The Big Show (1936)
At the Texas Centennial in Dallas Autry confuses two girls by being himself and his own stunt double. When cowboy star Tom Ford disappears, Wilson gets his double Gene Autry to impersonate him. But Ford owes gangster Rico $10,000 and Rico arrives to collect. He fails to get the money but learns that Autry is an impersonator and now blackmails Wilson and his movie studio. Original version runs 71 minutes, edited version runs 59 minutes.
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Pretty Good
Boring
Although it has its amusing moments, in eneral the plot does not convince.
A movie that not only functions as a solid scarefest but a razor-sharp satire.
A non-singing cowboy star finds that his life has been temporarily taken over by his own stand-in who does sing, and a desperate publicity mab finds himself possibly out of a job. Gene Autry shines in a dual role, one an egotistical movie star, the other an easy going stuntman looking for a break. The scene is the Texas Centennial and movie star Tom Ford cannot be found to attend as promised. It turns out that the hero of the screen isn't so clean, and the threat of exposure threatens both men's futures with ruin. Smiley Burnette is delightfully obnoxious, and Autry's future rival Roy Rogers has a role as one of the members of the sons of the pioneers. A satisfying and fast moving comedy with musical and western interludes, this is one of the best Autry films and gives a nice look at how B westerns are made behind the scenes. This shows that movies can have preposterous situations and still be good fun.
"When cowboy star Tom Ford (Gene Autry) disappears, studio publicity man Wilson gets his double, Gene Autry, to impersonate him. Gene, posing as Ford and singing over the radio, is a sensation. Ford hears a broadcast, is peeved, and threatens to sue the studio. Meanwhile, a group of blackmailers demand $25,000 from the studio to keep quiet about the hoax," according to the DVD sleeve description. Autry attempting a dual role, the sometimes derivative (but pleasant) soundtrack, and a timely Texas Centennial location only give "The Big Show" a little bigness. It's nice to see the blinking, exasperated William Newell (as Lee Wilson) play a relatively large role, and odd to see Roy Rogers' profile (screen right, as one of the Sons of the Pioneers) in an Autry picture.**** The Big Show (11/16/36) Mack V. Wright ~ Gene Autry, William Newell, Smiley Burnette, Kay Hughes
Gene Autry is the stunt double for a conceited western star and has to impersonate him after the actor bails out of a big personal appearance at the Texas Centennial, not knowing that the reason star went on vacation was to avoid paying his gambling debts. Gene gets in way over his head when he turns out to be a bigger hit than expected and gangsters show up to collect their money.A pleasant, fictionalized account of how Gene Autry became a star, The Big Show offers an irresistible glimpse at the duties that befall a Saturday matinée western star. Despite a loose plot, it's really a lot of fast-paced, tongue-in-cheek fun.Autry sings some great songs and along with sidekick Smiley Burnette, joins three legendary western groups, The Sons Of The Pioneers (with Roy Rodgers), The Light Crust Doughboys (a personal favorite), and The Beverly Hill Billies. Max Terhune and his dummy even show up for a quickie appearance. Sadly, The Doughboys and the singing group The Jones Boys are deleted from most, if not all video prints.Although not really much of a western, Autry fans should be satisfied.
A lot of fun as long as you're not expecting a traditional formula Western. There're more imaginative set-ups in this Republic oater than in most A-pictures. Catch the Light Crust Boys as they roll down the road, or the talking horse a couple decades before Mr. Ed, or a mustachioed Gene acting mean and nasty. No, there's no real plot, but the pace is brisk from one lively set-up to the next. And whose great idea was it to film at the new Texas state fair, a backdrop like no other. Those live panoramas are a taste of big screen pageantry before the big screen. All in all, it's a great little peek at popular history and Art Deco. Then too, catch the clever little spoof of movie-making and tyrannical studio heads. I love the movie love scene that immediately becomes a hate scene once the cameras stop rolling. I guess my one complaint is with the movie as a driver's manual-- Driving down the wrong side of a two-lane highway is not, I repeat Not, a good way to deliver lunch. Anyway, the diverse story elements are neatly combined into a highly entertaining 71 minutes, programmer or no programmer. Thanks Western Channel and Autry Enterprises for the full restoration.