The Mind Snatchers (1972)

Save your money for something good and enjoyable

Highly Overrated But Still Good

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

I had a "What the hell did I just watch?!" experience with this movie, and I mean that in a good way - a real buried treasure. This one is based on a play and as a result the early dialogue scenes make it seem like the previous 25 years of screen writing technique had not occurred - lots of snappy one-on-one character dialogue and hearty expositions. It's not as bad as it sounds though; it's actually pretty cool, and soon enough it goes over the edge, with subtext run amuck. This is an allegory about the colluding interests of the military and psychiatric establishments - a hardcore, polemical one. Christopher Walken, young like crazy, is the Angry Young Man in the Wild One/Jailhouse Rock tradition, except he gets sent to a military hospital where they f*ck around with monkeys and put electrodes in GIs heads to test fancy shock machines. The twist is that the psychiatrist refuses to operate without consent - so he goads consent out of the patients by the most devious, predatory means - and then gets THEM to push the button. At the end Walken is paraded before the media in a military uniform, standing on a stage with the doctor and the general, and he offers completely vacuous, completely familiar answers to the usual questions - but before each answer, they have to push the button. The TV was off for ten minutes before I realized - IT DOESN'T TELL US WHO'S PUSHING THE BUTTON. That about sums it up, doesn't it? Another coup: when the old-maid nurse is about to be raped by the hyperactive Ronny Cox, she startlingly yells, "You don't love me because I'm fat!!!" There's a lot of detail here. The soundtrack - by Phil Ramone, Billy Joel's producer and the guy the Ramones ripped their name off from - is completely insane, at times it sounds like a cross between Philip Glass and Captain Beefheart's Magic Band. My only question is, were any animals harmed during the making of this picture? Those are some stressed-out monkeys. Finally: be advised that Cox's self-buttoning scene is f*cking disturbing, even if it is justified rhetorically.

Interesting but hardly original drama with sci-fi leanings – though not quite the "horror"/"chiller" described by the ads! – involving the brain-washing of violence-prone subjects by the system (which must have seemed particularly trenchant at the time of the Vietnam war).At this juncture, however, the movie feels quite dated – if reasonably intelligent and compelling nonetheless. Being also relentlessly talky (not surprising, given its stage origins) and low-key in nature, there's a conspicuous lack of cinematic inventiveness – which doesn't really allow for a sensible comparison with Stanley Kubrick's stylized treatment of the same theme in A CLOCKWORK ORANGE (1971)! Still, it has some undeniably powerful moments – and the small cast is impressive: Christopher Walken (relatively inexperienced for this type of demanding role, but quite good in his Method approach to it); Joss Ackland (as the requisite mad scientist); Ralph Meeker (as the equally inevitable, and callous, military overseer); and Ronny Cox (as a fellow inmate of Walken's who, after much soul-searching, willingly submits to the dehumanizing experiment).Incidentally, the play was filmed under its original title – THE HAPPINESS CAGE – but this got changed (in case it was mistaken for an ode to hippiedom) first to the sci-fi friendly and, in retrospect, more appropriate THE MIND SNATCHERS and eventually to the horror-oriented (and, consequently, wholly misleading) THE DEMON WITHIN!

At first sight a rather obscure entry in Christopher Walkens filmography, this 1972 picture turns out to be something like a hidden gem. It deals with a topic familiar from many films, but here it is treated with great seriousness. Christopher Walken plays a young American soldier stationed in Germany. He's basically a cynical, non-conformist and, natural combination, intelligent loner, and usually the army doesn't like people like that. So he is brought in a mental hospital disguised under the outer looks of a German castle for "cure" of his "mental problems". Problem is, the treatment of the patients (there are no more than three of them) is very "special"... The low budget forced the film into realism. It looks as it would if real life prevented such a horrific scenery. In the mid of this confrontation between individuality and it's destruction, the actor do their jobs very well (Ronny Cox has his first feature film role here - probably the one that brought him into "Deliverance"). A surprisingly good, yet provocative tale - on the other side about morality, on the other a praise of non-conformism.

A bit talky, but certainly well acted and thought provoking.Walken, looking all of 19, does his usual standout performance in this ethical drama. While not without it's drawbacks - the pace is a bit slow at times and the score is annoying, the questions raised about the ethics used by both the well-meaning Doctor and the frightening military will certainly cause future reflection.