The New One-Armed Swordsman (1973)

Waste of time

Admirable film.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The film never slows down or bores, plunging from one harrowing sequence to the next.

THE NEW ONE-ARMED SWORDSMAN has the honour of being one of the finest Shaw Brothers movies I've watched and that's saying something when I enjoy the studio's films in general and have yet to find a film from them which I've really disliked. For me, their best work seems to be that made in the early 1970s, in which the plots were still delightfully old-fashioned but the action was harder-hitting than ever. This film happens to be extraordinarily gory, the goriest I've seen from Shaw outside of FIVE ELEMENT NINJAS.The plot is a reprisal of the films that made Jimmy Wang Yu a star, i.e. THE ONE-ARMED SWORDSMAN and its sequel. David Chiang is the hero who loses his arm in a duel and becomes a reclusive waiter until Ti Lung shows up and galvanises him into action once more. Chang Cheh was an excellent director and he's at the top of his game here; not only are the widespread action sequences impressively skilled and visually masterful, but the rest of the movie looks fantastic too, especially the framing shots. The incredible bloodshed is really ghoulish here and really goes over the edge at times. Chiang has never been better as the brooding hero - don't expect any of his trademark humour here - and Ti Lung excels in a star-making turn. Add in Ku Feng's truly malevolent bad guy and you have a classic of Shaw cinema.

It's very confusing. Director Che Chang made a series of five films which starred Yu Wang as the One-Armed Swordsman. However, Chang ALSO made some other films with the phrase 'One-Armed Swordsman' in the title...but not the same guy! In this case, the great martial arts actor David Chiang stars as Lei Li...A One-Armed Swordsman! Confused? I sure know I was! It is possible that the titles I am talking about are only the English language titles...but they do involve a hero who is missing an arm. My assumption is that the franchise was so successful that Chang decided to put out as many one-armed films as possible! Oddly, however, this is the only one- armed film with Lei Li.By the way, the version of this I was was the American dubbed one. Because of this, it might have been edited heavily...I have no idea but this often is the case with martial arts films. It is a Shaw Brothers film...which generally is a VERY good thing, as they tended to make some of the best martial arts film of the era.When this film begins, we can see that Lei Li is kind of stupid...at least when it comes to losing his arm. He's attacked by some jerks and he defeats them. When their master comes along and confronts Lei Li for this, Lei Li challenges him to a duel--and the loser promises to give up an arm!!! Naturally the master wins and he's decent about it...telling Lei Li to forget about the bet. But Lei Li is an idiot and soon lops off his arm in a memorable (and silly) scene! This is how this one-armed dude came to be in this film. Unfortunately, after this, Lei Li is pretty defenseless....or so he thinks. Jerks come to town and bully the crap out of him...simply because everyone sees him as a useless one-armed guy...and he is during much of the film. What happens next to make him go from a one-armed loser to a one-armed hero? See the film and find out for yourself.This is clearly a better than average martial arts film. Even with the celery-crunching sound effects and silly dubbing (typical of most films in the genre), the fighting scenes are better than usual and the story a bit different from other one-armed films. Oddly, however, they did no follow-up films with Lei Li...and I would have enjoyed this.

I can't remember the details behind the reason why Wang Yu left the franchise, but Chang Cheh replaced him with David Chiang in the titular role, and of course it's a totally new character, having his own motivations and background, as compared to Yu's Fang Gang.Written by Ni Kuang (author of HK's popular Wesley science fiction series), the new one- armed swordsman is now Lei Li (Chiang), an arrogant young swordsman whose specialty is his "yuan-yang" double swords. A hotheaded, up and coming hero, a diabolical plot was hatched by Lung I Ching, a veteran swordsman in the martial arts world, to keep these young upstarts at bay. With his three-joint-poles, which always seem to defy gravity, he schemes and manages to duel with Lei Li, defeating him and caused Li's arm to be chopped off.Herein lies the difference between this One Armed Swordsman, and the original Fang Gang. Fang Gang had lost his arm because someone else hacked it off in a fit of rage. Here, Lei Li actually gambled with his arm - the loser of the duel would have to remove it, and retire from "society". While Fang Gang had to learn his martial arts all over again, Lei Li was already skilled with his left hand, because he was originally ambidextrous. Also, Fang Gang's weapon of choice is his father's iconic broken sword, Lei Li doesn't seem to have any preference, and could fight with any.While there is a token romance with the daughter of a village blacksmith, the introduction of a special sword didn't seem to auger well, and it didn't last - it lacked something special, be it emotions or prowess, and seemed too generic. Anyway, I can't help but to chuckle at Ti Lung's character Feng Chun-Chieh, also a young upcoming swordsman who uses two swords. Chun-Chieh and Lei Li formed a sense of brotherhood when the former protected the latter from bullies, only because the latter doesn't wish to use his martial arts skills anymore. They become fast friends, but from the way their scenes were shot - the numerous hugs, back-slapping, arm holding, eyes longing, you might be expecting one of them to say that if only he knew how to quit the other.That aside, you'd come to expect the usual ketchup blood laden violence which have become the hallmarks of Chang Cheh's swordfighting movies. Here, it doesn't get any less bloody, and scenes can be quite graphic with the numerous decapitations of limbs, and one really interesting decapitation of half a human body, across the waist. There are plenty of set action pieces, like that iconic fight on the bridge with many footsoldiers simultaneously. Scenes like these are what Tarantino adopted in his homage Kill Bill double feature, where the hero goes on an unstoppable roaring rampage. Though I must admit the introductory fights don't contribute much to the plot - just there for the sake of showing off what Lei Li can achieve.All in all, it's great fun, just to watch what our parents were watching as they grew up, and comparing these films to the standards of today. While cheesy, the good old classics stand out for their groundbreaking effort in those days, to bring us what has evolved till now.Code 3 DVD contains minimal extras, just one trailer, a photo gallery, the original poster, one general paragraph passing off as production notes, a biography and selected filmography of the cast and crew.

As a beginning martial artist at the time I saw this film,I was amazed at how realistic the fight scenes were.This man could handle a sword and to this day I wonder how they made it look so real.