The Paleface (1948)

Redundant and unnecessary.

Good story, Not enough for a whole film

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

An enjoyable comedy western featuring the formidable, if different talents of its leads Bob Hope and Jane Russell. Hope plays his customary cowardy-custard character, a travelling dentist of all things named "Painless" Potter alongside Russell's mannish Calamity Jane as they seek to foil the baddies' nefarious plan to arm the Red Indians, but pay no attention to the plot just like the stars and instead enjoy the fun romp they rampage through.Filmed in glorious Technicolor, the film makes ample room for running gags, like Russell's hammer-like kisses and Hope getting pulled out of his wagon-chair every time he gees up the horses, but is best served by Hope and his ad-libs and one-liners (sample:- Hope trying to act tough at the bar - "Give me four fingers of red-eye - and throw in a thumb too!"). The funniest extended scene is probably when Hope and a hot-shot rival stalk each other around town before their shoot-out. The humour trails off somewhat in the last third when the comedy gets too cartoony and slapsticky but there's still some compensation as Russell's glacial heart melts towards her oafish husband.Sure the treatment of the Red Indians is about as un-PC as you can get, but the real villains are the white guys and along the way Hope gets to sing the catchy singalong "Buttons and Bows". Popular enough to beget a sequel "Son Of Paleface" a few years, this is one of Hope's best comedies sans-Crosby and also demonstrated Russell's comedic talents at the same time.

It's never a good thing when I have to struggle to come up with a film review. I'm a pretty big fan of Bob Hope but this one left me a bit flat, perhaps because I watched it out of sequence with the follow up film "Son of Paleface" with Hope and Russell on hand once more, but as different characters. The sequel also featured my favorite movie cowboy Roy Rogers, along with Trigger giving a career performance that might have upstaged the nominal stars of the picture.The team up of Hope and Russell seems like a natural but it wouldn't have hurt for Mariska Hargitay's mom to crack a smile every now and then. There's no pretense at all that this is a parody Western, so why not lighten up and have a little fun with it? Russell seemed to be taking this a lot more seriously than she needed to, and if I noticed it I think the director should have too.Perhaps the biggest plus here is the film's vibrant Technicolor format, especially when it showcases the Indians in their brightly colored tribal gear. Hope's no slouch either in his gaudy Western outfit, which only goes to emphasize how out of place he is in the Old West scheme of things. Once again though, I'm of a mind that Russell's reputation is greater than the reality, and her full figured look isn't as exceptional as one might be led to believe. Nothing she wore in this picture managed to flatter, so if that's what you're expecting, you'll have to catch her in the sequel doing that sexy singing number at the Dirty Shame Saloon.

I confess a weakness for the Bob Hope of the '40s - cute, funny, and guileless. His cowardly persona played well in many films."The Paleface" is the story of Calamity Jane (Jane Russell) being broken out of jail and offered a full pardon by the government if she can track down who is running guns to the Indians. Unfortunately, the man who is to accompany her on the wagon train to investigate is murdered. While running from people out to get her, she ends up in the office of Painless Peter Potter, a dentist who has to use a manual when he's working on a patient. He has his own wagon; Jane recruits him to marry her and join the wagon train.Hope and Russell are great together. She's gorgeous in color wearing a variety of costumes. Hope is very funny, and he gets to introduce the song "Buttons 'n' Bows." One of the best scenes is Painless Peter trying to pull a tooth; another is an Indian who inadvertently inhales Peter's laughing gas.Not exactly politically correct by today's standards, but it's still fun and wonderful to see these classic film stars, whose number is dwindling with alarming speed.

There are so many wonderful moments in this gloriously silly movie, that it would be impossible to mention more than a few. Hope's timing, the verbal and sight gags combined, a fairly bawdy undercurrent,involving Painless Potter's unsuccessful attempts to bed his new bride, and probably the funniest parody of the classic showdown ever filmed, add up to a very entertaining movie.Some of the most priceless moments go by very quickly, and may not be obvious at first. Painless Potter is smilingly massaging the bald head of a tough dental patient, and they both begin chuckling uncontrollably, due to a leak in the laughing gas machine. Painless Potter is shaving outdoors, with a small mirror hung from a tree branch. An arrow whizzes by, and he remarks that he must be shaving too close. A very obvious man ,trying to conceal himself behind a bush, comes closer, and Potter remarks with a sort of deadpan whimsy, " Must be a Virginia Creeper." When another arrow nearly hits him, he examines it curiously, and muses aloud on who it is that shoots arrows. He lists the possibilities, including Cupid and William Tell, before shrieking " Indians!" and running for the blockhouse. When he tries to get wife Jane to let him in, he hollers, " Help, help, there's a million Indians out here against one coward!"Viewers who can let themselves get immersed in the wisecracks and sight gags, along with just about every western cliché you can think of, will have a good laugh with this delightful film.And, the scene where Painless Potter serenades his sleepy wife with a concertina, singing " Buttons and Bows", as their covered wagon moves slowly along the trail, is absolutely charming. There's something very tender about the way the naive husband sings the funny little song to his drowsy bride.