Camera Obscura (2017)

For all the hype it got I was expecting a lot more!

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This movie feels like it was made purely to piss off people who want good shows

Adjusting to a new life, a disturbed man receives a vintage camera as a present only to find the pictures he develops seem to predict the future with a series of accidental deaths, and when his fiancée appears in one of the pictures he tries to change history to ensure she stays alive.Overall, this was a decent if entirely forgettable affair. One of the few enjoyable elements to this one is the fact that there's quite a decent mystery angle employed here with how this one plays out the camera's purpose. Since it's acquired in a manner that doesn't necessarily offer the most intensive knowledge of the situation, the eventual discovery of its history and how it was tied to the past atrocities has a really intriguing and occasionally chilling method to be featured here. As this becomes a bit more chilling with the connection of the incidents in the photographs and his race to prevent them from happening, it does have a somewhat decent storyline at play here. The other rather enjoyable aspect of this one comes from the way the film builds up its series of accidents as there's a lot to like with these scenes. Starting off innocently with the coincidences including the death at the playground he walked by to the construction site accident, it soon gives way to slightly more chilling scenes including the incident at the public swimming pool or his heroic attempts at the apartment as being a somewhat entertaining series of action scenes to give this some life. That it changes over in the later half to his attempts at saving her drive this into some rather shocking and brutal scenes that generate some solid gore and action scenes in the final half. These here manage to hold this up over its many flaws. Much of the film's problems stem from the central issue associated with films of this type of storyline in that it's entirely based on the obliviousness of characters to recognize the central danger. As we know from the beginning how dangerous the camera really is, the fact that nobody else recognizes this makes the film more of an exercise in frustration than terror as we spend more time trying to ensure they get rid of the cursed object than keep it around. Once it becomes obvious that the special pictures are coming true, the need to hide its powers becomes less and less obvious which basically renders the film far more a suspenseless slough through expected terrain rather than a terrifying ordeal. That manages to tie into another big problem here in the extremely dull pacing that pops up here. Not only is this film a product of not having an appropriate plot line to stretch out for as long as it does, but the fact that the majority of it's running time is spent devoted to an area that frustrates viewers leaves it cold. As these scenes go about running through these predetermined ideas that really deserve outside forces be brought onboard to help determine the cause of it all, these manage to really infuriate by going through so many scenarios that should've required something else come into play beforehand that film is troubling more often than not. The other big problem here is that a large portion of the accidents occur off- screen and reported later, making it hard to really get any real sense of fear out of these scenes. Overall, these are the issues that hold it down.Rated Unrated/: Graphic Violence, Graphic Language, Brief Nudity, a sex scene and drug use.

A man gets an old WWII era camera that he uses as therapy to get over his post traumatic disorders. He fires off ten rolls of film and discovers that in each roll of developed film there is a picture of someone dead. Every death depicted happens within a few days. He discovers one of the pictures is his fiancé. He tries to stop fate by substituting a life for hers but it only delays things a little bit. Before you know it he is a full fledged serial killer trying to preserve his future wife.The film is a slight variation of the Final Destination series meets Shudder which is basically messing with death. This one pulls off the tension pretty good with some violent deaths. Fast paced with a synthesizer type soundtrack. The problem with this one is that it peters out near the end, almost as if the writer got tired Overall not bad.5 hacksawed heads out of 10.

For the life of me, I don't understand why Chiller continues to make movies. None of the films have been successful as horror movies, and I actively avoid movies that are made by the network. I rented this movie based on some glowing reviews, and I feel like I deserve to have my money returned to me, and the contents of this movie erased from my memory. It was just awful, boring and tame in the way Lifetime movies are. Nothing about it was scary, nothing about it was particularity well done, and the gore and blood that is shown is tame and limited. The acting was competent, I suppose, but it's unfortunate that the rest of the film is such a travesty. DO NOT PAY TO WATCH THIS MOVIE. This studio really needs to take the hint that their output is not doing anything to advance the horror genre in any meaningful way. SAD!

I saw the world premiere at the 2017 Florida Film Festival and was very impressed with the idea of the film - its presentation - and impact. Jack Zeller, played very effectively by Christopher Denham, is a psychologically damaged photographer back from Afghanistan. He is evidently suffering from PTSA and is trying to get back to doing what he loves - professional photography. As an encouragement, his fiancé, Claire, buys him a vintage (WW II era) camera (naturally made in Germany.)One chilling aspect of the camera is that a camera repair store announces that "this camera is not capable of taking photos." Nevertheless, Jack gets a gig working for her real estate company and takes 10 rolls of film of various settings and properties with this "unworkable" camera. When the film is processed, there are surprising photos which I will not describe (you can imagine since this is a horror film.) How he reacts and tries to deal with these photos is the tension in the movie. The plot is different, well conceived and exciting. The music and sound effects add measurably to the feel of the film and effect of the events being portrayed. Overall it is an excellent effort from first time director Aaron B. Koontz. I look forward to future efforts by Mr. Koontz. If you get the chance to take in "Camera Obscura," please do - very worthwhile.