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The Imposter

The Imposter (2012)

July. 13,2012
|
7.5
|
R
| Crime Documentary Mystery

In 1994 a 13-year-old boy disappeared without a trace from his home in San Antonio, Texas. Three-and-a-half years later he is found alive thousands of miles away in a village in southern Spain with a horrifying story of kidnap and torture. His family is overjoyed to bring him home. But all is not quite as it seems.

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Reviews

ChanBot
2012/07/13

i must have seen a different film!!

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Platicsco
2012/07/14

Good story, Not enough for a whole film

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Allison Davies
2012/07/15

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Roxie
2012/07/16

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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Barak Gale
2012/07/17

I found the film dramatic, surprising, clever in its cinematography, thought provoking. So why did I rate it a "1"? I believe the film took unethical advantage of a family that had already suffered enormously from the disappearance of their boy, and portrayed them as exceedingly gullible, stupid and much worse, as possibly covering up their own heinous involvement, highlighting such possibility as real, even though hugely unlikely, but obviously creating effective tension and drama. That's great for a fictional film, beyond disturbing for a documentary.

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jonah-white
2012/07/18

All I can say is, "wow." Some reviewers described the tale as "fascinating." The only thing fascinating about it is how gullible the people involved are.I mean the story is totally outrageous: A blond, blue-eyed American teenager from Texas goes missing. Three years later, the child's family receives a call that he's been discovered in Spain. Except when they're "reunited" with their child, he's suddenly in his early-20s, with dark hair and dark eyes, has no recollection of his past, and speaks with a thick French accent. But this apparently doesn't raise their suspicions. Basically, I spent the entire time wondering how people could be so dense. I kept watching, thinking that there must be some explanation or crazy plot twist. But sadly there wasn't. I also cringe at the thought of this being aired to international audiences and confirming stereotypes about Americans' lack of sophistication and naivete.This might make a viable 20-minute story for Dateline or Inside Edition, but it really doesn't merit 90 minutes. The whole story is just too . . . stupid?

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MarcoLara
2012/07/19

This documentary is so full packed with mystery, intrigue, action,...that I can hardly say that is a documentary at all but a full-blown thriller which happens to be told as a documentary and happens to have really happened.Technically I'd mark is as almost flawless. The intricacies of the combination of the sound effects with the picture are amazing. The way actors and storytellers are mixed is incredible. I can only attest to the love and patience put to this film. Truly incredible.And of course the story is worth telling. An "apparently" French guy who claims to be a missing Texan with a family looking for him for many years. You will know the truth from the get-go. You will know what's going on, but then again you will not have a clue about what's going on because what's going on is far more deep and sinister than what you could imagine. The plot is twisted to a point that you, knowing what's going on, will soon realize that whether the kid is the missing son or not its not so important compared to what is really going on.Storytelling-wise, the director does a great job in letting you in little by little, starting by making you comfortable in thinking that you know what is going on, and then gently but steadily throwing you out of balance.If I have to make a negative remark I would just remove 10% of the music, but that's just a matter of personal taste.Keyphrase: "Good luck".

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Reno Rangan
2012/07/20

This was a stunning documentary movie about the 1997 incident. Tells the story of a Texas boy who returned home after the 3 years of disappearance. Created a lot thrilling excitation that equals to any masterpiece crime-thriller movie. Particularly to say it is what Hitchcock would have chosen to do if he was alive today. Sadly, it was a documentary movie, that does not really stop anyone from a watch. It is one the documentary you should watch if you are a Hitchcock fan, especially if you are interested in the crime-thrillers that deals about identity crises. As it is a true story, it was unbelievable.A 16 year-old Nicolas Barclay from Texas was missing for 3 years. All the sudden one day he appears with the changed personality. That brings joy in his family who was praying for his return. But Nicolas tells the strange story about his disappearance that convince his family, but authorities suspect that something is not right. What is true and what is not is the remaining narration that reveals as it happened.''I saw the opportunity.''This movie is what reminds me the Indian movie 'Naan'. Same kind of narration that does not keep the secret from the viewers, but each other from the movie characters. It was about claiming the fake identity, that was not done perfectly because of the faultless display, but failed to recognize the truth, especially in the modern world with all the facilities are available to detect such flaws. Like saying, all is well when everybody is happy. There are lots of similar incidents happening, but everything won't come into the lights. I am glad this story brought into the silver screen.It was awesome, I thoroughly stuck with it till the end. Yes, the end leaves behind many doubts about the whole structure of the case that could possibly take us to the day since Nicolas was missing. But in another angle it is a kind of offense to believe where the story leaves everything and finger points the other way. Whatever the truth is, it leaves us on a thin border of the two possibilities and we have to take what way we think could possibly would have happened. In the meantime the mystery about Nicolas keeps unanswered. I hope this puzzle will be solved one day in the near future.

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