Destination Inner Space (1966)

Terrible acting, screenplay and direction.

Sick Product of a Sick System

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

With a longtime feud going on between commander Scott Brady and crew member Mike Road, it's going to be a tough journey for scientific experiments going on at the bottom of the beautiful briny sea and research doctors Gary Merrill and Sheree North. An alleged space craft that looks like the size of one of the hubcaps in "Plan Nine From Outer Space" flies over their sea station here, and while at first assuming that it belongs to the Russians, the crew soon finds out otherwise when they take what looks like a large couch pillow back into their sea station that somehow amongst earthly oxygen starts to get bigger. Soon, it explodes open, and a giant creature appears to terrorize them, making Road regret bringing it back on board. His feud with Brady has to explode to a head as well, as Road blames Brady for the death of crew members on a submarine they were both on years before, but the truth is much deeper than that as Road must come to terms with. It takes teamwork to deal with a monster like this, and as Merrill demands, Brady and Road must put aside their differences in order to fight this creature that seems indestructible.For once, the monster isn't silly looking, even though it's obviously made out of rubber. In fact, it's actually pretty scary looking, and the color photography helps bring out the details used in creating it. Only the special effects of the alleged Russian spacecraft with the ability to travel through deep ocean waters cheapens the look of this late in the game sci-fi monster movie that utilizes a few well established human conflict to create some tension and add a story that is both believable and touching. There is a scene towards the beginning with Brady and North that is definitely showing sexual harassment at work, and Wende Wagner, as the expedition photographer, must put up with some of that as well. But these women show that they are able to stand up for themselves against even the most vile of harassment circumstances, so they command respect here rather than demand it, and the men actually come out of this expedition learning something, not only about how to deal with monsters from outer space, but how to deal with women in a close space and how to get past conflict with co-workers where truth is not always what it appears to be.

Destination Inner Space is our own Earth's oceans and some folks from another planet are showing an interest in it as a place to live. A group of scientists headed by Gary Merrill who live in an under water sea lab discovers a phenomenon of incredible size and the Navy sends Commander Scott Brady to investigate.The usual conflict between scientists and the military plays out with Brady and Merrill. In addition Brady has a conflict with another of the of the sea lab's crew Mike Road.The phenomenon turns out to be a space ship that settles in one of the crevices under the ocean and it's containing pods that are in a deep freeze. Stupidly the crew takes one aboard and it hatches into a cousin of the creature from the black lagoon though light years smarter. After that the film becomes almost a rerun of the classic, The Thing.Serving as decoration are scientists Sheree North and Wende Wagner. That's for the male audience to get them to the film if they're not science fiction fans. Destination Inner Space though the science may not be creditable it's still good fodder in the fiction department.

Watching "Destination Innerspace" again after so many years, one instantly notices how low this film's budget must have been. Also upon re-inspection, a few new qualities emerge. Namely, the unintentional laughs. Previous reviews have already noted the outrageously tiny-looking miniatures, and how some of the music cues (borrowed from the B-classic "Angry Red Planet") are not exactly subtle. Oh, and the sight of Gary Merrill trying to subdue a big, walking large-mouthed bass is certainly hard not to find amusing now. Such sad but funny indicators of low budget film-making aside though, what does still seem to work about this little movie is the premise: a monster preying on humans trapped in a confined space, which is basically how "Alien" works. Only here, we have an underwater facility "subbing" for the space tug Nostromo and being stuck on the ocean floor is not a bad setting if you're making a claustrophobic thriller. One sequence to admire is the alien ship's arrival on the scene. Watching as it soars directly over the sea lab, with the addition of sound effects giving voice to it's engines the space craft actually becomes kind of impressive. It's rather neat the way it "buzzes" the installation with it's nervous crew watching from inside. Clearly, they had the right idea here, and with a little more money this could have been a first rate sci-fi thriller. One can also definitely defend the sequence where the crew attempt to lure the alien creature into a booby trap of spear guns. It's rather suspenseful as the hero, Commander Wayne, using himself as bait, bangs on a metal door and waits forcing the viewer to sit and wait there with him for the monster's inevitable appearance. Speaking of Commander Wayne, this guy emerges as quite an enjoyable hero, and playing him like John Wayne underwater, Scott Brady is so well cast in the role that he really elevates the occasionally soggy proceedings to a level it never would have achieved without his capable presence. His smart alec, tough guy lines are funny, too like when he tells a cynical female marine biologist, "You listen to me, beautiful. I grew up with a couple of sisters, and let me tell you something: a brother doesn't always tell a sister "everything". Shove that under your microscope and study it awhile." In fact, Commander Wayne has a snappy answer for just about everyone on board: Dopey scientist: "do you realize the importance of this, Commander?"Wayne: "I realize the danger we're in." Dopey scientist again: "We've been cut-off from topside. Something must have happened to their communication equipment." Wayne: "More likely something happened to them.It's not a great script, nor is it brilliantly directed, and there are sure lapses in the pace here and there. All quite true. Still, this ancient sci-fi flick does achieve a modest measure of suspense. With the addition of an appealing star, some very funny lines and some unintentionally funny fx's, well, you could do worse than introduce your child to this enjoyable little monster movie.

Lots of cheesy fun but what's really cool is that Mike Road did the voices for the animated series' characters Race Bannon (JONNY QUEST), Reed Richards (FANTASTIC FOUR) and Zandor (HERCULOIDS). So for fantasy fans everywhere, we can put a face with that heroic "manly man" voice we grew up with in the 60s.