Pee Mak (2013)

Good start, but then it gets ruined

This story has more twists and turns than a second-rate soap opera.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Worth seeing just to witness how winsome it is.

I was just browsing for some Thai horror movies to watch and came across Pee Mak. I didn't go for reviews coz i just wanted to spend my time some way or other. But to my surprise this movie turned out to be one of the best movies i have ever seen. A perfect combination of horror, comedy and romance. All the 3 in 1 platform makes it the best Thai movie i have ever seen. There are some scenes where i was laughing and the next moment i was crying and the very next moment i was again laughing. Anyone would think i went mad. This movie is that awesome!! A must watch!! If you don't watch this movie then you gonna miss something very awesome in your life. So don't wait. Just go and watch it. Its available in youtube.

This is my first time writing a review. Because, first, I have the time. Second, I hate bad endings to great movies. Lastly, I don't watch horror films but for some reason I watched this. ^^This will make you laugh so hard. And also scare you to the point of screaming. It's also like the suspense-thriller type slash comedy movies. In the middle of the it, I badly need to go to the bathroom to pee but it's the type of movie you wouldn't want to miss a single moment of. However, the ending disappointed me. I'm not much for the mushy, forced crying scene, and disappearing chemistry at the end. I understand it was a comedy/horror film but if that's how they end it with comedy, I'd rather they settled for a horror/sad ending instead. It was an overkill.Over-all I liked the movie. The actors most especially. Again, it would have gotten a 10 for me, if not for the ending. :)

Firstly, I'm not good at English so if there is some mistake from my words. Please forgive me. Thank you Secondly, about this film. It is one of the best and worth every second of your money. It is really good at its audience. It isn't much about horror, comedy or romance film. But it does very nice in every platform. You will be surprised at the quality of the film. From beginning to the end, you will not get out of the screen because it leads you very fluently, very attractive. You can not know what would happen to every characters. The content of this movie is very meaningful. It will tell you about the friendship, about family and love. Trust me, this movie is so nice and one of the best film so far. A very solid one. Thirdly, about the actors and actress. Yep, they nearly perfect at their roles in the film. They known their characters so well, and they act with their souls. Overall, this one is a solid one. The one that makes me forget about time, about the complaints while watching this film. It is romantic - horror - comedy that you SHOULD watch it in this summer.

You've probably heard of or seen one of the many adaptations of the classic Thai ghost story "Mae Nak Phra Khanong" about a soldier who returns home from war to his wife and baby not knowing that both are in fact already dead. What then makes this version by co-writer/ director Banjong Pisunthanakun so special for it to become no less than the highest grossing movie ever in Thai cinema history?Well for starters, it isn't a horror movie in the traditional sense of the genre. Whereas Nonzee Nimibutr's 1999 film "Nang Nak" stuck to the roots of the story, Pisunthanakun approaches the familiar folk tale with the same tongue-in-cheek attitude as his shorts in "4Bia" and "Phobia 2". Yes, it's a comedy-horror more than a straight-out horror, and the fact that we have labelled it a comedy first and a horror second should give you an idea which the film is more of.Indeed, Pisunthanakun lets you know right from the start that he intends to entertain you, more than scare you. After a brief glance of the pregnant Nak (played by Thai-Belgian actress Davika Hoorne) doubling over in pain as blood trickles down her legs, the scene switches quickly to the inside of a tentage where a soldier is giving an impassioned speech to lament about the cost of war – except that he seems to be speaking in Shakespearean English in an attempt to add gravitas.Just as quickly, his buddy Puak (Pongsatorn Jongwilak), whose hair is styled like a pair of wings above his head, chastises him for speaking in an accentuated manner. As the camera pans around to reveal the rest of the people in the room, you know better than to take the entire scene seriously. Besides Puak, there is Ter (Nattapong Chartpong), Aye (Kantapat Permpoonpatcharasuk), and Shin (Wiwat Kongrasri), all of whom form the quartet who brought the laughs in Pisunthanakun's earlier "4Bia" and "Phobia 2" shorts.And then there is Pee Mak (Mario Mauer), who is brought into the room screaming in pain but who has really merely sprained his ankle. One deliberately overdramatic battle scene later, Pee Mak and his buddies are headed back to the former's home village of Phra Khanong for him to be reunited with his family. There, entranced by Nak's beauty, Puak convinces the rest of them to accept Pee Mak's hospitality and stay in the empty house across the river from theirs.Shin is the first to suspect something is amiss when the entire village avoids Pee Mak like the plague when he goes to the market the next morning. Only the lady owner of the liquor store gives some hint why – Nak has been dead for some time and her spirit has been haunting the village since. Though the rest of his buddies dismiss his suspicions initially, Ter begins to realise that there might be some truth to Shin's accusations when he chances upon a body buried in the forest with Nak's wedding ring around its finger while taking a dump.Pisunthanakun and his fellow screenwriters, Chantavit Dhanasevi and Nontra Kumwong, have great fun in the first half of the movie with Shin and Ter's attempts to convince Aye and Puak of Nak's ghostly nature and then with their combined efforts to let Pee Mak see the truth. In particular, their game of charades as well as their subsequent decision to kidnap Pee Mak when he and Nak are inside a "haunted house" at the village fair is utterly hilarious, qualifying as two of the most inspired comedic sequences we've seen this year.Just as deftly, the second half of the movie further plays with audience expectations of just how dead or alive the rest of the characters are – we all know Nak is probably a ghost, but what about Pee Mak or for that matter the rest of his friends? Equally memorable as the two aforementioned scenes is that of the six of them on a long-tail boat in the middle of the river, the urgency of keeping the boat afloat due to excess weight and determining just who among them is or are ghosts combining for a hysterical but also a hysterically funny time.Though purists might object to the creative liberties that Pisunthanakun has taken with the tale, he returns to its touching core during the climax set inside a Buddhist temple. Yes, if it isn't yet apparent, the tale of Mae Nak is also meant to be a moving fable about undying love, and Pisunthanakun goes for a melodramatic but still heartfelt conclusion that reiterates the message at the heart of every retelling. Oh but of course, he does reject its tragic overtones, ending off with a postscript that is guaranteed to leave you with a big smile.Such a revisionist take requires that his cast be absolutely clear about what each scene is meant to accomplish, no small feat considering how Pisunthanakun alternates from comedy to horror to romance within the very same scene. Thankfully, he has four actors with such great timing that you won't sense any jarring change in tone; instead, you'll probably be so enraptured by their seemingly effortless chemistry. Yes, Mauer and Hoorne might play the titular characters, but it is these four goofballs that make the proceedings such an unbridled delight.There's little wonder, when watching 'Pee Mak', why the movie has surpassed even the most modest of expectations to become the top- grossing hit in its home country. Rather than yet another straight-up telling of the tale, this is a surprisingly lively and inspired interpretation that makes no apologies for being deliberately anachronistic and downright irreverent, with pop-culture references from David Blaine to Ang Lee to Spiderman and even 300. Like we said, this is not your run-of-the-mill Thai horror, but a laugh-out-loud crowdpleaser that is surely one of the most entertaining Thai movies we've seen in a long time.www.moviexclusive.com