Pearl Jam Twenty (2011)

Wonderful character development!

How sad is this?

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

The documentary is soft and just a two hour puff piece. You get all access to a band like this and you don't go into the real depths about the band and ask hard questions? What about their wives, girlfriends?Why didn't Cameron Crowe interview Dave Abbruzzese for example? I think every fan considers him being a big part of the band's history. Eddie Vedder never had a good reason firing him so he's probably still a little embarrassed about it...that's probably the reason he didn't want to talk about it. That's the thing...if you want to make a TRULY great documentary you have to also include the things which are unpleasant for the band members.

Pearl Jam Twenty (2011) **** (out of 4) Wonderful documentary from Cameron Crowe about the twenty years of Pearl Jam. Crowe talks about how he was living in Seattle when the entire grunge/alternative scene broke and from here on we see how the band came to be. Using interviews, archival footage and current concert footage, Crowe turns this into one of the better documentaries out there. We see the band starting out, rising to the top with the album Ten, taking on Ticketmaster, touring with Neil Young and then continue to try and make sure they stay true to themselves even when some of their fans started to question them. I was around 13 when the Seattle based rock really took off and I remember listening to Pearl Jam for a few years but then my music tastes started to change. I really haven't kept up with the band since then so one should keep that in mind as they read this but I thought the documentary was terrific. It really gave me a terrific idea of what the band is, who they wanted to be and it was great fun seeing their rise to fame and seeing how they almost broke up. I found Crowe's direction to be marvelous because a lot of times with these documentaries you have someone who doesn't know how to put all the footage together to make it entertaining. Concert footage is great. Interviews are great. Even television show clips are great. However, so many documentaries don't know how to put all the footage together but Crowe does a wonderful job and really delivers a film that even non-fans should enjoy. Even though I haven't followed the band in many years this documentary really made me want to rush out and buy their CDs and DVDs. I found the interviews to be extremely good and I liked the fact that Crowe didn't shy away from some of the darker moments in their twenty years. The documentary also covers some other groups from this Seattle era including the relationship between Pearl Jam and Nirvana. The suicide of Kurt Cobain is also covered and we get concert footage from the night of his death. Overall Crowe really has worked a mini miracle in bringing Pearl Jam's story to life. If someone like me enjoyed it so much I'm sure die-hard fans of the group will feel as if they're in Heaven.

Long time band confidante Cameron Crowe chooses a subject close to his heart to redeem for his iffy recent output and documents the history of Pearl Jam. As a summary of their career it covers all bases: Formation from Green River/Mother Love Bone, finding Vedder and their sound via Temple Of The Dog; massive instant success and the overexposure of both themselves and grunge as a whole and dealing with the fallout; battling Ticketmaster and falling record sales, and the tragedy of Rokslide and coming out of it as one of the most fan-revered stadium acts around. It's so busy scrambling to pack everything of note from twenty years into two hours it never really dwells on anything for a significant amount of time, and the band interviews are candid but never truly revealing. The early footage of a raging, furious live act are riveting and watching them work through all their troubles (interspersed with an amusing ironic nod to Andy Rooney of 60 Minutes simply wondering what the hell they're so miserable about) to come out the other side a euphoric success is pleasing, even if as a songwriting outfit they're a pale shadow of what they were on their first three albums. In summation, pleasing to the hardcore fan, but not really telling you anything you didn't already know; To the uninitiated you may appreciate the journey, but wonder what the hell all the fuss was about. 7.5/10

I have to admit I'm not what you will call a fanatical worshipper of Pearl Jam's music enough to compel me to watch what would be THE documentary this season with a single session, simultaneous screening around the world where PJ fans will likely already have made a beeline for. Instead, I'm a bigger fan of writer-director Cameron Crowe than the subject matter of his documentary (ok, so this sounds a little bit blasphemous), given that it's been years since we last saw a Cameron Crowe film hit the theatres, although that wait will soon be over by the end of this year with the release of We Bought a Zoo.Pearl Jam 20 chronicles the beginnings of the band back in the year 1989 where Jeff Ament and Stone Gossard came together after the demise of their band Mother Love Bone, and like all successful bands that came before it, was subjected to recruiting and changing of members until the perfect chemistry was achieved, culminating with frontman Eddie Vedder, with his distinct growling voice, joining the band, and together put alternative grunge music on the radar of music everywhere. Sure there were many others in the same vein since the 90s was the era where this sound had taken the world by storm, with what would possibly be the largest rivals to Nirvana before Kurt Cobain's passing.You can probably read a lot more details on the band from its Wikipage, and Cameron Crowe's film digs through large treasure troves of archival footage from television newsreels to more independent, off the cuff capture of the band's early years, that we get to witness the second earliest band performance ever and plenty of other home made videos that expectedly get pixelated for the big screen. Crowe's background as a music journalist being a tremendous factor in the crafting of this film, where in lesser hands would have been relegated to the standard talking heads interviews, and to stuff the film with chock full of music videos and live performances from the band's tours around the world. Instead, Crowe provides the narration, and shares interesting nuggets of information through what would be a largely chronological format without overwhelmingly bombarding the audience with too much information. Being on close terms with all the band members and collaborators also allowed for unfettered access to more intimate and honest interview answers, with the utilizing of milestones in the band's career to timestamp the feature, including their courtroom lawsuit with Ticketmaster. But with everything crammed into two hours, expect some areas of focus to be skimmed through as Crowe paced his documentary at breakneck speed to cover as much ground as possible, mixing it up quite a bit with comedy, pathos, and allowing the many visuals both moving and static to breathe and tell a story.It's about the capture of a phase of growing up, where looking around I see folks around my age group (or older) who had grown with the band in the 90s when we were in our teens where music played a large part in our lives, as we shift through the sands of time with the identification of many songs from the band's discography, where I didn't even realize that Daughter was supposed to be called Brother initially, and listening to Vedder actually sing it that way during a practice on the tour bus, is reason enough amongst others why fans just have to watch this, and perhaps reminisce the times where they had seen their idols perform on stage during one of the many concert tours done worldwide at the peak of their popularity.And that is if a theatrical release gets secured soon, which I suspect would be the case given the sold out, one off screening. Watch for it!