Public Cowboy No. 1 (1937)

best movie i've ever seen.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Copyright 23 August 1937 by Republic Pictures Corp. No recorded New York opening. U.S. release: 23 August 1937. U.K. release through British Lion. Australian release through British Empire Films: 18 May 1939. 6 reels. 60 minutes.SYNOPSIS: The movie opens with a sequence showing big city crooks bringing modern cattle rustling techniques to the prairies. In a scene that must have seemed then like a sophisticated James Bond caper, we see rustlers operating a mobile slaughter house. A plane spots the herd and radios its location to trucks hauling men and horses. Riders quickly round up the cattle and butchers clout them over the head as they come through a chute. They remove their hides, quarter them and load the beef aboard refrigerated trucks for shipping to a packing house. Then, it's a quick fadeout before Sheriff Matt Doniphon (William Farnum) and Gene Autry, his first deputy, come to the scene. The slick operation has brought mounting headaches to the sheriff. The raids, combined with a rancher's killing, have brought a storm of protests. Headlines in the Prairie County Courier blare: "Rustlers Strike Again. Another Herd Vanishes Overnight." "Reign of Terror Sweeps Prairie County." "Sheriff Doniphon No Match for Modern Rustlers." Newspaper editor Helen Morgan (Ann Rutherford) thinks the sheriff's old-time methods are outmoded. She is campaigning to have him ousted. COMMENT: Kane's 21st film as a director, but he was still young enough here to experiment a bit with the camera, what with whip pans, running inserts, diagonal angles, dollying-back shots, even a combination whip pan and running insert. True a lot of his direction is expectedly routine and some of it is even a bit rough around the edges, but overall it has a vigor lacking in his later more polished (if still thoroughly routine) efforts.Fortunately the accent is firmly on action in this Public Cowboy, though Gene does get to sing four or five songs, including happily "The Old Buckaroo". The budget is high with lots of extras, plus location shooting. Our only complaint is that the long-anticipated big action climax starts off big enough but ends rather tamely.Autry is as personable and ingratiating as ever, whilst Burnette provides amusing support. Miss Rutherford is much more appealing here than in her childish impressions over at M-G-M's Andy Hardy stables. Silent star William Farnum has a meaty role. Arthur Loft is okay as the villain, James C. Morton equally acceptable as an additional comedy relief.

With many of Gene Autry's pictures taking place in the 'modern' era, it's only fitting that modern methods be used to tell the story. Consequently, cattle rustlers resort to spotter planes, short wave radio and refrigerated trucks not only to steal cattle, but butcher them and load the meat out before anyone can figure out how it's being done. With the times passing him by, old time sheriff Matt Doniphon (William Farnum) is approached to resign in favor of the Quackenbush Detective Agency, using the latest in scientific criminology techniques to put an end to cattle rustling in Prairie County.Interestingly, Gene himself finds himself on the side of the old timers in this one, which is probably not the way you want to present your leading man, but he manages to make it work. With a play list of a half dozen tunes or so, "Public Cowboy No. 1" demonstrates that experience and loyalty can sometimes trump innovation.The one to watch in this picture is Gene's sidekick Smiley Burnette. His character, Frog Millhouse goes for more slapstick than usual, with an unusual opening scene where he's riding on his horse backwards with a goofy mask on the back of his head. It's distracting enough by itself, and you're left wondering quite a while what's up with that until Gene finishes his first song, 'Wanderers of the Wasteland'. Later on, Smiley dangles from a meat hook, trapped in the back of a meat packing truck, and takes a swipe at Oriental Detective Charlie Chan with his rendition of 'The Defective Detective From Brooklyn'. One thing about that meat hook scene - after Smiley falls off the truck, there's no longer a hole in the back of his jacket! There shouldn't be any doubt about the picture's eventual outcome. Gene and his cowboy posse track down villain Shannon (Arthur Loft) and his bad guy bunch, and manages to win over the pretty editor of the Prairie Junction Courier (Ann Rutherford). For their part, the methods of the Quackenbush Agency turn out to be all wet, and you have to hand it to Smiley and pal Stubby (Frankie Marvin). As a pair of would be cattle rustling detectives, it turns out they did their best work under cow-ver.

Gene Autry helps out a sheriff who is besieged by rustlers who are using spotter planes and short wave radios to get the cattle. A good, if some what forgettable, tale that plays in a way more like one of Republic Studio's serials with electronic gadgets and solid action. The problem with the film is, like with many Autry films, is that there is perhaps a bit too many songs. Granted the songs are nicely shoe horned into the tale, but at the same time they slow the momentum of the story. (I like Autry's films, I even like the songs, I just don't like the number of songs in the movies.) Worth a look especially if you're doing more than one movie.

We watch Gene Autry movies for his sincerity, his interplay with a female lead or Smiley Burnette (all on display in 'Yodelin' Kid From Pine Ridge' from 1937), a mean villain or an interesting story (as in 'The Big Show' from 1936) but in this film we get none of these.Too much of it is outdoors with new or stock footage of cattle movements, rustlings and chasing of the rustlers. Unless Yakima Canutt is available for doing Gene's stunts, we get more singing than slam bang action. The only good song is "Old Buck-a-Roo" about an old man hanging up his boots and saddles.We get to see the spunky Ann Rutherford, who went on to play Polly Benedict in the Andy Hardy movies. But in this one, too much time is wasted on poor low comedy (Smiley Burnette sitting backwards on a horse, trapped in a meat packing truck, and paired as the head in a two man steer costume), and outdoor landscape chases. One of Smiley's songs was cut from the edited version I have ("I Got the Heebie Jeebie Blues")and his "Defective Detective from Brooklyn" is certainly one of the high points (?) of his career as a singer-composer.Hardly any character interaction or development to speak of. Only good if you like to watch lots of men on horseback chasing more men on horseback across the plains. I'll give it a two and half.