The Ringer (1952)

That was an excellent one.

One of my all time favorites.

A waste of 90 minutes of my life

Easily the biggest piece of Right wing non sense propaganda I ever saw.

The problem with this film is that the performance of Donald Wolfitt points to him as the obvious suspect that it totally destroys any element of suspense.The ending is so ridiculous that it leaves you feeling cheated.William Hartnell is entertaining as the ex con.Herbert Lom plays a crooked solicitor who seems to be playing in a different film from Wolfitt.

"Goldfinger" director Guy Hamilton made his director debut with this dandy, little, black & white, British Lion mystery-thriller about a notorious vigilante known as "The Ringer." Herbert Lom, William Hartnell, Donald Wolfit, and Denholm Elliot stand out in a competent cast. Loosely based on Edgar Wallace's stage play, Hamilton and scenarist Leslie Storm and Val Valentine have departed from certain plot points, but they maintain the same characters. The Ringer is an indestructible individual who has eluded the authorities and has apparently returned from the dead. The news claims that the infamous Ringer has died in Australia, but Scotland Yard suspects that the Ringer may not kaput. The Ringer is reportedly a mastermind of disguises, and he proves it beyond a shadow of a doubt in this nimble, witty epic. Slickly helmed by Hamilton, "The Ringer" benefits not only from a strong cast but also solid production values. Hartnell steals the show as a Cockney ex-con who suspicious British solicitor Maurice Meister (Herbert Lom of "The Pink Panther')hires to fortify his palatial residence from The Ringer. The dialogue is good, and the death of Lom character is admirably staged. Meister, it should be noted, died under different circumstances in the novel. Hamilton stages the Ringer's escape with verve. After he sheds his disguise in the nick of time with the clock ticking, this criminal manages to slip out of the attorney's house, past the police, and climbs into an automobile and cruises away. Typically, criminals were always punished in the 1950s but since we haven't seen this dastard actually murder anyway, I suppose the filmmakers felt safe in letting the villain escape. Again, the way that the villain dispatches the evil attorney is neat as a pin! Not only does the eponymous character slip past the police, he deals with the chief investigator on the case-- Inspector Wembury--but also he follows the man's orders. Something else of interest is the number of capable, behind-the-scenes, technicians who received credit from their contribution. First, Bert Bates is the editor; he later worked with Hamilton on the James Bond movies "Diamonds Are Forever," "Live and Let Die,and "The Battle of Britain. "The Dirty Dozen" director of photography Edward Scaife lensed the action with considerable polish. Future "Exorcist" photographer Gerry Fisher worked as the camera assistant, while future "Tarzan the Magnificent" director Robert Day served as the camera operator.

First of all I must say I love this film. I remember watching it about 30 years ago, and I recall enjoying it a lot.Some people will say the Ringer is predictable I would beg to differ slightly, I would say that its predictability adds to its unpredictably if that makes sense!It's a fairly short film which suits me with my diminishing concentration levels, great acting, Herbert Lom playing a typical bad guy, a young Denholm Elliott and William Hartnell playing a cheeky cockney villain.I for one think its great entertainment, bought a copy from Amazon and have watched it twice in 3 days. Marvellous ending by the way. Enjoy itNick

Ever watch a mystery movie and spot the murderer right away? Well, if you watch "The Ringer" you should spot the murderer, oh, about half a minute after the opening credits. It promises to be a better-than-average mystery with Herbert Lom leading the cast, but almost immediately Donald Wolfit dominates the picture as a forensic expert from out of town - namely, somewhere in Scotland. Every scene he is in fixes on him sooner or later, and it soon becomes very obvious ...The movie is static and takes place mostly in Lom's office. He is an enemy of 'The Ringer', a notorious criminal, and it is discovered that The Ringer is in the vicinity to settle a score with lawyer Lom. Then the picture slogs along to its inevitable conclusion. You will have it figured out way ahead of time, but, of course, Scotland Yard does not.The saving grace with the print I saw (Columbus,O. Cinevent) was that it had 2 endings, one for British audiences and one for us in America, and they were run one after the other at the end. I thought that was a novel twist but it could not save a movie that was both tedious and predictable.