Sanctimony (2000)

Good story, Not enough for a whole film

Fresh and Exciting

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

You may not believe this, but when the credits to this movie rolled, I looked for the director's name. When I saw it, I burned it into my memory and I never forgot it. This movie is beyond terrible. It makes Ed Wood's films look like Orsen Welles. At least B movies are entertaining, this was a soul deadening experience. The quality was so bad, I began to wonder who allowed this to happen.I hear Uwe Boll runs fourteen miles a day. This is because wherever his movies are viewed, the people must run him out of town with flame and pitchfork. The script was terrible, the lighting was like that of a high school football game, and the cinematography was just above the quality of Roger Patterson's Bigfoot video. The acting was executed by people too ashamed of the production to say their lines with any credibility. In the end was a film Alan Smithee wouldn't have put his name on. I learned that day to avoid any movie by this man despite the circumstances. From what I hear, this is not a bad thing to do.

I went into this movie with low expectations, knowing Uwe Boll's legacy as a film director, and screenplay writer, and I was still disappointed. Uwe Boll finds a way to make each and every movie he is involved in worse and worse. The overall concept wasn't a bad one, a man bored with his life as a stock broker becomes a serial killer. But the problem with the movie is there is no in between, he goes straight from stock broker to serial killer. The film has no-name actors, and I can see why, after watching the movie, I can't see why any actor with a career would want to even be involved in this movie. Anyone who turned it down did their careers a favor. And if you haven't seen it, do yourself a favor and don't.I give Sanctimony a 3 out of 10

Although this wasn't a bad thriller, I felt there wasn't enough background for the characters to really get us in touch with them. Pare is a homicide detective on the trail of serial killer Van Dien. Pare seems to be in the middle of a mid life crises while tracking down Van Dien. Pare's wife, Oxenberg did a great job appearing genuine and vulnerable in her part. It takes a bit of concentration to figure out WHY Casper's character (the killer) would just snap completely and give up his killing spree, when he was no where near being caught. Without going into scene detail, here's my theory. Van Dien's character, already a vein and cruel individual who enjoys dominating, torturing and killing others, became even MORE disillusioned with American society. He encounters Pare as the witness who "found" a murdered girl. Obviousely Van Dien wanted to be found. Here is where you expect the killer to really start toying with the police for the fun of it. Instead, it's like he became bored with his own killing game and any statement or satisfaction that was to be gained by his killing. He just snaps and goes for broke in his killing. I got the feeling near the end that he entered an even darker place (if that's possible), hopelessness. There was gore and violence of course, but it was not over done. A bizarre thriller that is certainly worth a watch for lovers of the genre.

Oh, my. Oh, this is a *really* bad movie. The acting is absolutely atrocious, the script is god-awful, and the photography is simply dreadful.What does make this movie stand out, however, is that you never once care about a single soul-- good guy or bad guy, living, dying or dead-- in the entire 87 minutes. "Oh, s/he died? Huh... Figured they would" was the best reaction I could muster after each murder. Characters are so black-or-white that with the volume turned off, you could still figure out who was who. While the cast's voices had an odd monotone quality throughout, their faces give the impression that you're looking at an old silent movie with a lot of eyebrow waggling, exaggerated frowns and "pensive looks". Each character is a humorless, passionless, one-dimensional one-trick pony; once they fulfill whatever their particular role in this fiasco demanded their creation, they are summarily dismissed.It vaguely made me think of what would happen if Thomas Borch Nielsen (director/writer of "Skyggen", American title: "Webmaster") decided to do a low-budget version of "American Psycho" and got kind of distracted along the way.This isn't a particularly gruesome movie; the cold, passionless cast ensures that. It isn't an offensive movie; the director plays it so safe that no one could possibly find it so. It is, simply and after all, a bad movie.Avoid it. We were not so fortunate and actually paid to watch this bomb on Pay-per-View. As part of my penance, I'm writing this review. Enough said.