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Death Watch

Death Watch (1982)

April. 01,1982
|
6.6
|
R
| Drama Science Fiction

In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.

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Reviews

GazerRise
1982/04/01

Fantastic!

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Comwayon
1982/04/02

A Disappointing Continuation

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Bluebell Alcock
1982/04/03

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

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Derrick Gibbons
1982/04/04

An old-fashioned movie made with new-fashioned finesse.

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a_chinn
1982/04/05

This European science fiction story reminded me in many ways of Fassbinder's "World on a Wire," the starkness, the deliberate pacing, and the art house pretensions all within a clever sci-fi premise. However, Fassbinder made his film engaging, suspenseful and also thought provoking. This film, while thought provoking, is dreadfully dull. The story here has TV producer Harry Dead Stanton sending reporter Harvey Keitel (who has camera implants in his eyes with special x-ray properties) to interview a dying writer, Romy Schneider. The film does pose interesting questions about privacy and independence in a society where both are eroding. This topic is made all the more interesting and prescient today, in the age of Google Glass and social media. Unfortunately, the film moves as a leadened pace and is populated with uninvolving characters, despite three strong actors in the leads, along with Max Von Sydow in a supporting role. This film does have it's defenders, but I found it pretentious and dull, though it may be that I'm just not a fan of writer/director Bertrand Tavernier, whose only film I've ever liked was "Coup de torchon."

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susan-191
1982/04/06

This was listed on a commercial station (55- in NYC- thank you!) and wasplayed with mercifully few breaks. Still! An amazing, timely, quite profound and haunting movie. As mentioned elsewhere it is a bit ponderous and doesmeander, but the best moments are gorgeous. Spoiler?: (Harvey catching sightof the intimate moments he's filmed in a grocery store and realizing the betrayal of trust he has engineered.) The brief soliloquoy by Max Von Sydow on the lack of 'meaning' in life- which somehow is comforting! The version that another commentor mentions wherein Romy (and without youother cineastes I wouldn't know that this was Romy's last film- what a waste!) is not dying- is just being set up- that would make perfect sense. Harry Dean is fabulous- why doesn't he work more? Please consider upping the rating of this.

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Kinski_Paganini
1982/04/07

In what is said to be a tragically prophetic role, Romy Schneider gives a superb performance as a dying woman at the mercy of a voyeuristic society presided over by a greedy television executive (coldly played by the brilliant Harry Dean Stanton). Also of note is an elegant cameo by the legendary Max von Sydow.Why this movie has yet to get a rerelease is entirely beyond me. It doesn't help that it's nearly impossible to find in terms of both rental and sale. If you are able to track it down, then do not pass up the chance to see it.

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Infofreak
1982/04/08

I had been wanting to watch Deathwatch for years mainly to see Keitel and Stanton on screen together in something other than The Last Temptation Of Christ. I never managed to find a copy so I was excited when it was shown here on tv a couple of weeks ago. This movie is superb! Intelligent script, beautiful direction and photography, and faultless acting from Romy Schneider and Harvey Keitel in particular. PLEASE try and see this haunting and increasingly more pertinent film, it will resonate with you for a long time.

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