The Tall Blond Man with One Black Shoe (1972)

I'll tell you why so serious

Good concept, poorly executed.

For all the hype it got I was expecting a lot more!

Excellent adaptation.

But there's a reason why "obvious" gets to be so... well obvious.Despite the fact that the print I saw of this had colour so mucky I would've been better off watching on a black and white TV set and that it was the dubbed version and not the original French version it is still better by far than the Hollywood remake in the 1980s.First off the director of this has a sense of timing which goes a long way. Scenes like the opening interrogation using a lie detector move fast and with a Spartan minimum of activity.More importantly is the fantastic art direction and the score by Zamfir (master of the pan flute). The hero's apartment could've easily graced the pages of Progressive Architecture. Especially his bathroom - no really. Only 'The Prisoner' made better use of art direction.Even the dubbed dialog retains a level of precision with lines like "I didn't see you behind me" "Ah, but I'm already ahead of you...". They could've gotten a better voice-over for Maurice, but at least the sound effect for the guns was an inspired choice.Some things like the bagpipe-as-a-snake scene don't work so well (at least outside of France) but they're a minor annoyance. Most of the comedy set pieces are inspired genius worthy of Chaplin, Keaton or (Harold) Lloyd.By all means see this movie - and make sure to see it before you subject yourself to the American remake.

This was a pretty inventive French film that I really wanted to like. I picked up the video because it starred Pierre Richard, who I really liked in La Chèvre. However, unlike this later film, Le Grand blond avec une chaussure noire wasn't really the wacky film I hoped it would be and I found Richard's performance to be a bit too restrained. In other words, the film was billed as a wacky parody of spy films but it just didn't get wacky enough--I expected something more. And, while Richard was occasionally clumsy or a little dim, his performance really wasn't all that funny. As a result, to me it's really just a time-passer.The actual story idea is pretty creative. Two rivals within the French intelligence agency are at odds with each other. One decides to try and outwit the other by pretending to have a top agent who has incriminating information on his rival--hoping to get his rival to believe that some sap chosen at random is actually this agent. And, the supposed top agent is Richard. While I could go on and describe the plot further, it's probably best you just see the film. One highlight I really DID like was Richard's friend who kept seeing dead people at the end of the film. Yet each time he tried to show Richard, the bodies disappeared...making him seriously doubt his sanity. This was pretty funny, though the rest just seemed to miss the mark somehow.

It's been many years since I saw this one, but it just "tickled my fancy." The US remake with Hanks and Belushi was ok, but the original had more spark. (I think casting Hanks and Belushi was as close as we could get to the original with big name actors. It was like seeing your friends perform "Taming of the Shrew".) The physical comedy of the best friend makes this good story even better.

This film was one of the most successful crossover French films of the 70's, and for very good reason. It is a delightful spoof of the spy genre, with a hapless musician unknowingly caught in the middle of a war between two factions of the French secret service. The plotting is extremely funny, the directing tight, the music (played by Zamphir on the pan pipe!) unforgettable, and above all the ensemble acting by a stellar cast will have you watching this again and again. Pierre Richard, playing the title character, brings an unusual elegance and sense of class to what would otherwise be a Woody Allen-esque role (it was played by Tom Hanks in the American re-make). Mireille Darc is the femme fatale, and there were quite few teenage boys in the 70's who never got over the image of her in a jaw-dropping backless dress. The rest of the group, from the cool head of the Secret Service, to the efficient but misguided spies, to the bumbling best friend and his wife, all leave indelible memories. Thirty years after having seen this film for the first time, I can remember everything with crystal clarity, and my own kids have found it just as delightful. Go ahead and rent this one for truly fun evening, you will love it!