Fury at Furnace Creek (1948)

Very very predictable, including the post credit scene !!!

It is a performances centric movie

The film makes a home in your brain and the only cure is to see it again.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

It's always amazed me that this lavishly produced, excitingly scripted and thrillingly staged western has no following. Perhaps it's the cast that has failed to attract the fans. Victor Mature is always acknowledged to have delivered a fine portrayal in Ford's My Darling Clementine, but he's just as effective here, even if the role is less showy. Heroine Coleen Gray is never numbered among the greats, yet she too has given a number of telling portraits. We enjoyed her characterization here. With the support players of course there are fewer cavils. No critic in his right mind would fail to praise the likes of Reginald Gardiner, Albert Dekker, Fred Clark, Charles Kemper, Charles Stevens and company. Gardiner has the most showy role, but all contribute engrossing performances.Lucky Humberstone has directed in an appropriately bravura style, assisted by Harry Jackson's striking studio and Arizona location cinematography. The large sets are equally impressive. So is Newman's score. This is a handsomely mounted and produced western which still comes across with tremendous force and power.In fact, despite its catchpenny title, to my mind, Fury at Furnace Creek rates as director Bruce Humberstone's masterpiece, breathtakingly photographed with a strong plot line and spectacular action sequences. The large cast acquits itself well and production credits are honorable in all departments. Humberstone's forte is action, but he handles the dialogue confrontations with equal ease. The script is peopled with interesting characters and only a somewhat conventional romantic interest dulls an otherwise really outstanding production. The climax is a tour-de-force of edge-of-the-seat excitement, the absence of music and the high contrast photography contributing to the dramatic effect. Both stationary camera angles and running inserts are used in the chase sequences - in Humberstone's expert hands, both are equally effective.

A superior B Feature. Mature and Langan are the sons determined to prove their father, the commander of a lonely cavalry outpost, acted correctly and was not responsible for the fort's destruction in an Indian attack. In doing so they expose a plot by Dekker to buy up cavalry land rich in mineral deposits for a pittance. Script and direction give the production a stylish edge. It's not the question if Victor Mature is a good actor or not. I wouldn't like to decide this. It's like real life: Some real people also leave the impression of being bad actors. It's Mature's face that is interesting. It looks not only attractive, but uncommon, too. Behind it seems to be much more than you can immediately see, waiting to be revealed at any moment, wherefore it's interesting to watch him.

Fury At Furnace Creek is a richly textured Western from 1948 starring charming second-tier leads Victor Mature and Coleen Gray. The mid to late 1940's, the Golden Era of Hollywood movies, produced such Western Classics as Red River (1948), My Darling Clementine (1946), and San Antonio (1945) (see my review). While not in a league with those blockbusters, this picture reaps the benefits of a big studio industry that was at the absolute peak of movie-making artistry. Though a medium budget picture, it gets the same glossy production values as any top-dollar 20th Century Fox number.Mature and second lead Glenn Langan play long-estranged brothers uneasily reunited in a effort to clear their late Army General father of charges he caused an Indian massacre. Ms. Gray, as a pretty, but spunky diner waitress whose enlisted man father died in the massacre, makes a lovely romantic interest for the appealingly laid-back Mature. Formidable villainy is provided by Albert Dekker as a suave crime boss with henchmen Roy Roberts, Fred Clark, and the ever sinister Charles Stevens. Stevens, who claimed to be the grandson of Geronimo, was an asset to any Western. With his beady eyes, his weathered ferret-like face, and his wiry, stooped physique, he seemed the quintessential Western villain. Reginald Gardiner plays a pivotal supporting role as an alcoholic retired Army captain possibly involved in a conspiracy to frame the General.Though director Bruce Humberstone directed only two other Westerns, he nevertheless shows a nice touch for the genre here, getting fine performances out of a diverse cast and brilliantly setting up the scenes for some dazzling cinematography. He and film editor Robert L. Simpson move along the critically acclaimed Charles Booth/David Garth story with silky smooth scene transitions and nary a wasted camera shot in a lean 88-minute running time. The colorful score, credited in the movie's opening graphics to Alfred Newman, not David Raksin as IMDb indicates, consists mostly of pervasive period honky-tonk music but works quiet effectively. Sets are lavishly detailed and costumes are colorful and authentic looking. All of which along with intelligent, colorful dialog, and Harry Jackson's stylish cinematography creates a rich, layered, ambiance. The style of Jackson's atmospheric cinematography, abounding with night scenes and starkly shadowed, obliquely angled camera shots, shows the influence of the dark, Gothic crime melodrama, now known as film noir, which was all the rage of the late 1940's. Look for some some real knock-out camera work in this modest Western, particularly the following: 1) a lengthy sequence of panicked Garder stalked through, dark streets, boardwalks, and alleys by Stevens -- 2) a shot of Mature descending a stairway viewed between the silhouetted hats of the two villains watching him -- 3) in the final reel horseback chase a pose of villains galloping across the top of a rugged cliff while the two fleeing brothers ride parallel to them at the bottom of the cliff, all in the same frame. And surely the climatic shoot-out scene in the ruins of the old fort accompanied by whistling wind, tumbling tumbleweeds, and screeching gate hinges, has served endless inspiration for a later generation of Spaghetti Western directors.If you are a Western fan, or just a fan of classic movies, don't miss this one. Fury At Furnace Creek is a skillful blend of drama, intrigue, and action, exciting, atmospheric, and engaging from beginning to end. First-rate Western entertainment from Old Hollywood's Golden Years.

I like old westerns and sometimes I think I saw all the good ones, so finding this one was quite a surprise. The story is about a region where they start finding silver. As it was Indian property, they conceive a plot to grab the land from them. General Fletcher Blackwell gets his name dirty because they think he is behind this plot. Victor Mature and Glenn Langan are the General's sons who go to Furnace Creek to try to clean his name. There is a very funny character called Peaceful who likes to drink and gets arrested, but as there is no jail they tie him to a tree trunk. Peaceful still manages to go to the bar carrying the enormous trunk on his shoulder. Coleen Gray is the girl who falls for Victor Mature but is not certain that he is a good guy. An above average western.