King and the Clown (2005)

Redundant and unnecessary.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

I can't believe that this film was low-budget. The cinematography was breathtaking, the costumes were colorful and vibrant (and depicted what each character should be wearing), the acting was superb for the main and minor characters, the skits were hilarious, the dialogue based on the subtitle was poetic and must be more poetic in Korean, and the entire feel of the movie was outstanding. It did not rely on star power or glitzy special effects or well choreographed action sequences. It used an interesting plot, well- rounded characterization even for some of the minor characters, and of course themes and actions that were better left unsaid or implied. I never liked the in your face style of movie making that many Western directors seem to take to make their point (which some Asian directors seem to follow). For example, I am uncomfortable with homosexual themes and yet the depiction of homosexuality in this film was subtle and it was not the only theme explored in this movie. There didn't have to be sexual scenes to make me think that there must be something between the two jesters. The beauty of this kind of subtlety, though, was the fact that some viewers just thought of the relationship as brotherly or platonic in nature. And because it was so subtle, it could be interpreted as such. Even the deaths of the jesters were subtly portrayed and did not become explicit. I got teary-eyed even though in the end, there were no tears and the characters were shown as happy being together. And there were humorous parts that came off naturally. The skits were of course funny by themselves, though they were bawdy. But the dialogue among the jesters made me laugh despite the fact they were just talking about what was happening to them in the course of events like not wanting to act the parts of certain characters or why they had to do certain things or why awful things happen after each skit.The melancholy scenes also tugged at the heart and even though the king was such a tyrant, one couldn't help pity him at some parts.This will become a classic because of its universal themes and great film making. I have to admit that I am homophobic but the love portrayed between the two jesters (and to me it was not brotherly love) in this film was more romantic than other couples depicted on film with a lot of explicit sex scenes, whether they are homosexuals or otherwise. I wish modern films would use more implied scenarios (off cam situations) instead of using a lot of graphic sex and violence to sell their films. Viewers who have brains won't have an issue understanding the implications unless they love sex and gore.BRAVO!!!!!

this is genuinely a great movie, a movie that i believe deserves recognition by everyone. i heard it has been chosen by Korea as there choice to go for the best foreign movie award at the Oscars, and i would be shocked if they did not come out the winners.its hard to say what genre this movie is because it has so many, to say it is a tragic love story would be doing the movie a dis justice as its more than just a love story, and to others eyes it may not be tragic.to quote what a previous commenter has said about the times saying its the Korean brokeback mountain. i think its better than Brokeback mountain, i was one of the few that didn't think that brokeback mountain was that good a movie, it was good but not as good as everybody said it was. the king and the clown just had something else that brokeback mountain didn't have.at first i was sceptical about watching this movie, after the major hype it received as they tend to be a bit of a disappointment, but i throughly enjoyed this movie.everything about it was of the highest standard, the script, the story, the scenery, the costumes and who could forget the acting.lee jun gi will forever be one of my favourite actors alongside tom hanks and gong li. His performance was captivating and who would believe that he is actually a man, his face is just so beautiful and feminine to quote another site 'prettier than most normal women' he was just absolutely perfect for this role, it was like it was written for him. he is certainly the prettiest man i have ever seen. In Korea he won the best supporting actor for his performance in the King and the Clown and now is the most sort after male actor in Korea.His fellow compatriot Woo-seong Kam also put in a stellar performance that bagged him the best male actor award, his performance was so that it was hard to differentiate whether this movie was about homosexual love or brotherly love, that maybe what makes this movie so great as it allows the viewer to believe what it wants to believe. For example is the king in love with gong gil in a homosexual way or was it a motherly figure way.i don't believe i could recommend this movie highly enough, even if this doesn't seem like your type of a film, you should watch it for the acting performances alone as it will surely blow you away.

King Young San was perhaps the most infamous tyrant in Korean history (or perhaps the most well known). He showed sociopath tendencies even as a child(hurting animals and such)but what drove him over the age and started his tyrannical reign was his discovery of the circumstances under his mother died.His mother Yoon, was the King's favorite concubine. She was falsely accused of plotting to kill her rivals and ordered to drink poison by the king. The circumstances of her death were kept a secret until King Young San found out by accident. Upon his discovery, he was seized with sorrow and rage, and put to death or exiled anyone who was responsible of his mother's death. Even those those who didn't strongly oppose her execution were put to death.Although he is portrayed as a terrible dictator, his love for his mother and the terrible pain her death caused adds an extra dimension to his tyrannical reign.It is interesting to note (according to the movie) his bringing the clowns into the palace and having them perform those skits was what drove his ministers into a rebellion.

King and the Clown was South Korea's best selling film of 2005, having sold more than 12 million tickets over a span of 7 weeks. But after watching it, it's difficult to fathom the craze, nor about the New York Times hype that it "may be the equivalent of 'Brokeback Mountain'". Not that it is a bad movie, it is actually entertaining and tells an intriguing story in the courts of the Korean emperor.Perhaps anything to do with the gay theme will suffer inevitably comparisons to Lee Ang's acclaimed Brokeback Mountain. But somehow, the way this film developed, I saw it in a different light - a story between two male best friends, even though one of them might look and behave more effeminately than even some girls do. Instead of jumping to the straight conclusion that both the protagonists are gay, why can't it be a platonic relationship, and that the more effeminate one had chosen what he had to do, i.e. sell backside, because being poor minstrels, they cannot afford to put food on the table? Literally capitalizing on his looks, to bring back the dough. Sure his friend might not like the idea, and it could be interpreted as either being jealous (as a lover), or disapproving (as a friend). Then again, because of culture, this movie might have decided to be more subtle about the theme. Ambiguous to say the least, but it makes for interesting debate if you watch this with a friend.Two friends, Jang-seng (Kam Woo-sung) and Gong-gil (Lee Joon-ki), are impoverished street performers who dream of having their entertaining performances reap rewards they should be getting. They come up with a wildly popular and bawdy performance poking fun at the emperor and his consort, and it's not long before they get arrested, only to have Jang-seng proposition a dare, that if the King doesn't laugh at their skit, they can be put to death.As fate would have it, their jittery performance brought on a favourable response from the tyrannical King (Jung Jin-young). Having now become official court jesters, their subsequent plays, whose content they obtain from coffee-shop talk of those days, about the royal family and other court scandals, serve as suggestive fuel for the King to break free from his constrictive shackles, and take some serious action according to his whims. But dictator attitudes aside, he casts a lustful eye at Gong-gil, and turns almost childlike when in his presence, in private. The most powerful man in the kingdom, reduced to a vulnerable kid in the presence of a lowly minstrel. What ensues is an interesting look at the relationship dynamics amongst the three men, and with the people around them.Set during the Chosun Dynasty, King and the Clown has some of the most gorgeous sets bringing to life an era long gone, and beautiful costumes that drown the movie in a myriad of colours. The songs are also fairly pleasing to the ears, and the skits, I believe, are likely to be many times more enjoyable if you understand Korean, instead of having to rely on subtitles.The movie also makes discreet jibes at those in power, and their ability, or inability, to accept satires about themselves. It is always easy for men in power to dismiss harshly the satires and their creators, but it takes a lot more to be able to look past the comic and understand the issues made fun of. There are brief scenes at courtroom politicking and on corruption, but these scenes are too short to leave any lasting impression or distract the audience.The cast is a delight to watch as they carry their roles with aplomb. The chemistry between the 3 main leads was almost perfect, especially Jung Jin-young as the temperamental King - childish at times, serious at others, and the androgynous looking Lee Joon-ki truly owned the role of Gong-gil, that even as a guy, I thought he was beautiful to look at (*ahem*).All in all, King and the Clown is a story of friendship, how good friends fend for each other, how, despite shortcomings and misunderstandings, the best medicine is always laughter, and it's the strength of the bonds between men that can ultimately stand up against fear and overcome any adversary. If only the opening didn't spoil the entire movie.