The Greene Murder Case (1929)

Plenty to Like, Plenty to Dislike

Highly Overrated But Still Good

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The film may be flawed, but its message is not.

The second Philo Vance film with William Powell in the central role was made in the same year as the first ("The Canary Murder Case"), but it is somewhat less of an antique. It's still often static, but at least there are a few panoramic shots of the house of the Greenes, and a more cinematic finale. Perhaps more importantly, the mystery is much more complicated than that of "Canary"; having read Maltin's comment about an obvious killer and remembering how easy it was to spot the killer in "Canary", I was certain I had it all figured out but I was fooled; I found the ending thoroughly surprising. Fans of Jean Arthur (she also appeared very briefly in "Canary") will be glad to know that her part is much bigger this time. **1/2 out of 4.

The Greene family is abiding by a strange will that required them to stay in their mansion. The problem is that SOMEONE there is a maniac and is killing people! Can Philo Vance (William Powell) get to the bottom of this and prevent more killings?"The Greene Murder Case" played a lot better back in 1929 than it does today. Today, it seems very dull and much of this can be attributed to the way they made movies back in 1929. Like most films of the day, this one lacked incidental music and was very low energy--probably because actors were stuck standing near hidden microphones. Additionally, all too often, our hero, Philo Vance makes insane guesses and makes them seem true when he's really just pulling it out of thin air!.

It is a pity that the studio didn't change the name of the detective, because while William Powell is good in these movies, Philo Vance he is not. Eugene Palette is superb as Heath, and most of the other actors are good. It is extremely strange that Philo Vance, one of the most popular characters in American detective fiction, has been so universally trashed by critics. The hostility of contemporary critics, who gave the books grudging admiration, seems to have been the result of personal dislike of the author, who has been described by one as"the most fascinating UNLIKABLE man I ever met". It seemed that nobody loved Vance but the American public! Vance really was not a snob in the ordinary sense. Members of society came in for contemptuous remarks more often than not, and he liked and respected simple, unpretentious people, such as Heath.Vance could be described as an "American Lord Peter Whimsey", and very likely was partly based on that character. The same critics who like Whimsey hate Vance! Strange that the studios so altered Vance's character, because they thought that the public would resent Vance's erudition and "elitism", the same public that loved those quirky characteristics in the books! Had the studios made the movies more faithful to the books, they likely would have been more successful;as it was they never really caught on. As it is, this movie is a very good atmospheric murder mystery, well worth watching. With different casting(Warren William was the best Vance) and making the character more faithful to the books, it would be a real classic.

1929's "The Greene Murder Case" was the second of three early talkie Paramounts starring William Powell as Philo Vance, coming six months after the first, "The Canary Murder Case," eight months before the third, "The Benson Murder Case." Storywise, it's perhaps the best of all three, while technically it's a huge improvement on its predecessor, the pacing agreeable, the acting more natural, and Powell again joined by District Attorney Markham (E. H. Calvert) and Sgt. Ernest Heath (Eugene Palette). Also returning as a different character is young Jean Arthur, in a far more substantial role than her cameo in "The Canary Murder Case." The Greene household, consisting of bedridden matriarch and four offspring, are beholden to the will of the late patriarch Tobias Greene, requiring everyone to remain under the same roof for 15 years before the estate can be divided evenly between them. One dark midnight, both Chester (Lowell Drew) and Ada (Jean Arthur) end up shot (Chester fatally), but the robbery motive piques the curiosity of Philo Vance, particularly as the two shots were fired minutes apart. Always intrigued by the psychological aspects of each case, Vance has his hands full under this roof, where Tobias kept an extensive library on the history of crime. He may wind up solving this one by having only one suspect left! Florence Eldridge (Mrs. Fredric March) is an assured scene stealer, but her doctor boyfriend is played by dull as dishwater Ullrich Haupt (hard to believe that two women would be interested in him). Powell is far more involved here, and his amusing rapport with Eugene Palette never goes over the top. Struggling in a role few actresses could credibly pull off, beautiful Jean Arthur was still an unknown quality at the time, but remained one of Powell's favorite leading ladies (later seen to best advantage in "The Ex-Mrs. Bradford").