In Old Caliente (1939)

Sick Product of a Sick System

Just perfect...

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

In Old Caliente operates under the paradigm that persons of mixed racial origins are not to be generally trusted. Many a remark is passed about villain Jack LaRue and that he is what he is as a result of his parentage.LaRue is the villain in this Roy Rogers western and while he courts Katharine DeMille daughter of Spanish landowner Frank Puglia in the early days of California statehood, LaRue is also acting as an inside man for a gang of outlaws headed by perennial western villain Harry Woods.Roy works for the Don and he's busy courting Lynne Roberts who came west in a wagon train guided by Gabby Hayes whom she calls Uncle Gabby. LaRue murders Puglia and pins the blame on Roy and Gabby. But we know that in the end the truth will be revealed.One thing I did like about this western was the manner in which Roy was paid for the Don's cattle on completion of the cattle drive in this film. The reason for the payment in the unusual form it takes was to foil the outlaws. It works too, I can't say more, you have to see it to believe it.Other than the racist premise which seems to underline In Old Caliente the film is an enjoyable Roy Rogers western.

Roy works for an old-blood Spanish rancher in the early days of California's entry into the Union. He's fired when he takes the side of George "Gabby" Hayes and other settlers, when they're falsely accused of robbing a shipment of the Spaniard's gold, a robbery that's really the brainchild of the rancher's evil gringo-hating foreman.A thoroughly ordinary Roy Rogers adventure, there isn't enough of the good stuff to make this very memorable. There's a few decent action scenes, but little twists, suspense, or humor. The songs are okay though.Jack La Rue is a good villain, but Roy's love interest is rather bland and the usually animated Gabby Hayes is a bit more subdued and thus less interesting this time around.I'd recommend this only to hardcore Rogers fans.

This was one of the better B oaters I've seen in a while. Mostly because the story is engaging, relatively complex, and also relatively relevant in that it deals tangentially with racial prejudice and injustice.Roy is the trusted friend "almost like a second son" to Don Vargas, a rich California cattle baron who suspects the influx of white people but trusts Roy on a personal level. When Vargas' henchman frames a wagon train for a robbery and Roy sticks with them, Vargas figures that Roy is untrustworthy and disowns him. It's up to Roy and "Gabby" Hayes (always funny and reliable acting-wise) to discover the real thief (who the audience already knows 5 minutes into the film) and expose him.Many of the elements, including the music and the stunt work, are top of the line for this genre. The only problem I had was that while this movie more or less is designed to send a message of racial tolerance and mutual respect, it features an unabashedly bigoted portrayal of a "half-breed", who is the villain of the film. 2 separate characters in the film say "I should have known better than to trust a half-breed" or words to that effect. The movie clearly went out of its way to single out the "half-breed" and creates the impression that mixed race people are not the moral equals of everyone else. I know this was an old movie, but that just kind of spoiled it for me and I would have to warn just about anybody going into this about it. I would not, for instance, show this to young kids because I just wouldn't want them to get that message. There may be other Roy Rogers films out there with less bigotry, that would be more suitable for kids.

As Americans move westward to California in the mid 1800's, the days of the old Spanish Dons and their vast ranchos are numbered. One such landowner is Don Jose Vargas, who bemoans the loss of his way of life.Roy Rogers is like a second son to Don Jose, but his integrity is threatened when he defends a band of white settlers who are accused of stealing gold earned in the sale of Vargas' cattle by his foreman Sujarto (Jack LaRue). Gabby Hayes is the leader of the settlers, traveling with his niece Jean (Lynne Roberts as Mary Hart). When Roy and Gabby team up to discover the bandits' hideout, they recover the gold only long enough to be framed for the robbery. Brought to Don Jose's estate, they are imprisoned in the Don's cellar, and under grim circumstances, Roy gets Gabby to join him in a duet of "We're Not Coming Out to the Dance Tonight". Things go from bad to worse when the Don's daughter Rita (Katherine DeMille) insists that her father heed a plea from Gabby's niece to hear Roy's side of the story. As the Don is about to free Roy and Gabby, he's murdered by Sujarto, who frames Roy for the killing. Ultimately though, the good guys escape, with Roy literally chasing Sujarto down into the Pacific Ocean.In the closing scene, Roy has joined the settlers, and is presumably ready to settle down with the pretty Jean. Gabby's trusted mutt, sporting whiskers resembling Gabby's own, acknowledges his approval by hiding under the covered wagon.