The Assault (2012)

The Worst Film Ever

Simply Perfect

Good concept, poorly executed.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The Assault is a fairly faithful recounting of the hijacking of Air France flight 8969 by Algerian Muslim terrorists in 1994. The story is told from three perspectives--the events on the plane, the leader of the French SWAT team, and some French politicians.Four terrorists board the plane disguised as Algerian authorities out the check passports of the passengers. Once someone notices their weapons and grenades, they have to take over at that point. They aim to fly to Paris and hope to have two detained terrorists released. However because a stair truck is still attached the plane, the plane can't depart. The Algerian authorities pretty much refuse to deal with the terrorists at all. Once they kill a French citizen, the French government demands the plane be allowed to depart, which it does, but to Marseilles and not to Paris due to lack of fuel.We meet also the SWAT leader who's married and has a young daughter that hasn't really bonded with him yet. The woman seems to have a bad feeling about things. While he realizes that the situation with the plane isn't favorable and that there will be casualties yet he demands to be the first to enter the plane. We're not sure if he's depressed or what.Meanwhile the French government is on full alert and some little girl working at some ministry meets the main bad Algerian terrorist who's in Paris. She offers him money to call off the hijacking, but refuses and takes the money anyway. She concludes that the terrorists will use the plane as a weapon and crash it into a French landmark. At some point in front of major authorities for some reason she just grabs the microphone and starts dictating when SWAT is to act.Once the plane is in Marseilles the order is given to assault the plane. This is around 1:15 into the movie. Our leader is indeed the first one in and the only one tasked with going after the terrorists who are all in the cockpit with the 3 pilots. All the other dozen of SWAT are busy helping the passengers escape.For no good reason the entire movie is filmed in a notch before black and white. There isn't a whole lot of dialogue and things are fairly slow for the most part. But given the events portrayed you do connect with the movie. You just can't help wishing it had been more thrilling and exciting.

one of the worst ever seen so far about hijacking a passenger plane. the screenplay is badly enough to put several female characters in it, yet the wife of the french special force member with their daughter, the woman who works for the french emergency management authorities, the female passenger sitting next to her parents, are totally unnecessary casting. the scenes about how the french government handling such situation are also very laughable. those four hijackers also acted so lame and so stupid. the most ridiculous plot is how those 4 hijackers could so easily get on board without any reason to justify their success. the scene about the stupid french woman who works for the government trying to bribe the terrorist leader so naively is also a big laugh. there are so many useless and meaningless scenes in this movie dragging out the whole time just like the airplane on the tarmac. the final assault is also like a child play, so laughable and and so lame. showing the wife crying while watching the rescue progress is also so laughably lame and totally unnecessary. this is one of the worst films in such genre and it should not be put into production in the first place. a total waste of money and time of yours and mine.

French director Julien Leclercq's sophomore feature is a dramatization of the events of Christmas Day, 1994, when a group of four heavily armed men from the Algerian Armed Islamic Group hijack an Air France flight bound for Paris. The comparisons with Paul Greengrass' 'United 93' are inevitable- besides the fact that both concern themselves with the hijacking of a commercial plane by Muslim extremists, Leclercq also employs the same hand-held, faux-verite style that Greengrass used to convey the urgency and immediacy of the unfolding events.For the most part, Leclercq succeeds in creating a gripping chronological account of the events leading up to the French GIGN's (the elite counter-terrorism paramilitary unit of the French National Gendarmerie) storming of the plane stranded on a runway in Marseille airport where it had stopped to refuel. Still, his film lacks the intensity and emotional muscle of 'United 93', which is perhaps also a consequence of the more drawn-out nature of the incident (two days compared to United's two hours) which it portrays.Leclercq, who co-wrote the screenplay with Simon Moutairou, chooses to tell the story from three parallel lines. Thierry (Vincent Elbaz) is one of the squad leaders of the GIGN, and the film's opening minutes attempt to contrast the harrowing nature of his daily work with the calming father figure he tries to be at home to his baby girl. On the other side of the barrel is Yahia (Aymen Saidi), the leader of the terrorist group who finds justification (however misguided) for his actions through fervent and frequent prayer. There's also Carole (Melanie Bernier), a French Interior Ministry staffer who finds it an uphill task to prove to her condescending male colleagues that the hijackers are in fact on a suicide mission.The choice of these three perspectives is interesting, especially the contrast between Thierry and Yahia. Leclercq draws similarities between the two, despite their relative sides in the impending battle. A poignant sequence where Yahia's mother meets him face-to-face to convince him to surrender affirms that Yahia is, like Thierry, a family man. Just like Thierry too, Yahia finds himself the rallying figure for his men, the symbol they look to for strength amidst their fears and anxieties for the task in front of them. Carole, on the other hand, portrays the authorities' unpreparedness in dealing with the threat of Muslim extremism, much of the dithering on the part of the French probably manifested in the same way by the American authorities when 9/11 hit.The fact that these three story lines unfold almost independently of each other means that there is less screen time for each of the characters- but Elbaz, Saidi and Bernier perform admirably in lifting their characters beyond caricature. In particular, Saidi is surprisingly effective as the determined terrorist leader who nonetheless is not without shades of humanity and concomitant uncertainties about his course of action. Bernier also convinces as the bold and resolute junior staffer willing to take risks to circumvent layers in Government authority.Together, the well-chosen cast hold your attention until the final 20 minutes where the action kicks in proper. There will certainly be detractors who will find fault with Leclercq's choice to shoot most of the action in close-ups, as it also means that it is sometimes difficult to follow the swiftly unfolding action. Nonetheless, this climactic showdown is no less heart-thumping, and perhaps it is even more so because Leclercq conveys it through the eyes of those thrust into the highly charged situation (think of it as a first-person shooter experience).And indeed, even if Leclercq was clearly influenced by Greengrass' method, there's no denying that he has utilised it effectively to retell a similarly harrowing real-life drama with style and verve. There is a raw energy to his technique of hand-held, documentary-style shots, and the intertwining of the dramatized events with real-life footage enhances the highly-fraught tension-filled situation. This isn't your standard-issue action thriller, but one which reminds us of the clear and present real-life danger present in our world out there, as well as the true heroes who put their lives on the line for those of others. www.moviexclusive.com

First, I was afraid before seeing this film. I was afraid of an American way of filming and showing the characters. See the topic: Four muslims fanatics take an airplane as hostage on a big airport. I was afraid of the clichés such as good policemen vs bad, nasty Arabs, terrorists. And I was damn wrong. What a good surprise. While watching it, I thought of Paul Greengrass' masterpiece: UNITED 93, where the terrorists and their opponents are very well described, in a way where you can make your own opinion. No useless pyrotechnics here, no over explosions, nor over talking. Just the real, authentic, genuine needed action packed sequences, breathtaking ones, I can assure you. All characters, on both sides, are convincing in this story based on actual facts.The young film maker, Julien Leclercq, is very promising.