree, that the actors did a good job. I also have to agree with the fact, that nothing explicit is shown here (neither sexual nor anything else), but is played with. But the sexual innuendos that are used here, are really great. At least I could enjoy them. Since back then, they couldn't be more free with "topics" like that, I'm even surprised they got away with some of the things in the script. Anyway, the movie has it's downfalls, but I rated the high points (jokes and actors against an incoherent story)!

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