Caribbean (1952)

Best movie of this year hands down!

Absolutely Fantastic

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

However grim the subject (in this case, the slave trade), a little sense of humor can take off the edge. Unfortunately, "Caribbean" doesn't offer that much needed sense of humor. John Payne makes a surprisingly bland hero, much in contrast to his wonderful turn in Tripoli. Arlene Dahl, gorgeously decorative, really hokes this one up. One can only imagine what Maureen O'Hara or Rhonda could have done with the part. Even the key supporting players fail to impress, with the exception of the extraordinary Cedric Hardwicke, and actor who probably never gave a bad role. One could only imagine how could "Caribbean" could have been with everyone else performing to Hardwicke's fine standards.The script is episodic and badly paced. The duologue is so forgettable, it might as well have been a silent movie with "matinee cards". Nonetheless, one cannot help but marvel at the gorgeous production values of this superb use of Technicolor, miniatures and costumes. In fact, the beast way to see "Caribbean" is silent, with some really good orchestral music off YouTube. The plot is so predictable and obvious, you wouldn't miss the duologue and you would be spared a musical score more appropriate for a 20s silent film. You'd also miss repeated use of the "N" word, which has become so derogatory, schools have tried to censor it from Mark Twain. Nonetheless, on the strength of Hardwicke's performance and aforementioned production values, I give "Caribbean" a "6".

Pirate Sir Cedrick Hardwick is seeking revenge on fatso who ruined him and took his young daughter 21 years ago so he outfits John Payne to impersonate fatso's nephew and ingratiate himself with him so Hardwick can invade his island fortress and run him through and reclaim his daughter, the feisty redhead Arlene Dahl. Payne does so and in the meantime Dahl falls for him even tho she knows him to be her first cousin. Oh well, its the days of yore and what the heck, first cousin or no, she's got the hots. The native slaves on the island are in an uproar as well, so Payne helps them to revolt, Harwick lands and does in fatso but then Dahl does in Hardwick; she doesn't know Hardwick is her real father and Hardwick makes Payne promise to never tell her and so Dahl and Payne walk off into THE END. This movie has terrible direction and even worse editing, but it is in living Technicolor and fatso has great duds so its OK. And it's not really a high seas pirate movie, it's more like a soapy drama taking place during pirate times with pirate ships and cannons and rubber swords.

This little ditty is one good little pirate tale.....saw this movie in the early 50s in Detroit and it made the rounds through the 50s and early 60s as a second feature on double bills at the theaters and drive ins....must have seen it about 4 times or so then....John Payne who made his mark in "Miracle on 34th Street" is cast as a hunter named Dick Lindsay in some remote caribbean locale who is hunting ducks when he suddenly comes upon two pirates and a slave who will be digging a hole to bury some pirate loot. Payne is suddenly attacked and taken prisoner on a local pirate captain's boat and sent to the brig....not known to him is the pirate captain (Cedric Hardwicke) is plotting to send an impersonator to another pirate's locale to infiltrate the island and tell Hardwick all of the island's weak points for a future raid.....Francis L. Sullivan, a character actor of the 40s and 50s is the rival pirate captain and slave owner named Andrew McCalister. Payne accepts the job to spy on Sulivan's empire for promise of a large amount of money and freedom.....upon arriving at the island Payne finds the local slaves are badly abused by Sullivan and a foreman/taskmaster named Shively (Willard Parker).... Of course a lovely lady is on the island to tempt Payne, the scorching Arlene Dahl (her and Rhonda Fleming, red headed look alikes)...unbeknowing to Dahl is that she is really the daughter of the rival pirate captain Hardwick....the tale is that Hardwick and Sullivan had a parting of the ways and Sullivan (Andrew McCallister) stole Hardwicke's money, power and position and forced him to be a pirate, all the while taking his infant daughter (Dahl) as his own supposed daughter. Payne appears to be up for this role, usually one that would suit Earl Flynn...in fact this film has a lot of resemblances to Flynn's classic - "Captain Blood"...... On the island Payne must become a bastard part of the McCallister family and plot to overthrow the McCallister empire at the same time. A very good knife fighting duel between Payne and Shively near the end and Payne puts him away....Payne's identify is discovered by the shrewd Andrew McCallister and in the end the pirate captain Barclay (Hardwicke) overtakes the island and puts McCallister, his arch enemy away...in the process Hardwicke is killed and implores Payne at his side never to tell Dahl that she is his real daughter. Arlene Dahl was a staple in these early 50s drama adventures, ala Patricia Medina and also starred with her future husband a year later in the pirate tale "Sangaree" Fernando Lamas....Franicis L. Sullivan played a heavy in "Sangaree" also. All in all this is a very enjoyable pirate/adventure drama.....although Flynn, Fernando Lamas, or maybe Tyrone Power could have handled the role better.

This movie also leaves a lot of loose ends. It's hard to believe that Arlene Dahl would fall so quickly for John Payne. Also, Payne's former life is quickly forgotten. This movie must have been made for kids because it was preposterous to this adult. Payne is a serviceable actor but he doesn't have the charisma for this kind of role. He is rather solemn-faced and this role demands a little more levity. Forget this and look for an Errol Flynn movie instead.