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Green Light

Green Light (1937)

February. 20,1937
|
6.1
|
NR
| Drama Romance

A brilliant young surgeon takes the blame for a colleague when a botched surgery causes a patient's death and buries himself at a wilderness research facility.

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Plantiana
1937/02/20

Yawn. Poorly Filmed Snooze Fest.

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SnoReptilePlenty
1937/02/21

Memorable, crazy movie

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CrawlerChunky
1937/02/22

In truth, there is barely enough story here to make a film.

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Cooktopi
1937/02/23

The acting in this movie is really good.

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calvinnme
1937/02/24

... the result is total confusion at best, and that best sums up how I felt watching this film. What saves it and makes it worth watching? First there's the cast, most of all the always charming Errol Flynn in a most unusual role along with the often overlooked Margaret Lindsay, feisty and loyal in her role here. Next there is Frank Borzage's direction. With his love of humanity shining through he makes something that seems weird taken plot point by plot point and makes it a warm enjoyable experience.Now for the confusing part - the entire plot. Errol Flynn plays a brilliant young surgeon, Dr. Newell Paige. Warm to everyone he meets, always with a smile, plus he likes dogs - his dog is a constant companion. The day comes for the operation of a prominent older woman in the community, Mrs. Dexter. The situation is urgent, but the surgeon that is to perform the operation is nowhere to be found (Henry O'Neill as Doctor Endicott). It turns out he's in a broker's office trying to save his portfolio from ruin. Paige starts the operation, but Endicott shows up in the middle and takes over. He cuts an artery too short for it to be clamped and Mrs. Dexter, dies. In private, Endicott admits his blame to Paige, but he refuses to blame himself when the hospital board brings up the whole matter at a hearing that is there for only one reason - to find someone to blame and fire for this incident. Paige doesn't show up at the hearing either, leaving the board to reach the conclusion that Paige is at fault and ask for his resignation - he gives it. Now, we're not talking about some 25 year old retail clerk covering for the mistake of a 60 year old retail clerk and taking the blame so the older less employable person won't be fired. We're talking about a trusted surgeon who made a fatal error because he was distracted. Do you think he's less distracted and therefore less dangerous the next time he's in the operating room with the guilt of the destruction of Paige's career on his conscience in addition to the worries over his personal finances? In spite of this obvious injustice, everyone in the know about what really happened digs their heels in about covering for Endicott even using "professional ethics" as an excuse. The only voice of reason here is Margaret Lindsay as Frances, Paige's nurse and obviously more than a little in love with him, but right just the same. She's about to blow the whole thing wide open when she's directed to Dean Harcourt, the minister that has counseled Paige and made him believe he was right to take the blame. Sir Cedric Hardwicke as the sublime old cleric is quite likable in his role, again owing to his own talent and probably to that of Frank Borzage, but if you listen to his words like you are reading a court transcript they are like so many fortune cookie sayings stitched together into some kind of psycho-babble. Worse, this minister seems to think it is a good idea to put people into embarrassing situations by introducing them to one another without them knowing the prominent part they play in each other's dilemmas. He does this to Mrs. Dexter's daughter (Phyllis played by Anita Louise) and Dr. Paige. They fall for one another. That is, until Phyllis finds out Dr. Paige was blamed for her mother's death, then she'll have nothing to do with him.How does Paige deal with this? He goes to the site of the North American plague of the time - Rocky Mountain Spotted Fever - where intense medical research is going on for a cure. He tests a vaccine on himself by injecting himself with the possible antidote and then deliberately allows himself to be bitten by a tick carrying the disease. If he lives, the antidote works. His reason? He somehow feels like he has to make amends and have his life - or death - mean something. What?? He is the guy who allowed himself to be unjustly accused and fired for something he didn't do, lost the girl he loved - Phyllis - to maintain the ruse, and he thinks he's anything but a prince of a guy? Then there's the whole matter of Frances, working side by side with Paige for years, beautiful, smart, and loyal, yet Paige skips over her entirely and falls for a girl he barely knows. In spite of what I've written here I really like this film and watch it periodically - it is a positive experience to watch a film full of characters with the best of intentions even if their reasoning skills are a bit off kilter. You really can't miss with Flynn starring and Borzage directing, but just don't expect for a minute to understand the motivations of any of the characters involved.

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MartinHafer
1937/02/25

This might just be the strangest Errol Flynn film other than the truly odd Cuban movies he made at the very end of his career. It has many strange plot elements and a convoluted religious element that just left me dazed! But, despite the very strange writing, the overall effort is still pretty good--mostly because it's hard to imagine Errol Flynn making a bad film! Heck, drunk and disinterested, he was still a heck of an actor--and here he is young and vigorous and engaging.The film begins with a strange Norman Vincent Peale sort of sermon by Cedric Hardwicke. In fact, whenever this odd preacher talks, he sounds very mystical...but never seems to mention God or the Bible! And you also wonder what the heck he has to do with the rest of the film. Well, honestly, he DOESN'T have much to do with the film--he seems more like a wacky social gospel-spouting plot device--but a pleasant one.The film actually has to do with a bizarre doctor (Flynn) who inexplicably covers for his boss when the boss-man botches an operation and kills a patient. I say inexplicable because his reasons for covering for the elder doctor seemed convoluted to say the least. As a result of taking the blame for something he DIDN'T do (and, by the way, possibly allowed an inept surgeon to keep practicing), agnostic Flynn goes to see Hardwicke--who pulls some strings and manipulates him into meeting the daughter of the woman (Anita Louise) killed by the other doctor. She falls for him but when she discovers that Flynn is the one blamed the death, she despises him and he runs off to a life of self-sacrifice working on Rocky Mountain Spotted Fever! This culminates with him injecting himself with an experimental vaccine--and Louis comes running to him! Does the amazingly self-sacrificing Flynn pull through?! Well, don't expect any surprises! If the plot I described sounds convoluted and weird, that's because it is--and it's actually a bit worse, but I omitted a bit of the plot due to space. The bottom line is that the film STILL manages to be enjoyable even though it is never the least bit believable. A very minor Flynn outing to say the least. At least it IS original!

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bkoganbing
1937/02/26

Because Green Light was done under the banner of Cosmopolitan Pictures for Warner Brothers, I've got a feeling that William Randolph Hearst might have originally intended Anita Louise's part for his amour Marion Davies. The thought of Marion Davies and Errol Flynn together in a film boggles the mind, but I'll bet Hearst would not have wanted Flynn opposite Davies for personal reasons as Errol was just starting to acquire his reputation as a rake.W.R. provided Flynn with a change of pace that he requested. After doing adventure films Captain Blood and Charge Of The Light Brigade, Flynn wanted something different. Green Light is based on a Lloyd C. Douglas novel of spiritual values and Universal had just had a smash hit in Magnificent Obsession that made Robert Taylor a major star. No doubt Hearst persuaded Jack Warner to get the film rights for Davies, but then Marion couldn't go through with it. The story does center on the man however and that was never something you would see in a Davies film.Errol Flynn plays an idealistic young surgeon who takes the rap for a botched operation that his mentor Henry O'Neill performed. Resigning the hospital he goes to work for research scientist Walter Abel who is looking for a cure for spotted fever in the west which is deadly to humans and livestock. Along the way he meets and falls for Anita Louise who is the daughter of the woman who died on the operating table, Spring Byington. Presiding over all of this is an Episcopal bishop played by Cedric Hardwicke. In her last hours Byington is heard listening to a broadcast by radio of one of Cedric Hardwicke's inspirational sermons. Hardwicke functions as the author's voice, he shares with the other characters and the audience the philosophy of self sacrifice and good works that Lloyd C. Douglas had. With all these people being so noble and self sacrificing, you know it has to turn out all right.Flynn never quite nails down the character which would have been ideal for Tyrone Power over at 20th Century Fox. Still he gives it a good try and the audience did respond. But it would be a long time before Jack Warner would cast him in a modern drama.For me the character I remember best is that of Margaret Lindsay who plays a nurse who really has it bad for Errol, but who loyally steps aside and even helps Louise get together with Flynn. Now THAT'S a sacrifice.

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dbdumonteil
1937/02/27

If I should choose one American director for the twenties/thirties,I would take Frank Borzage any day.This is a film of a believer ,but a believer who never falls into the trap of bigotry:the "green light" of the title is the light that comes from the sky,the light of hope which should enlighten everyone.His early silent movies (particularly "Humoresque" ) displays a strong faith in a divine intervention provided that you are worthy of it."Seventh Heaven" ,"Little man what now" ,to name but two,featured characters who had nothing,nothing but their love for each other and their faith in providence.It would culminate in 1940 with Borzage's masterpieces,"the mortal storm" and "Strange cargo",particularly the latter where Cambreau becomes some kind of messiah.Eroll Flynn,cast against type ,-but portraying a physician who predates his role in Walsh's "Uncertain Glory" where he finally sacrifices everything- ,gave all:first he took the blame for an operation which cost a patient her life;then he acted as his own guinea pig for his vaccine.It often recalls "magnificent obsession" (the first version by J.Stahl was released two years before):both works feature a man of God : the man who tells the hero of "obsession" a man died on the cross for man's salvation,the priest in "green light".The choir in the church which we heard at the beginning returns for a canticle which climaxes the movie .Be prepared to sacrifice anything and do not ask anything in return,there will be a reward anyway.

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