Southwest Passage (1954)

Simply A Masterpiece

Memorable, crazy movie

If you don't like this, we can't be friends.

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The "Southwest Passage" of the title is an government sponsored expedition across a desert in hopes of finding a shorter route to California. The trek led by Ed Beale (Rod Cameron)is also testing the feasibility of using camels as they had proved capable of traveling for long periods with little or no water in their home lands.The story opens with bank robbers Clint McDonald (John Ireland), Lilly (Joanne Dru) and her brother Jeb (Daryl Hickman) being pursued by sheriff Kenneth MacDonald and his posse. When Jeb is wounded Lilly brings a tipsy Doc Stanton (Morris Ankrum) to tend his wounds. Clint learns that the Doc is scheduled to join Beale's expedition. He decides to impersonate him and joins up with the expedition with Lilly joining him later.This picture was filmed at the end of the 50s 3D craze so most of the film is designed to show off the usual 3D "comin' at ya" effects such as rifles pointed at the screen, a bull whip cracking in your face, a pitch fork, an Indian attack etc. etc.As for the story which makes minimal use of the camels, the deception of Clint posing as a doctor takes up most of the plot. Mule skinner Matt Carroll (John Dehner) learns of the deception and blackmails Clint. Meanwhile, Clint is forced into using his "skills", as we knew he would be on the trail guide, grizzled side kick, comic relief Tall Tale (Guinn "Big Boy" Williams).Although Cameron is top billed, the story centers on the Ireland and Dru characters. Coincidently, they were married at the time. Cameron appeared in a similar role the following year in Republic's "Santa Fe Passage".Given the nature of Ireland's character, I found that the "happy" ending of the story to be a little too Hollywood. But nonetheless the overall film makes for an entertaining 75 minutes.

Good outdoor western with an unusual plot and a generally unpredictable storyline. Surveyor Beale (Cameron) is leading a mapping caravan through an Apache-ridden desert. Along the way he picks up two fugitive bank robbers (Ireland & Dru), one of whom poses as a doctor. Meanwhile finding water is a real problem, even for the camel pack-animals and their Arab drivers. So how will all this sort out, especially since both guys are stuck on the same girl.I'm thirsty just looking at the barren Kanab, Utah locations. They sure look like a long way from nowhere. It's a good strong cast, particularly Ireland as a good-bad guy and Dru who really looks like she can ride and shoot. Okay, maybe budget-minded Edward Small Co. couldn't get the Duke for the big guy role, but Cameron still manages to persuade.Some good touches add color. It's really strange seeing the Moslem Arabs doing their bowing to Mecca in the middle of a western. But there they are. The camels too, are a good imaginative addition. But note the brief scene with the wrecked wagon that Beale orders chopped up for firewood. I wouldn't be surprised it was wrecked during filming and was cleverly inserted into the narrative. Whatever, it adds a realistic touch.My only complaint is an ending that appears pretty contrived, unlike what went before. Oh well, it's Hollywood, after all, a place where no one really dies. Still, it's a pretty darn good little western.

Average western originally made in 3D where Rod Cameron is leading a caravan that among horses and mules,also uses camels. They are joined by outlaw John Ireland who poses as a doctor and his girlfriend, Joanne Dru. Dru and Ireland are the real stars of the film, their relationship gets into a crisis because of Dru's admiration of Cameron. Ireland convinces them that he is a doctor up to the point where he has to amputate a man's arm. They are followed by Native Americans that at the beginning believe the camels are gods, and don't attack. The story, by Harry Essex, who wrote such good screenplays as "The Lonely Man" and "The Sons off Katie Elder" deserved a better treatment.

Actor John Ireland and his wife Joanne Dru star in this originally released 3-D color Western that was filmed in what appears to be John Ford Country (Monument Valley, Moab). Ireland met his future wife on the set of "Red River" and appeared with her again in "All the Kings Men". While this film is not in the same category with those two cinema classics, it does feature Rod Cameron and a healthy menu of great character actors such as Guinn "Big Boy" Williams, John Dehner, Morris Ankrum, etc. The story centers around Ireland, Dru and her brother (Darryl Hickman) robbing a bank. Eventually Ireland and Dru join Rod Cameron as he leads an expedition complete with camels to survey a new route to California. The group encounters a band of outlaws as well as Apaches along the way that keeps the viewers interest. What I found most interesting was the introduction of Middle East values to the wild west. A conflict result when Dehner, a mule skinner, starts a fight with the Arab camel drivers when he tries to force them to eat pork .... a custom opposed by their religion. Dehner grumbles about the camels constantly and cannot accept the fact that they are necessary for the expedition. I thought the script left something to be desired as the dialog was sometimes humorous when it was not meant to be. An example of this is when Dehner complains to "Big Boy" Williams, "What are you trying to do kill my mules? Standing out in this sun is worse than working them to death!" Williams replies, "The camels seem to be enjoying it." Dehner counters, "They ain't got sense to know better. All this map making is a bunch of buffalo chips. Can't he tell that's a mountain without looking through a spy glass?" Big Boy then shakes his head and says, "Man when they gave out brains in Tennessee...you must have been in New Orleans!" The only thing that saves this film from being less than mediocre is the veteran group of actors, the John Ford type of location, numerous action scenes and the beautiful color employed in the filming.