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Tarzan Escapes

Tarzan Escapes (1936)

November. 06,1936
|
6.5
|
NR
| Adventure Action

White hunter Captain Fry tries to take Tarzan back to civilization, caged for public display. He arrives in the jungle with Jane's cousins, Eric and Rita, who want Jane's help in claiming a fortune left her.

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Reviews

Karry
1936/11/06

Best movie of this year hands down!

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Cortechba
1936/11/07

Overrated

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Merolliv
1936/11/08

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

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Senteur
1936/11/09

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

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flapdoodle64
1936/11/10

This was the first Weissmuller Tarzan film I ever saw, back in the 1970's in the days of UHF TV, and while I enjoyed it then, I enjoy it more now, being able to see a less-redacted version via DVD. As an adult, I appreciate the clever and at times powerful script by Cyril Hume (who wrote 'Forbidden Planet,' the most perfect scifi film of all time) and I also appreciate the often artful camera work...the fleeting view of Tarzan as he first approaches the safari's camp, as well as the swimming scenes stand out in particular.As every other IMDb review points out, a few very grisly scenes were cut before theatrical release, and so there are a couple abrupt jumps in the story. Also, there is some usage of fast motion (to simulate more aggressive fighting), stock footage, and some of the comedy relief is also clumsy. And of course, the depiction of Africans is racist. These are the flaws in this picture, and are typical of the era. I forgive them since the overall experience of this picture is enjoyable and interesting.This is likely the most violent of the MGM Tarzan films, and certainly depicts Our Hero dispatching justice in a very cold, yet understandable, fashion. At the same time, this film has some of the most emotional and heart-rending moments of the series, and there is something vaguely messianic in the way Tarzan, believing himself betrayed by one he loves, willingly enters the cage, later to descend physically down a violently rocky slope into unconsciousness, only to re-emerge into the world commanding an army of avenging elephants.Weissmuller has all the moves down here, and utters mono-syllabic sentences with the strength of a conqueror or the vulnerability of three year old child, depending upon the needs of the script. There is a moment of genius when Tarzan says 'Secret?' to Jane...it's as if he is simultaneously asking for the definition of the word and asking Jane why in heaven's name she is keeping a secret from him. While Weissmuller was never a Lawrence Olivier, Lawrence Olivier never could have played Tarzan, so there you go.Besides fun and adventure, this film contains several extended commentaries on human behavior, on relationships, and on moral values. O'Sullivan gives her usual magnificent performance and there is suitable Tarzanic stage business throughout. Lovers of old adventure and fantasy films, as well as lovers of the Tarzan series, are likely to enjoy and appreciate this film.

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moonspinner55
1936/11/11

Johnny Weissmuller's third round as the loin-clothed Tarzan is a passable time-filler, nothing more. Plot has the Ape Man outwitting smarmy game-hunters who'd like to exhibit Tarzan as a freakish novelty back in England. Well-produced entry in the long-running series apparently had some directorial trouble behind the scenes, with credited director Richard Thorpe getting some unsung assistance. The sly sexual bits involving Maureen O'Sullivan's Jane are amusing, and the action sequences rousing, but there's nothing exceptionally fresh here to entice non-Tarzan buffs. Fans and film-historians should be more than satisfied. **1/2 from ****

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dbdumonteil
1936/11/12

In this episode,Jane meets again two of her cousins,eager to latch onto a rich inheritance ;they need her signature and she 's got to go back to England with them .Jane isn't interested in money at all,but she 's got to help her relatives so his cousin can study medicine .A long sequence shows Tarzan and Jane is their garden of Eden .They do not need anything more,they could not ask for more.Civilization (here represented by a nasty man ,who wants to take Tarzan back to exhibit him in a circus) is evil,this will be even more obvious in "Tarzan's secret treasure" in which Boy would like to know the "other" world and all the things gold can bring.Johnny Weissmuller and Maureen O'Sullivan were irreplaceable and these delightful black and white Tarzan movies owe much of their charm to them.

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dbborroughs
1936/11/13

Using tons of stock footage, not only from Trader Horn but also the first two films in the series (for example the alligator fight was used last time out) this is one of the weakest films in the MGM series. Its a huge let down after the classic Tarzan and His Mate which is possibly the best film in the series.The plot has Jane's cousins coming into the jungle to tell her that she has inherited a fortune if she'll come back to claim it. They are kind of in the bind since the relative that left her the money cut them out of the will.Hiring a great white hunter, who secretly wishes to capture Tarzan and sell him, the pair heads into the jungle where they run into the usual jungle troubles (more so because of the stock footage). After lots of talk Jane decides to go back to civilization and we get long sequences of Tarzan and Jame making kissy face. Finally into the last half hour the plot to capture Tarzan is put in motion and things at last become interesting as plans go awry and things look very grim for all concerned..Painfully dull film is clear evidence of a troubled production. the film seems to have been assembled from several different films with the first half hour playing as an almost exact repeats of the previous film. The middle third shows signs of having to stretch things out and having plot lines that ultimately went nowhere. The last third where Tarzan is captured and the party is put into peril is the point that the film finally comes to life (it also shows signs of the graphic violence that caused much of the need to re-shoot the film). To me its a great wonder how the series managed to continue on from here since this film isn't very good (except at the end).I would be hard pressed to explain it except I would have to say that it was the relationship between Weissmuller and O'Sullivan as Tarzan and Jane which kept people coming back. Its a beautifully acted pairing and really is one of the screens great couples.(I should probably also mention that this is the point that the film became less real and more fantastical with the appearance of the Tarzan tree house.) I really dislike the first hour or so of this film a great deal and find it a great waste of time and energy. If you can come in towards the end I would recommend giving the film a try. Otherwise I would just skip the whole film and move on to the next film in the series.

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