Coastlines (2002)

Excellent, Without a doubt!!

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

By the time the dramatic fireworks start popping off, each one feels earned.

I am so glad that I found this movie! I agree with reviewer ejlabolton that this is an "unexpected treat".I became a fan of Timothy Olyphant after watching Hit-man and Justified. So I started trying to watch all of his movies. This one is excellent.I don't know why this is not more well known or more highly rated. The acting is good, the story is believable and the ending is perfect. I don't want to give away any of the plot so won't go into details, but the characters seem real and draw you in to their lives.This film is a real gem and I hope more people can find it and enjoy it as much as I did.

I recently became a fan of Timothy Olyphant after watching the new series "Justified", one of the best programs on FX or any other network. Fortunately, he does not disappoint in "Coastlines", not one little bit. Writer and director, Victor Nunez manages to confer a depth of character upon our protagonist that leaves us really caring what happens to him. In fact, even the children are gifted with personas that make them memorable.Sonny is a rather tragic fellow just returning home from a three year prison stint, hoping to start over. His relationship with his father is ambiguous on a good day. The affection between them is obvious, but his father just seems compelled, whenever he opens his mouth, to say something disparaging about Sonny. Unfortunately, his resolution towards a quieter life is marred slightly by unfinished past business gone bad. Nunez brilliantly culls these moments and experiences to lay open the finely nuanced aspects of Sonny's character, allowing us to really see into his soul.The music chosen for this movies is so very apt to the spiritual threads throughout. We hear some Jazz, Blues, Zydego and the movie ends on the laid back, go-with-the-flow of Lynyrd Skynyrd's "Call Me The Breeze". So apropos! While some have criticized Dave's (Josh Brolin) kindness to Sonny after he misappropriates certain family valuables, so to speak, I came away with a totally different perspective. I grew up in churches that taught, repeatedly, the concept of unconditional love, yet not often have I witnessed it. The camaraderie that Sonny, Dave and Anne had formed over so many years was closer than blood. Indeed, there had to be rules and boundaries, but forgiveness, upon remorse, was a given. In conclusion, the good guys were flawed, yet they were heading in the right direction and the bad guys were heading in the correct direction. Love it!

Well, the actors did well. The men are all really easy on the eyes and the women look better than real people ought to. The camera work is pretty good and overall values (filmwise) are more than respectable. The message here is that male bonding trumps love. Well, here's a bit of a news flash. It doesn't work this way. Men can and do love each other in all kinds of ways and some men love women but not in this way. The end is more than an effort to tie up the loose ends. it tries to make a STATEMENT. The statement is wrong. Go watch Wuthering Heights, take two aspirin and watch Coastliners once more. Then it will seem pretty obvious that the old saying isn't "greater love hath no man than to lay down his wife for his friend." I for one understand the lag in releasing this. They should have redone the ending and maybe it wouldn't be so hard to remember the actual quote, "greater love hath no man than to lay down his life for his friend."

Victor Nunez is on par with a lot of directors who use their surroundings as their muse. Like Scorcese with New York, Mann with L.A., or Shamalyan with Pennsylvania, Nunez builds his stories around an area he knows well: east coast Florida. His masterpiece "Ulee's Gold" used the enchanting backdrop of Orlando's peaceful outskirts to build on the emotional aspects of its main character Ulee. The movie came alive from Nunez's subtle, but powerful focus on atmosphere, character nuance and rich symbolism.It's disappointing that his follow-up "Coastlines" (which completes his "Panhandle Trilogy") had some of those elements in tact, but failed to use them effectively. The story is about a young man named Sonny (played by a well-cast Timothy Olyphant) who gets released from prison to a home town that has grown up without him. He gets back in touch with his old friend Dave, who is now a police officer and married to Sonny's old crush Ann. Simultaneously, he deals with unsettled issues from his old mobbed-up employers.From that story come some potentially engaging themes like revenge, jealousy, nostalgia, disenchantment and betrayal. However, disappointment quickly sets in when the scenes become more and more dull. The screenplay was written before "Ulee's Gold," and is extremely similar, with many characters and back stories almost exactly mirroring those of the previous film. "Coastlines" brings nothing new to the table, and has no energy with the subject matter at hand. As the movie moves on, it becomes hard to shake the feeling that Nunez had run out of inspiration.What the movie lacks despite energy is originality. The movie contains plenty of drama, but there is nothing happening that hasn't been done better in other movies. What Nunez needed, in order to transcend the clichés, was the rich undertones and subtexts that made "Ulee" so engrossing. Nunez needed another layer of depth to give weight to all the things going on in his story.There is no doubt that Victor Nunez is an excellent independent director. However, that doesn't excuse the fact that "Coastlines" is a movie that simply didn't need to be made.