Frantz (2017)

To me, this movie is perfection.

Terrible acting, screenplay and direction.

Good movie but grossly overrated

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Set in the German town of Quedlinberg in 1919 we meet Anna. Her fiancé –Frantz – has been killed near the end of The Great War and she mourns at an empty grave – his body having never been repatriated. She lives with his parents who are both grieving in different ways. Then one day she sees a man weeping at the graveside and discovers he is French. He soon makes himself known as a pre war friend of their beloved Frantz and breaks down their initial hostility towards him to get to know them better.But all is not what it seems and this becomes a story of not one but two odyssey's as the storie(s) unfold along twist and turns. The film is shot in monochrome and colour. When it is black and white it is where things are bleak as if all the colour has drained from the world and then when love and hope appear so does the radiant colours. A simple enough device but done with subtle intensity an a film that takes its cinematography, rightfully, seriously.The acting is all sublime with Piere Niney ('Yves St. Laurent') as the Frenchman – Adrien Rivoire – being perfectly cast balancing the fragility and immediacy of the role perfectly. Paula Beer as Anna really grows into her role too, which is necessary from the plots development and from the actual character development and is prefect also. All supporting actors are just spot on. The film also shies away from the melodrama that is often associated with extremes of emotion and take the everyday and makes it important.This is one of those films that comes along all too seldom. It is in French and German with good subtitles. Yes it can be called 'Arthouse' but it is also a simple but powerful story told with great care and skill and is a film that will reward you for sticking with it to the end – easily recommended.

Look, I'm not that guy to write reviews of movies online, and I'm not that guy to watch a love story with subtitles. But quite by happenstance I watched this film, and I was blown away. I didn't think I was going to make it at first, to be honest, due too the pace. But Paula Beer (whom I've never seen before this movie) kept me watching. What a great actress for this role! By the movie's end I was wishing for more, begging the movie not to end. I sat and stared at the credits' scroll (words I couldn't understand in French) and listening to the music. It's that good that I stared in awe at the credit scroll! I'll now go back to watching Mission Impossible and Bourne movies (more my style), but I'll always remember Frantz, and a part of me will always wish that I could experience it again for the first time.

366/5000 I can not avoid thinking all the time, that I do not like the actor, I'm not going for that role. The whole movie is thinking that there will be a romance between the two and how that lady is going to roll up with that guy. I think the film is too long, it is exhausting because the tempo is very slow. It has moments that I do not know if they are crazy of the director or that they are.The sexual tension is so evident in the film that he runs all the time, between him and her and sometimes you think between the two men. She's great, but he does not like me at all.I do not know if anyone would react as the character of the actress does, after everything that happens in the film. It seems incredible to me that someone forgives so much in such a short time.The photograph to be in black and white, takes you to that time and the whole setting helps a lot to it. That's achieved, like the costumes and the make-up.The address is as it always does. A very slow tempo. Simple plans, at least they are not bad. But the casting is very bad.It's for the director's lovers, others will get bored.Spoiler: I do not know why the dead man is seen reflected in a mirror winking.

This is pleasantly a surprise film. I would say it is this year's the Oscar winning film 'Ida'. Frankly, there's nothing to compare between two. Not just both of them are modern black and white film, but they are quite similar in the portrayal of lead female characters. Just like 'Marie's Story', it was also inspired by another Hollywood film, 'Broken Lullaby'. I haven't seen that. Even not many people have seen it. One of the less known classic drama which I am going to give a try now. Coming back to the film, it was about the World War I that centres on a young woman who lost her fiancé.Nearly two hours drama, quite slowly narrated, but I never felt drag in storytelling or boring to follow it. From the director of 'In the House', yet another masterpiece. Yeah, it looked like that way for me. Only a very few characters and they all developed so well, almost till the end when a few more joined them. The title role was appeared for like only 4-5 minutes in the entire film. Well, that was the topic, a reason for this story to begin along with the WWI. Though the following storyline was built on a different platform.Like there is a saying 'to hide one lie, a thousand lies are needed', that's what this film was actually about. Living and keep on evolving in the endless process. It is a moral, a message film, but the mistake was committed by someone else that another person has to take the fall for it, even after he goes out of the picture. Really a touching story, but not a tearjerker. The journey of life is sometimes unexpected, particularly when it comes to romance that blooms when one needed it last at the circumstance he's at his life.❝What would the truth bring? More pain, more tears.❞This is not a war film, just in case if you are expecting one. It was a subject under everything happen. So, there's only less than 5 minute clips of them in the film. Basically, those clips too were not required, but it's always nice to see them in pictures when a flashback come into play. It is a pure drama that sets in just after the end of the WWI. A young German woman is mourning for the death of her fiancé. She discovers a young French man who claims his close friend came to condole his demise. He meets the rest of the family and shares those happy days he spent with him in Paris before the war. During his stay, they all get along quite well, despite the people from society are against it/him.That was the first half of the film, developed slowly and steadily, but ended with a twist. The following half began on the new direction with lots of mysteries surrounding. Completely unpredictable, yet as a viewer, I had hundred of different thoughts about the upcoming developments. I was somewhat right on most of the occasion, but I was even happier about how it all went on its own style. Now the story entered the France. More twist and turns unfolded. The pace of the story looked the same, though lots of developments made it look advanced very fast.The World War II is the most dominated theme in the war films. When you see a film on WWI, you will come to realise its perspective, if the film was made with the right dose of everything, even if it was not based on the real event or the person. Fighting the war, carrying the wound, grieving for the lost ones, struggling to rebuild the life and the nation. This is definitely one of the best WWI related, I mean about the aftermath of the war films I've seen. The screenplay was magic. I would surely give an award for it. And then the beautiful photography. I don't know it was because of the black and white, but virtually you would be taken back to the 1919. Simple, yet a great camera angles that must be appreciated.Wonderful cast. Without those amazing performances, this film would have been nothing. Anna is the name you would remember for very long and the actress who played it. In a couple places, the screenplay turns semi colour, particularly when musics takes the front stage. Just in case if you are yet to watch, pay attention to that, because not everybody notices that. To me it looks like an Oscar product, but the release date confirms not eligible for the next Oscars. Different people have different opinion, but I think it is a must see. Those who struggle with slow paced narration, if they manage the opening half, then they would enjoy the remaining and love the overall film. Definitely a hidden gem, it just needs more audience, that's all.8.5/10