Station West (1948)

Wonderful character development!

Just what I expected

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

"Station West" is a nostalgic and wonderful western with Dick Powell and Jane Greer, filmed in 1948, so for over 65 years, a lifetime. A photo in black and white is high quality, the screenplay with an investigation into the Old West over gold theft involving actions of the army is well prepared. The dialogs are tastefully decorated, with great intelligence. The film conveys a clear idea of ​​continuation and sequences of actions with a very well built and perfect scenes of the Old West ambiance.And rarely met a group of actors so identified, all of great powers: the charismatic Dick Powell, the beautiful Jane Greer, an amazing and peaceful Burl Ives (singing), one Agnes Moorehead in his best physical shape, very beautiful and charm, Raymond Burr, still young, and Guinn 'Big Boy' Williams provides us with Dick Powell one of the best fights of the film, finally a cast of first class. All this with a very appropriate song to this western competent. I got a DVD copy of "Station West" and keep forever.

Station West is directed by Sidney Lanfield and adapted to screenplay by Frank Fenton and Winston Miller from the novel written by Luke Short. It stars Dick Powell, Jane Greer, Agnes Moorehead, Raymond Burr, Tom Powers, Guinn Williams, Gordon Oliver and Burl Ives. Music is by Heinz Roemheld and cinematography by Harry J. Wild.Powell plays an undercover army agent sent into Rock Pass to find out who robbed and murdered two soldiers who were guarding a gold shipment.There has always – and always will be – debates about what constitutes film noir, but undoubtedly it is a line of film making that positively thrives on a style that cloaks a number of characterisations. Thus we have the many off-shoots of film noir, such as the Noir Western. Noir Westerns in all actuality don't number more than 20, and even some of those that get put forward are tenuous additions. Where the likes of Pursued, Ramrod and Blood on the Moon are confidently held up as the leading lights of Noir Westerns, it actually pays to look towards a rarer picture like Raton Pass or this here under seen treasure, Station West, for unseen sub-noir rewards.Station West has it all so as to earn its noir badge. It's got Powell doing a Western version of Phillip Marlowe, complete with swagger, sarcasm and the ability to nonchalantly smile in the face of peril. Then there's Greer, fresh from Out of the Past the previous year, Greer is in full tilt femme fatale mode, marrying up her hard beauty with feminist strength. Both Powell and Greer are wonderful, their respective characters constantly jostling for domination, trading quips and glib asides, the sexual tension consistently palpable.The town of Rock Pass is in the process of booming, but with that comes corruption, and it is rife, with unlikely sources pulling the crooked strings. Greed and betrayal are words that hover over the intelligent screenplay, even as the script snaps with delightful one liners and sarcastic wit, there's a moody ambiance snuggling on up with the fun side of things, these bed fellows are meant to be. While the man himself, Haven (Powell), has a reputation for not towing the party line, he's clearly in the right place then!Filmed out of beautiful Sedona in Arizona, Harry Wild's photography is gorgeous for the exterior locations (those rock formations are just visual orgasms), and film noir nirvana for everything else as he brings expressionistic touches to all the key sequences. In the support acting ranks we have Burr as a twitchy lawyer, Moorehead as a stoic wealthy widow, Williams as bad boy muscle, Oliver as the smarm, Powers as the grumpy unhelpful army captain and Ives as a hotel clerk – cum – balladeer who has a morbid hobby on the side. All of them contribute good characterisations.I can't say that Roemheld's score is particularly memorable, and a big fist-fight between Williams and Powell is ferocious but tainted by the over dramatics that were indicative of the time, but from beginning to sombre end this is a cracker and it deserves to be better known and loved. 9/10

In the movie they Might Be Giants, a delusional jurist explains that he loves westerns because they show the clear delineation between right and wrong, which is when I realized why I vastly prefer mysteries to westerns; I like a more complex world view in which the good and evil dichotomy is not so apparent.Station West is a rather unusual movie in that it looks like a western and has a western-themed score but in terms of story and acting is more akin to 40s tough-guy detective flicks, with more moral ambiguity than you'd see in a John Ford movie. It's not dark enough to be called film noir, but it has some of those elements, and the relationship of Haven and Charlie is very Hammett-Chandleresque.The movie is enjoyable and briskly paced, with good performances and decent dialog. At the same time, Powell is a bit too unsympathetic for me, with a fairly callous disregard for the results of his actions. And the plotting is a little lazy, with that convoluted, poorly explained style you get in most of the Philip Marlowe films. But if you like 40s detective movies this is a good bet.

In the Films of Dick Powell, it's pointed out that Powell had done a western only twice before in his musical period. Cowboy from Brooklyn and Riding High had modern western settings.Only Station West was done during Powell's time as a noir star and he brings the genre west with him. Done in the obligatory black and white photography, Station West is a moody atmospheric thriller.It's not a mystery because you pretty much know who the bad guys are early on. But it does show Powell's dogged determination to find out who committed a gold robbery in which two soldiers were killed while guarding the shipment.Powell gets good support from Jane Greer as town saloon owner, Agnes Moorehead as a mine owner, and Raymond Burr as a shyster attorney. Burr is a revelation. Usually the villains he did before doing Perry Mason are pretty strong characters. He's quite the weakling here.Powell never made another western feature film, but his Four Star Productions produced Zane Grey Theatre in the Fifties on television and Powell himself appeared in many of the half hour stories.