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How to Commit Marriage

How to Commit Marriage (1969)

July. 07,1969
|
5.3
|
PG
| Comedy

A young couple decide to live together and they wind up having a baby. They decide they should give the baby up for adoption. The baby's Mother's parents wind up adopting the baby using a fake name.

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Reviews

Claysaba
1969/07/07

Excellent, Without a doubt!!

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Bereamic
1969/07/08

Awesome Movie

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Glimmerubro
1969/07/09

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

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Jakoba
1969/07/10

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

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classicsoncall
1969/07/11

You would think with Hope and Gleason in the same picture that it would be a riot Alice, but sadly not so. Not as bad as the failed team-up of Don Rickles, Buddy Hackett and Morey Amsterdam in 1969's "Muscle Beach Party", but almost. Honestly, you would think that both comedians should have known better. As adversaries in the story, their put downs of each other were very weak, and the picture was already on a down hill slope when Mildred the Chimp joined the action on a golf course. Besides that, there were a number of times while watching the flick that I thought I missed something, as scenes followed one another without a connecting thread. I know I didn't doze off because the clock on the DVD player never hinted at a time lapse I couldn't account for.On top of all that, you had Professor Irwin Corey in the role of a mystic prophet named Baba Zia, who's gimmick consisted of a 'Peace Through Protein' schtick that made no sense at all. Somehow he convinced the Benson's daughter (JoAnna Cameron) and her fiancée (Tim Matheson) to give up their baby to adoption for a cause I can't even begin to comprehend. In fact, the picture offered so many instances of anti-family values (divorce, shacking up, chimpanzee golf), that I couldn't believe it was a Bob Hope vehicle. Gleason with the booze was about the only thing that made any sense.Maybe I'm being too harsh on the film, other viewer comments seem to have found some entertainment value in it. For me though, this was un-funny and a bore to sit through, but that's the promise I made to myself when I started doing these reviews - see it complete from start to finish. This one had me thinking about revising the rules.

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wes-connors
1969/07/12

Wise-cracking Bob Hope (as Frank Benson) tries to fondle Jane Wyman (as Elaine) in bed, but finds himself groping her poodle, instead. The two have an unhappy marriage, with Ms. Wyman finding golf balls in her shoes and Mr. Hope finds bras on his towel rack. He also steps on hair curlers, and she finds cigarette butts in her cups. After spraying Hope's shaving cream on her wig, Wyman asks for a divorce. Hope takes up with busty Maureen Arthur (as Lois Grey), while Wyman goes for younger Leslie Nielson (as Phil Fletcher).Meanwhile, their daughter, pretty JoAnna Cameron (as Nancy) announces she is marrying handsome Tim Matheson (as David). His father is boozy psychedelic pop group promoter Jackie Gleason (as Oliver Poe), who dates bathtub model Tina Louise (as Laverne Baker). When the youngsters learn about the oldsters divorce plans, they decide to "shack up", instead of marrying. Later, Hope and Wyman decide to adopt their bastard grandbaby. What a drag, man. "The Comfortable Chair" music and "Mildred the Chimp" earn stars.** How to Commit Marriage (7/7/69) Norman Panama ~ Bob Hope, Jane Wyman, Jackie Gleason

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ajm-8
1969/07/13

In the intended generation gap comedy, Bob Hope and Jackie Gleason play bickering not-quite-in-laws. I say "not-quite" because Gleason's son and Hope's daughter are cohabiting without benefit of matrimony.Living in sin.Shacking up, don't you know.The kids have a baby out of wedlock and put it up for adoption so they can concentrate on performing in their Top Ten psychedelic rock group, The Comfortable Chair (Cue Cardinal Fang: "The COMFY CHAIR!?!") Hope and estranged wife Jane Wyman (whose real-life ex-husband was governor of California when this film was made) adopt the tot using fake identities and, after a round of 3 a.m. feedings, grudgingly reconcile.Jackie discovers that Hope & Wyman have the grandchild, revealing the info during a golf match between Hope and a chimp. (You're ahead of me. Bob loses.) But Ol' Ski Nose solves everything by impersonating the youngsters' guru, a Maharishi-like religious leader, at a huge concert. In disguise, Bob tells the kids to forget nirvana and perfect happiness and get married instead. By the time everyone figures out who's who, the rock stars have their baby AND wedding rings, Bob and Jane are back together and the new house Bob just sold Jackie gets destroyed in a mudslide.Even for a wacky 1960s comedy, the events in this movie defy logic: What adoption agency would instantly hand over a newborn to a decidedly over-the-hill couple? Wouldn't Hope and Wyman face prison sentences for using phony names to get the baby? And how could Jackie Gleason attract Tina "I Trained at the Actors Studio, But They're Going to Put 'She was Ginger on Gilligan's Island' On My Tombstone" Louise? Hope's probably the LAST guy in Hollywood to have been defending monogamy, given his notorious unfaithfulness to wife Dolores over a seven-decade marriage, and it's doubly offensive that he spoofed an Eastern religious figure to do so. Imagine the justifiable outcry had he impersonated a priest or a rabbi.Gleason's in decent form but is given little to do. HOW TO COMMIT MARRIAGE isn't as utterly bizarre as another Gleason '60s vehicle, SKIDOO (1968), but simply one of Hope's worst starring films -- a pity, because for around 25 years Hope WAS a legitimately great movie comedian. At least it's interesting to see Leslie Nielsen play the straight man in this film, and the young lovers are JoAnna Cameron (who set the hearts of seven-year-old boys aflutter as ISIS in the 1970s) and Tim Matheson (who, FIFTEEN years after this movie, would still be playing a collegian in UP THE CREEK).

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Coxer99
1969/07/14

Comic giants Hope and Gleason try to breathe life into this comedy about a couple (Hope and Wyman) who plan on getting a divorce, but then change plans when they learn that their daughter is getting married. Gleason plays the father in law to be; an obnoxious rock and roll producer. There are some funny one liners but altogether the poor script drags them and the rest of the cast down. Tim Matheson co-stars.

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