The Four Seasons (1981)

Save your money for something good and enjoyable

Absolutely Fantastic

It's an amazing and heartbreaking story.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

I was watching the Kennedy Center Honors tribute to Rita Moreno, which included some short moments of her film work. I kept wondering if they'd show anything of The Four Seasons, which, while not something she's hugely remembered for, offered her a meaty role late in her film career, and is one of the first times I had ever seen her, as I hadn't ever watched West Side Story or most of her TV work. There was no mention, and indeed, I rarely hear of the film at all these days. I did see a sneering review of the film on a blog that, among other things, seemed astonished that the movie had ever been made as it was so poor, and seemed to believe that Bess Armstrong only appears in the first third. It was that review which compelled me to write this one.The Four Seasons is one of those films I never watch too often, as the characters and dialogue start to get on your nerves with how self- analytical and overly quippy they are, but this actually shows how ahead of its time the film was - if you add in some dramatic walking, or supernatural special effects, you have your average Aaron Sorkin or Joss Whedon script. What works for the film is the chemistry of the cast. You genuinely believe the characters have been close for a long time, and you can understand why the women resent Ginny, Anne's "replacement" in the group, and in Nick's life. Yet because the movie is also honest about the flaws of the characters, you're also invited to see the women's resentment, and the patronizing attitude of the men, as unfair. As time passes things start to feel a little too much (too much hectoring from Carol Burnett's Kate, a bit too much clowning from Jack Weston's Danny, a few too many measuring contests between Nick and Alan Alda's Jack), but it still ends on a satisfactory note, an ode to friendship along with a reminder of just how casually discarded friendship can be.Even though I haven't seen this in years, many parts still stick in my mind - the classical music for the soundtrack, the gorgeous cinematography (the overhead shots of the sailboat in the summer sequence in particular), the cramped car ride and sharp turns, Nick's depressed daughter talking about how the women at her college urinate off the balconies, Carol Burnett's speech at the end about friendship and losing touch.My favorite part of the film is Sandy Dennis' brief turn as Anne, Nick's first wife, the one discarded from his life, and then from people she saw as her friends. It's a touching performance, one that nicks at you long after she leaves the screen. Her final scene, running into her old friends, reminding them of their abandonment of her, and then moving on, is in many ways the natural conclusion of the film, and ends with such a classic line - "Maybe I'll get a goddam boa constrictor." You can't argue with that.

Released in 1981, The Four Seasons starred, written and directed by Alan Alda whilst still in his last years of playing Hawkeye Pierce in M*A*S*H. It is a superb effort from Alda as it tells three middle-aged couples, Alda amongst them, taking holidays together. The first of these holidays has one of the men Nick (Len Cariou) deciding to ditch his wife (Sandy Dennis) of more than two decades and eventually takes on a much younger woman (Bess Armstrong). The dynamic with the three couples certainly has changed with Nick getting himself a new lover due to the other two couples long-standing friendship and loyalty with Nick's previous wife. The way The Four Seasons deals with its complexities is what makes this film worth viewing thanks to the acting, script and direction of Alan Alda.

Another reviewer mentioned how this movie has changed for them since they first saw it - and not in a good way.For me, "The Four Seasons" has only become more relevant.I'm watching this on Encore as I write this. When I first saw this back in 1981, I was 16 and getting ready to entire my senior year in HS. I absolutely fell in love with this film but my perspective as a teenager had me seeing these people as my parents generation and wondering if when I reached their age I would have this kind of relationship with my adult friends. I also wondered if such people really existed. I laughed at the situations and the lines but without any real world experience.Now 30 years later, I have a very different perspective on things. I not only see myself (or aspects of myself) in each of the various characters, I find that the dialogue and relationships as presented in the film ring very true. When you are friends with other people for a long time, you do know each other well enough to be able to criticize, annoy, care about, and cherish one another the way these people do.I have also run into and had to deal with people that are essentially carbon copies of the people portrayed in the movie. I know Jack and Kate, Danny and Claudia, Nick, Ginny, and especially Anne. These people are real - not just characters written into a screenplay. They live in my town. Their fears, dreams, and neuroses are all familiar.Alan Alda was able to capture authentic portrayals of people by an outstanding cast. And while all movies are a distillation of sorts of character types, the individuals in this film seem particularly authentic to me.30 years later, I find this still to be a terrific movie. It is timeless in its message, and the emotions (humor, sympathy, anger) I experience come from a genuine understanding of and kinship with these people and their situations.

In one's life, there may come along, a handful of truly great movies that move you each and every time you view them. This is one of those films for me. Along with Same Time, Next Year and Love Story, this is one of my forever favorite films. The acting is outstanding, the writing is great, the scenery is terrific, and the storyline is not over-the-top, but very believable. You can put yourself in the place of each man or woman depending on your gender and say to yourself, yes, that really could happen and it may have happened to one or more of you readers. This is worth a look and if you are an avid collector, add it to your collection so your kids and maybe grandkids can have a look at something beyond the crap that is coming out of Hollywood these days.Ten out of ten for me.