October Gale (2014)

Best movie of this year hands down!

Although it has its amusing moments, in eneral the plot does not convince.

The acting in this movie is really good.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This is one of the most boring movies i ever seen. Why all actors are playing so fake? Why all situations are connecting senseless with each other? And the worst thing in this movie is editing. Many many many mistakes in video editor. Acting was a fake in all aspects. That suspense was so long and boring and how is possible that all these actors were playing so weak and pretending? How is possible that this scenery is in pieces and not like a real story? I guess is all fault of this kind of director Ruba Nadda. I have no idea who is Ruba Nadda but i am not going to watch any other movie of her. Don't lose the time of public to watch some distracted ideas of you, Ruba Nadda!

Some movies are just tough to sit through. 'October Gale' is one of them. You really need the patience of a saint to get through it. Director/writer Ruba Nadda creates scene after scene of absolute nothingness that the audience is expected to sit through and hope whatever's coming is worth the wait. It's not. The premise seemed interesting enough and with a different script could have made for a really exciting, interesting movie. Instead we are left with this. Even a late cameo from the always great Tim Roth isn't enough to save things. You could tell Nadda had banked a lot on this performance by Roth being the Savior of his film but when you give his scene a moments thought you realise just how irrational and senseless the whole thing is. Patricia Clarkson in the lead role gives a real snoozefest of a performance and Scott Speedman never really gets out of first gear either. He seems as bored by the script as the audience will be. I don't think Nadda ever really settled on what he wanted the film to be. One second the characters are falling in love, the next they're fighting for their life, the next they're discussing the meaning of life. There's a lot going on here but sadly none of it's good.

Greetings again from the darkness. Writer/Director Ruba Nadda likes to explore human nature and unexpected romantic attraction. She did this in Cairo Time (2009) and does so again here in this excruciatingly slow-moving "thriller" with an interesting beginning, muddled middle, and a final act that reminds of wet fireworks … a dud. On the bright side, actress-extraordinaire Patricia Clarkson never allows us to lose interest.I've often written of my enjoyment of slow-burns and slow-builds for thrillers, and the best manage to generate a sense of caring from the viewers as they move towards the climax. Unfortunately, this one offers little more than an intriguing premise that places one ridiculous development on top of the next.Patricia Clarkson plays a doctor whose beloved husband has recently passed away and she heads to their lake cottage for some peace and quiet. Not long after, an injured Scott Speedman shows up in her living room. Being a doctor, she performs bullet-removal surgery with needle-nosed pliers, and then of course, finds herself attracted to the young gunshot victim who is being hunted by the father of a guy Speedman killed.We know the showdown is coming, but it seems to take forever to arrive, and then is pretty anti-climactic despite the presence of Tim Roth as the revenge-seeking father. The romantic attraction is pretty far-fetched and plays like a Nicolas Sparks story, or even a 1990's Tom Berenger or Ashley Judd thriller.The focus on death could have gone much deeper, psychologically speaking, and there is a brief scene where Roth tells Speedman "You always think there's going to be more time" that leads us to believe things are going to get really interesting. Instead more attention is given to the unlikely romance and the kinda hokey manhunt. Fortunately, the cinematography around beautiful Georgian Bay helps offset the story and the manipulative score, and of course watching Patricia Clarkson and Tim Roth work is always somewhat satisfying.

"Helen, if you let him in, we are both dead."What do I remember of "October Gale" after watching it ? Strange but true, the soundtrack eventually made the biggest impression on me. Melancholic piano music wonderfully fitting the state of mind of Helen Matthews (Patricia Clarkson) . The entire film is carried by the compositions of Mischa Chillak. And especially the beautiful and fragile number "Close Watch" of Agnes Obel playing at the beginning of the film, while Helen navigates her boat over the huge lake to civilization, was perfect at that moment in the film. The modest and understated performances by Clarkson and Speedman (William) were outstanding. And afterwards I also had the desire to travel to such a remote island where you can stay undisturbed. But these are ultimately the only positive things I can think of. It's a fairly empty and uninspired film. "October Gale" described as a thriller, with a touch of drama and romance in it. But ultimately it's only a brief sketch about Helen's process of handling the loss of her husband, with varying emotions coming up. There was a brief moment of romance in the present and a lot of it in the flashbacks. And to label it as a thriller, they really should have come up with a bit more tension since that section was extremely limited.Helen Matthew, apparently a doctor, goes to an island in Ontario where she and her late husband James (Callum Keith Rennie) used to spend their weekends and holidays in a weekend cottage that has been already 100 years in possession of James' family. Apparently, the only purpose of this trip is to finally clean up that cabin and come clean with the past. An entire cleaning operation so to say. This is accompanied by painful memories and tangible confrontation with the past. When it's all a bit to much to her, she decides to go and buy a new fuse. After some delay she returns to the island, while a powerful storm arises. In the course of the evening she finds the wounded young man William (Scott Speedman) with a gunshot wound in his shoulders and who gives, after being taken care of, a vague explanation about what happened to him.A simple story which is shown on the big screen in a simple way. At first I thought it was intriguing and fascinating. I was waiting for how the story would develop. But in the end I realized I was still waiting for it. By the time the denouement with the ultimate confrontation came, it was finished before I knew it. If you think this movie will end with a bang, I can already tell you that the curtain will fall with two modest bangs. There were also some dubious facts that made me frown my forehead. Most of these seemed to be rather far-fetched, and some weren't very logical. I found it odd that there were no spare fuses in the cabin, but the moment Helen takes care of the injured William, she magically pulls out a complete surgical equipment with all kinds of forceps, scissors and disinfectant. Did they have that cottage already when she was an intern in a hospital? Did she use these instruments to practice on her boyfriend at that time? Or is it simply too dangerous to stay on this island? And the way James exchanged the fuses afterwards made me chuckle. A university degree is no guarantee for thinking logical and practical apparently.The fact she couldn't connect with her cell phone, while this really wasn't a problem in the beginning, made clear that communication waves in these parts of the country aren't really weatherproof and are blown to all directions at the slightest storm. It was also totally incomprehensible to me where those emotions between the two protagonists suddenly came from. There was no apparent reason for that. Perhaps the intimacy during the operation and the additional care, created the charged atmosphere and ensured the chemical reaction between Helen and William. And apparently it's custom in those parts that after getting punched in the face, you'll make some coffee for the attacker. But the most annoying thing was the fact that the whole affair about William wasn't explained. Eventually I wanted to know what had happened and what caused it."October Gale" feels like an admirable attempt. But this attempt to make something of it, fails unfortunately and results in a calmly developing film with a mix of emotions. The melancholy and letting go of the past, the absence of affection and the moment someone can feel it back again and the ultimate suspense with vengeance as a central motif. The performances weren't the problem. Especially Clarkson provided a serene and wonderful performance, despite the limited script. Even Speedman sparkled at times, but I guess he was necessary to attract a female audience. The only one who was pretty disappointing (his limited role probably had something to do with it), was Roth. He acted as if he had just flown over briefly to finish the job. Conclusion: Cinematographic sometimes a joy to look at, but the content missed a little panache and passion. More reviews at http://opinion-as-a-moviefreak.blogspot.be