Naître Svetlana Staline (2023)
In 1967, in the middle of the Cold War, Joseph Stalin's only daughter goes to the American embassy in New Delhi and asks for asylum. Svetlana leaves behind her country and her two children. Hunted by the press, the KGB, and many admirers, the woman, nicknamed the Kremlin princess, will never cease to flee. From the summit of the Soviet empire to the solitude and poverty of her last years in a Wisconsin home, Gabriel Tejedor traces the destiny of a resolutely free woman, at the very heart of the century and its geopolitical challenges.
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In truth, any opportunity to see the film on the big screen is welcome.
It's easily one of the freshest, sharpest and most enjoyable films of this year.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.