Esabat Hamada Wa Toto (1982)
In the wake of the privatization of the Egyptian tourism industry, a couple suddenly find themselves from rags to riches...and then back again to rags.
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In truth, there is barely enough story here to make a film.
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It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
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All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
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