The Challenge (1961)

Touches You

Best movie ever!

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

One of the better London-based crime films of the 1950s/1960s to appear on the Talking Pictures channel. It was interesting to see Anthony Quayle as something of an underdog, and I always puzzle about Edward Judd's transformation as an actor. In "The Challenge", he looks a bit seedy, not helped by unflattering baldness, whereas after some 50 years I can still recall his screen presence in some TV series or other - helped by a toupee, a bit of burliness and a smart suit.I have a feeling that, as with so many films, the regional railway stock and the London terminus didn't match. (And even in those days did drivers really leave ignition keys in their cars?) Despite what others have said, I thought that Jayne Mansfield was adequate, though I fast-forwarded through her song.The poster for the film shown here on IMDb titillates misleadingly. I'm not sure who the cavorting lady is - Billy before she went blonde or the stripper whose act we never got to see completely?

Top thrills from writer/director John Gilling come to us courtesy of this black and white British crime thriller, which features a nicely-tuned leading performance from character actor Anthony Quayle, a man who never disappoints with his mannered and focused acting style. Quayle plays a mild-mannered family man who gets involved with an unlikely femme fatale and a gang of robbers and is involved in a violent heist. He escapes with the loot and manages to bury it, but somebody calls the police and he's sent off to jail for eight years.The story picks up on his release, where he finds the gang are desperate to lay their hands on the loot and will do anything to facilitate that end. The story goes from there. What's immediately apparent is that THE CHALLENGE is a very good film of its type, certainly much better than the earlier efforts directed by Gilling which suffered from tiny budgets. THE CHALLENGE has more money put into it and it shows, with plentiful action and lots of different locations, both indoor and out.Unfortunately it appears that a number of reviewers have condemned this film as a cheap piece of derivative trash. They appear to have watched the movie as it contains an early role for American starlet Jayne Mansfield, but in their condemnation they don't have anything to compare the film with. You can't contrast this type of movie with the big budget American film noir flicks or even French classics like RIFIFI; of course it's going to look inferior, but trust me, THE CHALLENGE is a strong entry in its genre.It's fair to say that Mansfield is pretty unconvincing as the femme fatale/gangster's moll in this film, although as ever her figure is quite arresting. The silly wig she wears for part of the running time is quite distracting. Still, the supporting cast are fine: Carl Mohner is frightening as the ruthless thug; Dermot Walsh gets to be on the right side of the law for once; Percy Herbert has a wonderful little turn as a boozy worker; Barbara Mullen is memorable as the stressed-out mother in law; and Edward Judd makes his impact as the two-fisted cop. THE CHALLENGE fills its running time with many suspenseful moments, a taut premise (particularly in the second half), fine action, and great twists. I really liked it.

Strange Brit film-noir, in the sense Jayne Mansfield is playing a gang leader (and not even the moll). Anthony Quayle, playing out of character, (Jim) (if you 'don't' include 'Ice Cold in Alex, where he makes good anyway/let off). Simply said, Mansfield's 'Billie' character, sets up her then lover (Quayle) into taking part in a robbery. Carl Mohne as 'Kristy' her 'real'(?) lover, 'makes a phone call to the police to land Jim in it, but it looks like it still had Billie's blessing to land Quayle in it too??? Although the strange thing is, she's left Jim to hide the money without anyone knowing, (including her, where he stashed it). Kristy, thinking she DOES know, is hanging around. Meanwhile, Jim takes the rap because of the 'phone call, does his stretch and is released. However, all in the meantime Billie and the gang, have done numerous robberies whilst Jim was inside. This I don't really get, as Mansfield/Billie didn't know/locate the money from the first robbery with Jim, carries on robbing in the meantime. It's not as if she had Jim's money and was going to use it to finance jobs. On Jim's release, Mansfield and the gang want the money from the first job, Jim of course rebels/refuses for taking the rap - it's not long before the gang decide or rather Kristy does, to kidnap Jim's son, Joey (typical 60's name) in return in trying to get him to blab.Mansfield though is not warmed to the idea of harming or even taking Joey, as Kristy is a psychopath. This is where the film adds a bit more tension in the overall plot of finding Joey, who's in the hands of one of the gang, who's happy to kill joey if Jim isn't forthcoming wit the loot.Edward Judd plays a good role as the Inspector after both Mansfield's gang and all the loot from all the robberies as well as trying to wrest Joey from Kristy's minions.Predictable kind of turns with cops and robbers etc., with some fair action/fighting and tension. It has to be said Quayle played a great role and very well. Mansfield, on the other hand also predictably still plays a dumb blonde role too much like Marilyn Monroe, spoiling it, though for me and the film. She does a good about-face with Mohne's character realising he's a dangerous psycho though. One thing, there's a plot part of the loot being buried and then found to have later, explosives covering it - Jim goes to find it surprised of course, but what's more surprising is the fact the explosives are left out in the open/unguarded!!!

The only good thing about this film is the performance of Anthony Quayle. He gives his character some depth and humanity. No wonder he was soon off to great films such as Laurence of Arabia. If you want a truly great performance by this actor watch Anne of the Thousand Days. His role in that film earned him an Academy Award nomination. The good thing about THIS film is that the plot was a great idea and the flow was pretty quick and kept you interested. What was awful was the quality of the picture and the sound. The actors were blurry and the voices did not match the lip movements. Why was so much wasted on what could have been a really decent movie? Perhaps age and a lack of good DVD quality is the problem? The movie will only be bearable to Anthony Quayle fans, Jayne Mansfield fans, or crime drama fans.