The Good Catholic (2017)

To me, this movie is perfection.

Instant Favorite.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

I grew up in a place and time when "The Thorn Birds" (1983 mini-series adaptation of a novel about a Catholic priest's forbidden love) was so hugely popular that, for at least a decade afterwards, references to and re-makes/adaptations of this premise kept popping up without losing the audience's attention. I mean, as far as "forbidden love" goes, this kind of premise is extremely advantageous: there's high stakes, there's tension, there's existential angst and crisis of faith, moral dilemmas and heartbreak...You'd think it almost can't go wrongBut apparently it can, and it did in this film, which is SO bland and uninspired it's painful to watch.The young (uber-hunk) priest is struggling with grief and a general lack of faith, but only in words. He repeats "I'm struggling with grief and a general lack of faith" several times throughout the film, but he totally fails to convince, despite the tears, because there isn't a story to back this up.The woman (=love interest) character is totally random. She's apparently obsessed with death because life seems meaningless otherwise, but we don't find out anything about her that would turn her into a three-dimensional character. She's just quirky for the sake of being quirky. Everything she says (because this film is all about what people say, they don't really do much) amounts to "I'm so quirky, look at me, I'm so occasionally depressed and obsessed with death!"And then there's the two supporting priest characters whose role and (lack of) depth can also be summed up in one-liners: there's the "I'm proper and wise and old-fashioned" and the "I'm quirky and rebellious and clearly here for comic relief, while also demonstrating that faith isn't necessarily about following all the rules or taking yourself too seriously".Yeh so that's it. What I wrote above is the whole film. I swear there's absolutely nothing else in it. Every scene seems pointless because it just goes through the motions of its generic tag: "the crisis of faith scene", "the boy-meets-girl scene", "the break-up scene" oh and the should-have-been-powerful-but-ended-up-complete-nonsense "awkward dinner scene".Don't waste your time. If the premise appeals to you so much go watch The Thorn Birds.

Saw this movie at the Historic Artcraft Theatre in Franklin, IN. Both me (Dad) and my 13 year old daughter really enjoyed it as entertainment, but the conversations it inspired were even better.In one sense, the plot may have been a little formulaic, but the struggle between loyalty to what we 'should' do and following our hearts is a pretty universal theme, so it never felt 'trite.' What we particularly liked about this was that the church wasn't treated disrespectfully or as a joke, and the homilies included were as good as you're likely to hear most Sunday mornings, even if surrounded by tension reducing humor. Additionally, there was no "fall" or gratuitous romance scenes - this is about characters and character, and it works.My favorite performance was by John C McGinley, who was not only funny but also (com)passionate, and in my experience knowing many clergy well, he was authentic. His first love is crystal clear, even thought he appreciates much of the world 'outside' the church. Danny Glover's character is fiercely loyal to his calling, and of course Zachary Spicer struggles between "the" passion and being present to people as a priest and finding God in loving another person passionately.We also loved that Bloomington, Indiana, was also almost a character in the film. McGinley's love of IU basketball, the small(ish) town walks around the courthouse square, the local neighborhoods and coffeehouse, together gave a sense of reality and earthiness that wouldn't have played as well in a 'big city' setting. Here's to Indy filmmaking that celebrates 'place'!The ending, though controversial, was perfect for me. I don't believe he leaves the church, even if he does remove his collar. Like the parents of the screenwriter, Daniel may no longer serve as clergy, but he has chosen love, and has not abandoned God, but has found that God who was distant is now close (John 4:12). Isn't it possible that God has honored Daniel's faithfulness by showing him faith through loving another person? At the end, God is love, so maybe we never have to choose between God and love? Daniels answer (and mine) is simply, "Yes."

No matter what you might think this is about from the title, you're wrong. IOW, don't not see the film because of it. It's neither a polemic mocking religious faith, nor does it say anything about religion except maybe why don't we all just sit down and start over. All four primary characters are superbly cast, including Danny Glover who is about 3 steps above anything I've ever seen him in before. The subject matter is handled respectfully, albeit with liberal amounts of humor which zeros in on the fact that most religions take themselves way to seriously--which the production company apparently takes to heart, naming itself Pigasus (sic) Pictures.This is about as perfect as you can expect an independent film to be. It's only flaw is there being too much lipstick on Daniel--which is so obvious, I wondered if they just wanted to give the audience something to criticize. Needless to say, there's no actual action for the action junkies, but the dialogue and the subject matter are outstanding--and at times, profound. This is my second "10" of the year, (18th all time), the first being only a week ago, so I was wondering if coming out of the summer movie drought has something to do with it.It' doesn't'.

I was lucky enough to see this film and thoroughly enjoyed it! I knew some of the basic story line, but found that I was still glued to the screen as the movie progressed. I was pulled in by the actors and felt their emotions and points of stress! It was fascinating watching how the story grew and changed and how the characters dealt with it all. I work in a church and could relate to the well-acted subtleties of having "church" in the mix! The movie has some really funny parts and very serious and tense parts. This is the kind of movie that sparks conversation. Please don't miss it!