Kaalakaandi (2018)

the audience applauded

Memorable, crazy movie

In truth, there is barely enough story here to make a film.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

A movie so bad that you will question yourself before watching next saif's movie. reviewing it cos of all the fake reviews that has been posted on it. Not a single moment of anticipation, even the role of deepak dobriyal and vijay raj has been ruined by the awful storyline that was neither engaging nor funny. It was like the director had an imagination of what drugs felt like when he was in 6th grade. spare yourself an hour of forwarding this crap

Indian cinema is rapt with sentimental, over-the-top and routinely cheesy films that revolve around family or romance or both and barely explores new areas. Other than the occasional horror flick from Vikram Bhatt or something out of the Kashyapscape, there's never any respite from from the drudgery of dance numbers and emo-esque melodies. A film like Kalakandi therefore has the responsibility not only to be different but to be extremely entertaining to stay relevant.That's not a good predicament to be in, though it does succeed in being a black comedy as it claims to be. The first half has genuine laughs. Where it falters as a movie is where it gives in to the lore of backstories and motives. It isn't enough that Saif has a life-ending disease (the news of which triggers the film's "trip"), but also a failed marriage and a son he doesn't get to meet. That story arc finds only 2 mentions and adds no layers to the character.What does work really well are the acid trip visuals. Although slightly incorrect in how they're shown and possibly a bit exaggerated, they do give a kind of preview of what a real trip might be like and also add to the laughs sprinkled throughout the film.Another thing the film achieves, with surprising success for Bollywood, is its treatment of a transgender character. Without being overtly sexual or derogatory, it still goes through the cliches and curiosities around them. That's mature film-making.There's 2 other story tropes, with two young couples at a night out and two thugs planning a way to loot their boss. It's a pleasure to see Shenaz Treasurywala (Ishq Vishk, remember?) and Pappi Bhaiya (Deepak Dobriyal), who holds his own in every frame with Vijay Raaz.The star power is surely with Saif but he never steals the spotlight. It's the perfect kind of film for Saif because he has certain limitations when he's the leading man. Without him though, this would feel like an indie film about getting high and money or something. Him being there helps the film and even the scenes where he isn't there, simply because you want to go back to find out what's up with him.The film doesn't try to tie together the three plots, except a chance meeting of 10-15 seconds. Better editing would help. The one thing I despised was the last scene when Pappi gets hit by a bullet Saif shoots towards the sky. I was reminded of the movie Welcome. That felt obvious for the film and yet very forced.I'd say watch it for the first half, and let the second half go by without complaining.

This one is all Kaala and no Kaandi! A person who is on psychotropic drugs has the potential to create a captivating plot. But this one gets too predictable and stretched out. I am sure many of you have done crazier stuff than the one Saif indulges in the movie.A tepid movie - would rather indulge in something else to get a high!

Delhi Belly (2011 movie) fame Akshat Verma has come up with dark comedy which was not serve to the audience for long duration. Script can be consider as cocktail of Delhi Belly (2011 movie) and Dasvidaniya (2008 movie) as Saif Ali Khan (actor) want to live his last days as insane. Script has some loophole which ruined multi-star movie's charm.Performance wise, Saif Ali Khan (actor) has more screen-space than other actor and did not disappoint audience with his performance. Vijay Raaz and Deepak Dobriyal's bonding was good. Sobhita Dhulipala also left good impression. Isha Talwar and Kunaal Roy Kapur have delivered good supporting role.Imagination and Animation goes hand in hand and one of the great thing about the movie. Sameer Uddin and Shashwat Sachdev 's music failed to impress the audience.